Unexpectedly, the first fun of the new year was given by the second princess of Huawei.
In the latest anti-drug drama "Ice Hunting", Yao Anna handed over her answer sheet after her high-profile debut x years ago.
Literary drama: The sacrifice of her comrades-in-arms, and the grief and indignation forced the drug dealer to ask her, she acted like this-
Martial arts, breaking into the drug den with a gun, she acted like this-
emmm, why not be a kind of fun with the people?
The output of the musicians is stable, and he sharply comments on "chicken-eating acting".
To be mean, I even think it's a compliment, at least admitting that it's an acting.
In fact, the acting of the second princess may not be called "rotten", because the premise of a thing being rotten is that it must indeed exist.
Her acting skills should be called "Zero".
Just like the results of her three years in the entertainment industry, there is no result.
There is no splash in singing, no splash in participating in variety shows, and no splash in acting.
Compared with the entertainment industry, the Chinese diving team may need her more.
I remember that not long after her debut, in an interview in response to ridicule, she talked about the reason why she bravely entered the entertainment industry was that she wanted to be like Emma Watson.
And three years later, she has lived: Hey, what are you playing? 
Let's start with Ice Hunting.
Yao Anna's relationship with acting is like my relationship with Yao Anna, (unilaterally) heard of it.
At such a level, it is not unusual for the identity of the second princess to be suspected of bringing capital into the group.
Director Gao Qunshu came out to respond after the fermentation, to the effect that "Yao Anna is very simple, and so is the crew." ”
Well, it's really hard to convince the public.
*|Weibo @ He went back to the mental hospital, after all, just looking at Zhang Songwen's big drug lord character, it is difficult not to think that this is taking advantage of "Hurricane" to carry a sedan chair for the second princess.
It wasn't until I actually watched the drama that I felt that what the director said might be true.
First of all, "Ice Hunting" on the timeline was indeed filmed before "Hurricane" became popular.
Secondly, this drama, it is really simple (cu) su (cao).
Overstretched to the point of even shoddy, permeating every corner of the plot.
It's like a capture scene on the stage.
Before the war: the people are fierce and the drug trafficking village is strong, and the enemy is outnumbered and fights;
During the battle: the police encircled and suppressed a drug lord, and the only one who played the auxiliary was an old woman, whose skill was splashing water;
After the war: the feet are torn, and the mesh socks cannot be broken.
I can see that I am really poor.
I don't have the money to revise the script" is also very credible.
After all, "the anti-narcotics police (without explanation) disguised themselves into the drug bandits' dens and blatantly notified their teammates of their addresses and received a daily settlement before leaving" This kind of European emperor plot is not something that ordinary people can write.
As for "Yao Anna was chosen because she likes non-professional actors", it is indeed reflected everywhere in the play.
Almost all group performances and supporting roles show a kind of stiffness of memorizing lines and jerkiness of acting for the first time, which can be called annual meeting sketch acting.
Note: He's angry.
In addition to Zhang Songwen, all NPCs.
is also at this level, even if Yao Anna's acting skills are not worthy of the sentence "peer foil", she is quite gregarious.
But here's the problem
This kind of three-no work, no funds, no flow (Zhang Songwen was not popular at the time of shooting), and no book.
Why did the second princess choose? 
This is going to talk about Yao Anna's career planning in recent years.
You will find that she really doesn't have any "princess disease" in the anthology.
The few three starring films are all low-budget niche films in different senses.
One is the realistic sci-fi short drama "Tomorrow's Survival Guide" made by Xiaopo Station;
one is the literary short film "A Cliff Rises by the Sea", which was shortlisted for Cannes;
Next, there is "Ice Hunting".
In several dramas to be broadcast, there are many familiar faces, but they are not big names, and the composition of the team is obviously not a traffic drama, most of them are powerful, and Yao is also a supporting role.
Summing it up, it is not difficult to see the logic of Sister Yao's selection-
First, the director's standard is basically not bad, but she will not occupy their really important pit.
Not to mention short films and short dramas, even if it is Gao Qunshu, the director of "The Wind", Yao Anna's target in "Ice Hunting" is obviously not Zhou Xun and Li Bingbing.
Second, Yao's starring role is basically an all-amateur configuration (in the sense of popularity), and if there are really "stars", Yao often plays a match.
In this regard, Yao Anna actually behaved quite well.
And whether she is really humble or posturing, she has not yet come up with the resource that the audience hates the most.
So there are always people on the Internet who defend her a few words, thinking that it would be good for a rich second generation to be like this.
Source|Weibo @长安树木 on Weibo.
emmmmm, just, partially understood.
Yao Anna may have an attitude of not taking shortcuts, but these words are difficult to look at after all.
Because whether she takes shortcuts or not does not depend on her subjective attitude.
Her shortcut comes with the original.
To put it more bluntly, if she has no background, even a more unpopular and lower-cost work is not qualified with her qualifications.
Yao Anna is actually still the same Yao Anna, if you want to praise her, you must bring the premise of "a rich second generation" in order to come to the conclusion that "this is already good".
And when your shortcut is DNA, the posture of "looking for hardship" will not make you more close to the people, but will make people feel awkward.
Isn't this both the same and the same?
We ordinary people can't be princesses, so we can only work hard to be model workers.
And she wants both titles.
She does like to emphasize, "I'm just like everyone else, I'm an ordinary person with no talent." ”
Take learning ballet yourself as an example, saying that it takes twice as much time for others to catch up.
The directors of several unpopular films also stamped her efforts, praising her for not using a stand-in, and her attitude was hard and serious.
You can't say it's not called effort, but this kind of effort is glaring to the average person.
After all, reincarnation, how can it not be considered a talent?
What Yao Anna doesn't understand is that hard work and hard work are really different.
The biggest difference between the efforts of elites and ordinary people is that there is no resistance to their efforts.
Yao Anna only needs to tell the people around her that she wants to do it, and there is a full team and equipment to provide it, and all she has to do is to realize her legend.
15 hours a day", this effort is a privilege in itself.
What is quite interesting is that the police line of "Ice Hunting" was added in a hurry, and many outrageous plots of the role of Zhao Younan quietly coincided with Yao Anna herself.
Yao's Dream Chase Be Like: Follow the big footprints to find the key NPCs arranged in advance, and easily unlock the next plot.
Also be like: Without any evidence and experience, it is purely by the brute force of "I just think" to achieve success.
I like these two lines that make me suspect that the screenwriter is carrying private goods:
Old anti-narcotics policeman: The leader must have something special about sending you two young policemen here.
Yao Anna: When a young police officer comes to the front line of anti-narcotics, does he have to be outstanding?
Me: Think about it, where do ordinary people get this confidence?
Sitting in the first class in the low-cost airline and living in the villa in the slum are this kind of hard work that mortals can't learn.
But to be fair, it's not without a price.
The biggest price of an overly smooth life is an empty personality.
has no real life experience, and no matter how hard and tiring the role is, it can only hand over the acting skills of the rigid surface of game modeling.
It's kind of ironic fairness.
There is no resistance, but it has become the biggest obstacle on Yao Anna's dream path.
There is also a price.
It's quite wonderful to think about it, the last time I mentioned this price, it was to talk about Yang Yang.
These two seem to have nothing to do with each other, but they have two similarities: the foundation is quite upright, but the posture is high and upright.
Yang Yang won't go into details, Yao Anna, as the daughter of a national enterprise, coupled with her relatively straightforward personality, shows that she is walking righteousness in the world.
And this kind of personality is often difficult to hear the truth around you.
People who are a little more social will naturally give enough face, and upright people will be unbearable.
Let these two people who are not related to each other end up in the same way: work hard in vain.
Just look at the directors of the two starring dramas talking about Yao Anna, and the repetition rate is not 100% but also 98%.
What "I don't want to give her acting lessons", what "unadorned".
It's not that I don't believe the two directors at all.
That is, the director may really like non-professional actors, but to say that Yao Anna is used because she is a non-professional ......
What about the directors looking at me? I have less traces of training than Yao Anna.
The directors who love to use non-professional classes are nothing more than two things, one is the talent of untrained shaping, and they want a piece of jade spirit.
The other is a sense of documentary, and I don't even want to perform, it's all real.
For example, in "What Is Home", many actors, including the lead actor Zane, are real Syrian refugees.
Gao Qunshu uses a large number of amateur actors, which is probably the same logic.
But the second princess, which of the above points does she have?
Her woodenness is almost written on her face, and this is a taboo in acting.
If you don't feel it, how can you react? Without empathy, how can it be shown?
To describe Yao Anna's current situation as a rebellious princess escaping from the castle and taking the crown to the world to experience life, the degree may be excessive, but the meaning is indeed so.
What is the probability that "Triangle of Sadness" can meet a sincere treatment?
It's hard to say. I'm not maliciously speculating about the director, content creation is not easy, who doesn't want to have a character with their own topic, which is not contradictory to their sincere desire to teach Yao Anna.
It's just that for Yao Anna, she doesn't need this "simplicity" that everyone praises.
What she needs is to admit that she does have a princess life that ordinary people can't reach.
I don't know if you remember, when she signed the contract that year, Yao Anna was arranged to be an "exceptional princess".
The process of determining this character was criticized at the beginning.
It took less than ten seconds for Yao Anna to go from questioning the inappropriateness of the "princess" to accepting the company's statement that "exceptional" is the key.
In the documentary, she also emphasized countless times that she wanted to do what she wanted, break the routine, and pursue a life that was not arranged.
The premise of breaking the rules is that you have to have a "grid" first.
Looking at Yao Anna's three-year debut choice, it is not an exaggeration to describe it as a hammer in the east and an ax in the west.
has posted two songs, the first time "Back Fire", whether it sounds good or not is another matter, but it is obviously to follow the path of a traffic star, and the Korean wave has a strong flavor.
And then "ART", I will pop some of the lyrics for you to taste.
Some big and empty + some disease-free moaning + some saliva words.
Then, he began to cooperate with Mango Channel, and participated in two ace variety shows "Longing for Life" and "Chinese Restaurant", all of which were work variety, focusing on the character of a civilian princess.
Yao Anna is diligent and diligent in it, but she is only diligent, and her empty personality is to the extent that He Jiong, Huang Lei, and Huang Xiaoming can't bring these old coffees.
And in 2023, she will leave behind her former good resources and try to take a path of cultivating in obscure small dramas.
can span a wide range of dramas, from science fiction to literature and art, from love to patriotism, which makes people feel less like practicing acting skills seriously, more like playing a dress-up game.
This is not called cultivation, this is called stamp collecting, punching cards, and it is a collector's habit that the rich and leisure class can afford.
* Performance "Find Yourself".
In the final analysis, what Yao Anna insisted on from beginning to end was only the action of "breaking".
What can be broken, and what is sought after the break, she doesn't know, the company doesn't know but pretends to know.
So I said, Yao Anna is still the same Yao Anna.
Her rebellion is the pursuit of rebellion itself, not the recognition of her own life, but really to subvert something.
So no matter how hard she tries, she always gives people a kind of discomfort of wanton behavior.
There are thousands of forms, you can not want to dance ballet and want to dance the girl group dance, you can also want to play acting skills without engaging in technology, but you can't make a high-profile debut in traffic stars one second, and precipitate life in the next second to occupy the resources of grassroots actors.
A director like Gao Qunshu, who has a reputation but likes amateur actors, is the only chance for many people to get out of the position.
Dare to guess, if "Ice Hunting" does not have Yao Anna, the benefits brought by Zhang Songwen's halo will probably be given to the restaurant girl who stands out from the crowd in her embarrassing acting skills.
In just a few scenes with Zhang Songwen, the ambiguous atmosphere of Yin Tianqiu and Liu Piaopiao was full.
But now, all eyes belong to Yao's chicken-eating acting skills.
has broken the entire entertainment industry everywhere, is your path to self a little too much?
Yao Anna can't be Emma Watson, and I even doubt that she really wants to be Emma Watson.
After all, Emma has never belonged to the category of "exceptional", but is more in line with the logic of elite education.
From Hermione, to reading Oxford, Brown, to women's rights voices, they are actually not like the "stars" we know in internal entertainment, but should be called celebrities.
If you really want to talk about "breaking the rules", she is not from a professional class, from dropping out of school to acting in chicks and superhero movies, all the way to Emma Stone, the Oscar-winning actress, can be regarded as a role model.
From singing and dancing resource coffee to hard-working actor, Yao Anna's career line is also a struggle between her self-desire and elite inertia in her heart.
At the moment, it seems that no one has won against anyone.
Her personality is still vague, on the one hand, she does not admit that she is a princess, she calls herself an ordinary person, and on the other hand, she says that she is going to break the label of a celebrity.
Her efforts are still raging in domestic entertainment, becoming an instinctive fear carved into more and more audiences.
This kind of confusion caused by too straightforward and single life, I want to show understanding, but I really can't empathize.
It reminds me of the eternally empty lady Tanya in "The White Lotus Resort".
As soon as he found spiritual sustenance in the massage aunt, he vowed to invest in her to do business independently.
When the massage aunt let go of her prejudice against rich people and began to look forward to it sincerely, she turned her face and said that she couldn't "smash people with money", which was not good for her mental state.
Can you tell there's anything wrong with her? It is her power to invest or not.
Just like the second princess entering the entertainment industry, it is also her freedom.
Is money the original sin?
I do not know. All I know is that some people in this world just need to bother to the fullest, and it's enough to ruin the lives of others.