In the contemporary world of jade carving, the traditional realistic style has always occupied a place. However, many masters engaged in traditional realistic jade carving seem to have fallen into a misunderstanding, and they are still immersed in the creation of a single-dimensional flat literary narrative, and fail to realize the limitations of this art form. What's more, they also believe that the crafts they create have high artistic value, and this self-perception bias deserves our in-depth analysis and criticism.
First of all, the works of traditional realistic jade carvers often rely too much on literary narratives, ignoring the aesthetic characteristics of jade carving art itself. In the process of creation, they often put a lot of energy into the narration of the story and the portrayal of details, while ignoring the overall creative concept and spatial layout of the work. This practice makes the jade carving works appear flat, lacking a sense of hierarchy and three-dimensionality, and it is difficult to bring a profound intuitive experience to the audience.
Secondly, traditional realistic jade carvers tend to be conservative in their aesthetic concepts, lacking attention and understanding of modern art trends. In today's globalization and informatization, the development of art has far surpassed the traditional scope, and the diversity and inclusiveness of modern art provide infinite possibilities for artistic creation. However, some jade carvers still cling to traditional aesthetic concepts and refuse to accept new art forms and expressions, resulting in their works being outdated and backward in terms of artistic expression.
In addition, some traditional realistic jade carvers also have the phenomenon of self-aggrandizement. They tend to see their work as a work of art, and even think that their skills have reached an extremely high level. However, in fact, their works often lack a lot in terms of artistic value and innovation. This phenomenon of self-aggrandizement not only hinders the progress of jade carving art, but also misleads consumers about the perception and evaluation of jade carving art.
In view of the above problems, we need to take active measures to promote the innovation and development of traditional realistic jade carving. First of all, jade carvers need to change their concepts, recognize the limitations of traditional realistic jade carving, and actively seek new artistic expressions and creative ideas. Secondly, they need to strengthen learning and communication, understand the development trend and aesthetic concept of modern art, and improve their artistic literacy and innovation ability.
In short, traditional realistic jade carvers need to abandon the single-dimensional flat literary narrative creation mode, actively embrace the development trend of modern art, and constantly improve their artistic literacy and innovation ability. Only in this way can they create works of true artistic value and innovation, and contribute to the prosperity and development of jade carving art.