The king of sketches, the father of sketches and the queen mother of sketches, who is the overlord of the sketch world?
The three sketch masters of Zhao Benshan, Chen Peisi and Zhao Lirong have their own characteristics, and the meaning of the sketch is also different, so we should analyze it from different angles.
Chen Peisi and Zhu Shimao inadvertently invented the art form of sketches and moved it to the stage of the Spring Festival Gala, and since then a large number of sketch actors have appeared, so if you want to worship the ancestors, you must worship Chen Peisi and Zhu Shimao. If it weren't for these two people, so many sketch actors might still be either singing, acting in TV series, or maybe still farming at home.
Film actors like Song Dandan and Cai Ming can only honestly act in movies and make TV series, so their achievements will not be too high, otherwise they will not put a lot of energy into acting in sketches, and acting in sketches has never delayed filming, judging from the results over the years, their film and television drama output is very limited.
Then actors like Zhao Benshan and Pan Changjiang who sing duo and comment on dramas are more miserable, either continue to mix in the folk art troupe to eat, or change careers, after all, it is difficult for these industries to become bigger. Teacher Zhao Lirong can only sing her commentary, and when she gets older, she can only retire directly, and it is estimated that few people will know her.
Therefore, the sketch actors should be grateful to Chen Peisi and Zhu Shimao.
And Zhao Benshan is the one who makes the sketches bigger and stronger. He began to perform sketches in the Spring Festival Gala in the 90s, and he acted until 2011, acting for more than 20 years, but he couldn't act anymore. Although Zhao Benshan has always given us the feeling that he is not too young, but looking back after so many years, it turns out that Uncle Benshan was also so young, he was really a newcomer replacing an old man, and the green silk turned gray hair.
Some people say that Zhao Benshan's sketches are vulgar, just like Guo Degang now. In fact, there is a qualitative difference between the two, Guo Degang has only been to the Spring Festival Gala once, and the response is mediocre. It's not that he has no ability, but on the stage of the Spring Festival Gala, Guo Degang's cross talk is not suitable for performance at all. In other words, if Guo Degang didn't have those ", pee, fart" and male and female content, the fun would be greatly reduced.
And the Spring Festival Gala is a stage where every second counts, and if you want to say a cross talk well, it must be completed within 15 minutes, which is even more difficult. Cross talk needs to be paved and stable, and only two mouths can be spoken, while the sketch has a set, and the characters can perform, so the scale is larger. And Zhao Ben has only been absent from the Spring Festival Gala once in more than 20 years, which shows that his sketches are on the stage.
Vulgarity and folklore are two different things. Guo Degang's cross talk is a bit vulgar, although it is very funny, while Zhao Benshan's sketch is folklore. He grew up in the black soil, and he told the stories of farmers, if the peasants were vulgar, then who could live without them?
Most of Zhao Benshan's sketches are not jokes between men and women, even if they are joking, they are all to the point, not excessive. So Zhao Benshan is a real sketch master, and Guo Degang may really not be able to eat if he leaves those vulgar content. Zhao Benshan really reached the peak at the beginning of the 21st century, when a large number of sketch masters either left the stage or went to the trough.
And the sketch stage in the 90s was an era of fairy fights, although Zhao Benshan was equally good, he was robbed of the first prize of sketches by others in many years. Winning an award may not be a problem, but there were many excellent works in that era. Yan Shunkai, Huang Hong, Song Dandan, Zhao Lirong, Chen Peisi and others all won the first prize for sketches in the 90s, it cannot be said that Zhao Benshan was not good enough at that time, but there were too many good works.
So the sketches in the 90s were often about the same as the first prize and the second prize, which were very good works, unlike today's sketches, where a group of non-professional sketch actors were sensationalizing on the stage and didn't know what to do. If there is no person in charge of the audience, the scene will be even more embarrassing, and the whole audience is silent after the whole sketch, is it also a very scary thing?
Zhao Benshan won the first prize of the Spring Festival Gala sketch for three consecutive years from 1990 to 1992, and became the first dark horse in the sketch industry, but it was not until 1999 that Zhao Benshan won the first prize of the Spring Festival Gala sketch again, spanning 7 years. He was blocked by Yan Shunkai's "Zhang Sanqiren" in 1993, did not participate in the Spring Festival Gala in 1994, and from 1995 to 1998, Zhao Benshan was the runner-up of the Spring Festival Gala sketches, and the ones who blocked him the most were Chen Peisi and Zhao Lirong. Due to the existence of teacher Zhao Lirong, Zhao Benshan missed the first prize for 2 consecutive years.
Today's Spring Festival Gala has almost become a decoration that no one cares about, but in the ** decade, the Spring Festival Gala is definitely the most anticipated program for the audience, and every household sets off firecrackers and eats dumplings on Chinese New Year's Eve, and the Spring Festival Gala is also a big dish in the thirtieth year of the Chinese New Year's Eve. Therefore, winning the award on the stage of the Spring Festival Gala at that time was equivalent to the selection of the Golden Ball Award in the football world and the MVP of the NBA. The biggest stage for sketches and cross talk is the Spring Festival Gala, and even Niu Qun and Feng Gong joked in the cross talk that "the second prize is not for the two of us", which means that they won the first prize of cross talk, which was a great honor in that period.
Zhao Benshan publicly said that the two first prizes were taken away by Zhao Lirong, and he believed that he was telling the truth. After all, Zhao Lirong is highly respected and her works are excellent, so she should also give Zhao Lirong the first prize. It can't be said that Zhao Lirong's sketches are better than Zhao Benshan, but she does not have any black fans.
As long as you like sketches, there is no one who doesn't like Zhao Lirong. Her performance style is suitable for the whole audience, which is very rare. It's hard to say whether Mr. Zhao's acting skills are superb, because she always feels like she is playing herself, no matter what role or story, Mr. Zhao has no traces of performance, making the audience feel that this is her own interpretation of her own life.
Teacher Zhao Lirong is of medium stature, more or less fat, giving people a cute feeling. She likes singing, martial arts, and is willing to pursue new things. The character created by Zhao Lirong is exactly the same as the old lady we contact in reality, the difference is that this old lady is more positive and trendy.
Zhao Lirong vividly interpreted the old lady of an ordinary family, limited by the times, they don't know enough about the current people and things, but they try to understand, so they make a lot of jokes. For example, "The Stars Light Up" in "Star Chaser", and "Buying Tofu and Calling a Car" in "A Day of a Heroic Mother", Mr. Zhao has created countless classic episodes.
It is most appropriate to describe Zhao Lirong teacher with cuteness, in the Northeast dialect it is "rare to recruit people", she is upright, and will give a counterattack to dissatisfied things, and even scold two sentences, scolding people on the stage is a taboo for actors, but an old lady scolding two not unpleasant mantras makes people feel particularly ridiculous, which can only be Zhao Lirong scolding people on the stage, and it is absolutely annoying to replace it with others.
Therefore, there are many people who don't like Zhao Benshan, but absolutely no one doesn't like Zhao Lirong, this is where Zhao Lirong is stronger than Zhao Benshan. Zhao Lirong is better at keeping up with the times, and although she is very old, she has not stood still and has been actively learning new things. For example, breaking dancing in "So Packaged" and learning Hong Kong and Taiwanese accents seems simple for young people, but it is not easy for an old man born in the 20s.
Zhao Lirong was a little stumbling in the last movement of the dance, and the audience thought it was deliberate, but in fact, Mr. Zhao couldn't hold on, who knew that this mistake would become a classic. In "The Adventure of a Part-time Job", Zhao Lirong practiced calligraphy and wrote the four big characters "genuine" at the end of the sketch, which seemed simple, but it took Mr. Zhao a long time, because she was actually illiterate. This is not to belittle Teacher Zhao, but she does not have any culture, and she is basically illiterate.
In order to play "The Veteran Comes Out", Zhao Lirong learned to sing the English song "My Heart is Eternal", and her voice and pronunciation are very standard, which has also become Mr. Zhao's swan song. If she is given a few more years, I don't know what kind of brilliance this fashionable old lady can create. At 72 years old, it was not a small age at the time, but there is actually a lot that can be done now.
Some people will think that Zhao Lirong won the first prize of the Spring Festival Gala sketches twice because she is older, not that the sketches are better than Zhao Benshan, but in fact, they are not. Zhao Lirong has participated in the Spring Festival Gala since the 80s, a total of 8 times, and only won the first prize of the Spring Festival Gala twice, which has nothing to do with her age. As early as 1984, the two collaborated on the sketch "Eating Noodles", performed "Making a Movie" in 1985, and "Mutton Skewers" in 1986, with one masterpiece after another.
Like Zhao Lirong, Chen Peisi also has few black fans. His performance style is different from the other two, and he is good at both physical and verbal performances. Chen Peisi's image is naturally suitable for acting in comedy, while Zhu Shimao has a righteous face, the two are one good and one evil, and the comedy conflict is very strong.
Chen Peisi is also very good at innovation, and many scripts are written by himself, and Zhao Benshan's works are mostly written by He Qingkui and others. In terms of creative ability, Chen Peisi is a genius actor. The theme of his sketches spans very large, sometimes magic, sometimes gymnastics, and finally a Qing Dynasty man races against foreigners, it can be seen that Chen Peisi is very strict with his works.
On the whole, Zhao Benshan's upper limit is higher, his works are the most explosive, and some people have a lot of complaints about his sketches. And Zhao Benshan's peak period is also the longest, since entering the 21st century, there is only one peak in the sketch world, that is, Zhao Benshan, Zhao Lirong died, Chen Peisi changed to drama, and Zhao Benshan became the only pillar of the sketch world.
The three artists are all sketch geniuses, Zhao Benshan is more "bad", Chen Peisi is funny, and Zhao Lirong is cute. Zhao Benshan's sketches often have large passages and various smooth passages, which vividly express the language humor of Northeast people. And Chen Peisi has drama skills, and his performance is full of emotion. Zhao Lirong is unpretentious, playing an ordinary old lady, a little out of place in the era of rapid development, but she strives to integrate in, forming a lot of comedic effects.
In terms of the number of years of serving the audience and the number of works, as well as the overall quality, Zhao Benshan is undoubtedly the king of sketches, and Chen Peisi is the inventor of sketches, so he is the father of sketches, some people say that Song Dandan is the queen of comedy, and Zhao Lirong is obviously slightly better, so Mr. Zhao is the queen of comedy.
Classics are classics