Only the soul of poetry is Shang! 85 year old Fan Zeng published his book Thinking of No Evil Colle

Mondo Culture Updated on 2024-03-03

Written and written by the famous calligrapher and painter Mr. Fan Zeng, the couplet collection "Thinking of No Evil - Fan Zeng's Self-written Couplets" was recently published and distributed by Zhonghua Book Company.

The book launch seminar was held on March 2 (the 22nd day of the first lunar month) at the Rong Bao Zhai Building in Beijing. Zhou Wenzhang, President of the Chinese Poetry Society, Mao Yuansheng, member of the Party Group of China Publishing Group and General Manager of China Publishing and Media Co., Ltd., Zhao Dong, Executive Director and Secretary of the Party Committee of Rong Bao Zhai, Yin Tao, Editor-in-Chief of Zhonghua Book Company, Chen Dongmei, Member of the Standing Committee of the Nantong Municipal Committee of the Communist Party of China and Minister of the Propaganda Department, Ms. Fan Xiaohui, the chief planner of the book and the first-class costume designer of the National Peking Opera Company, and many experts and scholars attended, and Tang Hui, deputy general manager of Rong Bao Zhai, presided over.

Group photo of guests at the event.

Mr. Fan Zeng has studied both Chinese and Western cultures, and is well-known overseas, and his poetry, calligraphy and painting have high artistic attainments. Adhering to the cultivation and embrace of the children of the poetry family, the poetry is thought of as a couplet. This book selects 338 couplets written by the author at the age of 85, and the collected couplets are classified into four categories: "Poetry with Words", "Yonghuai Ancestors", "Victories in Correspondence" and "Erudition in Literature". The joint is sent for the examination of learning, for the cultivation of thinking, for the exercise of rhetoric, and for the sudden opening of the mind. The discussion is brilliant, the taste is unique, the poetry is ups and downs, and the interest is full. Mr. Fan Zeng has opened a new face in calligraphy, high self-standard tree, nearly 20 years of searching, only the soul of poetry is still the backbone, forge ahead, and finally return to Pu.

This book is displayed in 8-page large editions, color hardcover printing, the layout is open and elegant, pleasing to the eye, and readers can get a glimpse of the master's handwriting; Playing poetry and bell couplets is full of fun and makes people never get tired of it. At the same time, the joint text is accompanied by a brief note, one joint and one explanation, clear and clear, the meaning is timeless, and the aftertaste is long.

On the day of the press conference, a seminar was also held on "Poetry and Paper, Bao Se Mo Daigo-Rong Bao Zhai Jiachen Fan Zeng's Poetry and Calligraphy and Painting", which was presided over by Liu Bo, a first-class artist and doctoral supervisor of the Chinese Academy of Arts. Many experts and scholars from the Chinese Poetry Society, the Chinese Academy of Arts, Tsinghua University, Peking University, Nankai University, Xiangtan University, Jiangsu Normal University, China Television Art Committee and other institutions participated.

Seminar site.

The seminar tasted the style and atmosphere of Fan Zeng's poetry, calligraphy and painting art, and talked about the influence of the aesthetic principles of "returning to classicism and nature" and "taking poetry as the soul and book as the bone" on Chinese painting and calligraphy. The experts at the meeting believed that Mr. Fan Zeng is a person who has inherited the tradition of Chinese poetry, and the greatest inspiration given to us by his works is the strong spirit of classicism exuded in his poetry and literary language, shining with poetic brilliance, which is especially lacking in current literary and artistic creation and should be studied hard.

Mr. Fan Zeng. Mr. Fan Zeng concluded by making a speech and delivering a speech of thanks. By comparing the characteristics and development of Chinese characters in several ancient civilizations in the world, Mr. Fan pointed out that the ideographic Chinese characters are a unique cultural heritage in the world and a powerful linguistic force, and we should have this cultural self-confidence, create and carry forward more Chinese language art works, write for the happiness of the soul, and write for the liberation of the spirit, so that the whole world can understand and understand our culture.

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