**10,000 Fans Incentive Plan Yao Anna's "chicken-eating acting" didn't get tired of playing last week, and this week there is new material, from Xiang Zuo's impromptu performance of "The Death of Mozart". 
The producers in the audience were almost suffocated by this performance.
are all ceiling-level rich second generation & star second generation, all have the idea of chasing dreams in the entertainment industry, if Yao Anna needs the tactics of the sea of questions, Xiang Zuo is the opposite, strategically, what he needs more is the "type deep cultivation model".
Yao Anna, only the sea tactics can save you!
Budding action actor Xiang Zuo
The fragment of Xiang Zuo's performance comes from the drama "The Death of Mozart", through the mouth of the court musician Sarielli, to tell the audience about the legendary life of Mozart, the "best old enemy", which is an inner monologue with a strong "pain", which is often used as training material for acting professionals.
The professional evaluation of the producers is: the layers are not clear, the poor and angry ** has no foothold, and the rhythm is not well controlled.
If you start participating in "Huo Yuanjia" in 2005, Xiang Zuo has been acting for more than ten years, and even starred in two movies "The Legend of the Gods: Lei Zhenzi" and "My Boxing Boyfriend".
In contrast, the adaptability of "My Boxing Boyfriend" and Xiang Zuo will be higher, the movie is roughly about the story of a "Flower Street Boxing King Chasing Dreams", there are more action scenes, and Xiang Zuo mentioned that he learned acting in "seven years of retreat" in "Infinite Transcendence Class", which is actually a preparation for this movie.
According to the shooting records, he has indeed been training under the guidance of Johnny To since April 2010, 6 days a week, more than 12 hours a day, and has been persisting for 6 years.
The completion of his action scenes and the control of the characters' emotions have also improved in the devil's training day and night. With the training of Yan Shi Du Qifeng, netizens also increased positive affirmation of Xiang Zuo's performance, feeling that he was "not so tight, but learned to relax".
To this play, Du Qifeng's evaluation of actor Xiang Zuo is:He can already be a start-up action actor.
At this time, if Xiang Zuo follows the "start" that Du Sir said all the way down, he may still be able to make a difference, but after the start, Xiang Zuo's cognition seems to be a little biased.
To be an actor is to be comprehensive and mediocre, or to be genre but extreme
Xiang Zuo put forward his current confusion in "Infinite Transcendence Class":
There is no room to play, like a wasted person, who wants to break through the all-round development of the acting actor's acting path, and thinks that he can play any role is a good actor......
The positive example he set for himself is: "Jet Li, Donnie Yen, and Jackie Chan also deliberately made a literary film after success, just to tell everyone that action actors can act."
The truth is so, but he ignores one point: the big brothers also transformed after they reached the peak of acting, and Xiang Zuo is still in the stage of "starting action actors"?
What he should be thinking about more is,Am I interpreting my existing role? Do my characters add depth and breadth to the narrative of the work?
Of course, Xiang Zuo is not all the protagonists, but there is a problem here: the young master is doing grassroots work in his uncle's project, and the experience is completely different from that of poor children who can only be social animals.
The workplace environment of the young master and the social animal is really very different, and Gao Haining, a fellow student in the "Infinite Training Class", is a good example.
TVB debuted, no background and no experience, because of his charming appearance, he has been called by TVB director and producer to play a scheming girl and a vase, even if he is reluctant, he can't help it, becauseSomeone will always hold a whip and tell her "If you don't sweep a house, how can you sweep the world", how can there be a big role if this role is not played well?
She didn't have the opportunity to choose a role, so she could only perform every role she got into her hands to the extreme. This sense of crisis followed all the way, until she met Zhao Jingyu of "Thirty Only" and Xu Shiqing of "News Queen".
Xiang Zuo is different,No matter what he does, the feedback he receives is "very good, pass" - this is why he "passed" all the way to the time when it was time to carry the protagonist, and found that he couldn't carry it.
Many people think that Xiang Zuo's problem is "squirming", but listen to the description of tranquility, the second generation of rich (stars) who will be scolded back to the room by Xiang Tai when he goes out of the night street at the age of 25 is also a unique painting style to some extent.
Compared to the squirrel, I am from Xiang Zuo, moreWhat is evident is the cognitive bias that occurs when it is too well protected.
When he spoke, Zeng Zhiwei, Wu Zhenyu and other Hong Kong film veterans on the opposite side fell silent, largely because they didn't know how to say it so as not to hurt this too stupid and sweet child. I don't want to get myself into trouble for saying the wrong thing.
The actor industry is the ultimate vanity fair for ordinary people, but even Xiang Jia can't treat Hong Kong entertainment as his own back garden.
Fans often say when talking about actors that "capital can be introduced into the door, and practice depends on the individual", the fact is,Actors also have congenital limitations, and some actors are more suitable for certain types of roles within the limitations of appearance, temperament and life experience.
Like Zeng Zhiwei's appearance and temperament, he has been playing some bullied little people in Xinyi City in his early years, and later playing Brother Leopard in "Sweet Honey", which is not inconsistent.
DescriptionDeeply cultivating the genre of drama can also hone your acting skills, and when you accumulate enough works, it will be a matter of course to grasp other character types.
"Acting like anything" can be an ambition, but it is also a reliable choice to return to the comfort zone in time after hitting the south wall.
Xiang Zuo's temperament and physical fitness are very suitable for genre films and police and bandit feature films, and he did not achieve a high score in the positioning of "playing stars", but he did not pull his hips. A few years ago, in "Iron Horse Looking for the Bridge", he played the villain, which was quite impressive.
It's a pity that Xiang Zuo doesn't think so, what he is distressed about is that he has no room to grow upwards - but the complicated eyes of the uncles on the other side are clearly saying: "Child, if you grow upwards again, the greenhouse built by your parents will not be high enough!" ”
persuasion can't be persuaded, maybe only by letting Xiang Zuo face the cold wind and cold rain can he understand that his ability has a boundary. After all, the second generation of stars is the second generation of starsAs long as he reconciles with himself and is willing to cultivate a certain type, with his obsession and concentration, he can still find his own acting highlights.
The bloody side of your circle,It's time to show him
In addition to the cognitive bias of self-conditioning, what else is missing in Xiang Zuo?
Nowadays, many young people hate suffering, despise it, and think that the only meaning of suffering is to make themselves unhappy. This may be effective for some young people, but suffering is such a thing, if an actor has not experienced bloody pain and bleak reality, he will not be able to become a big pattern even if he has aura.
Xiang Zuo is such a person"Never been bullied by suffering"Old boys.
Xiang Zuo doesn't think that the showbiz is cruel, and the uncles and uncles he has known since he was a child never show him the bloody side (it's all about human feelings).
But what about the entertainment industry in the mouths of other actors? Gao Haining said that she was once scolded by the director and said: "You are a supporting role, you will never play the heroine in your life", and Charmaine Sheh was even scolded by the director for talking chicken ......
Xiang Zuo must have never heard such words, his growth in the circle was as warm as boiled water, his uncle's predecessors rejected him decently and tactfully, and the crew that accepted him always encouraged him to teach, he never faced this real and bloody "pain".
If you haven't been stung by the realities of life and the workplace, how can you capture the complex and treacherous soul of a good script and a good character?
The kind of pressure and pain that is "vital to life and death" has been experienced by Xiang Huaqiang himself.
The reason why he went to learn kung fu was because when he was a child, there was an uncle in the family who was drunk and crazy, and in order to keep his mother and other family members from harm, he thought of "learning from a teacher" to improve his martial arts value. When he beat that uncle to his stomach, he stopped going crazy.
Xiang Huaqiang learned kung fu to "survive", this is a kind of pain, and Xiang Zuo is more to complete the role of the male protagonist ......The effect of learning is naturally different depending on the motivation.
Xiang Zuo complained about his parents' strong "no space" in the show, which is actually very common.
Some children from excellent families will also feel that they are "suffocated", but we rarely see these children will really peel off their parents and become independent, first, they really do not need to make a living on their own, and they do not experience the sense of crisis of "hands stop talking"; Second, they haven't been stung enough to make a radical decision, so they just go on like this.
In "Flowers", Lu Meilin looked at Miss Wang and Mr. Wei starting a business and said: "Miss Wang is equal to zero when she leaves No. 27, and Mr. Wei is equal to zero when she leaves Mr. Wei, zero plus zero or zero!" —The two young men fought for a breath from the beginning, and at the end "fought all over their bodies.", this is exactly what Xiang Zuo is missing, he lacks a "sense of pain".
Xiang Zuo also knows that actors need to experience life, but his understanding of life is "to wander without a penny, sleep on the streets and in temples", Wu Zhenyu pointed out sharplyIs this ** experiencing life? It's detachment from life.
At the bottom is a place of chicken feathers and dust, where material oppression of the spirit, and the suffering people sleep in the streets and temples, without a trace of the relief of spiritual romanticism.
Wu Zhenyu's face was full of bitterness when he heard Xiang Zuo's way of "experiencing life", because he grew up in an extremely poor family, and he was acting to support his family, and Liang Jiahui next door also experienced being so depressed that he set up a stall ......
The real life is not elsewhere, but in the same place, without the greenhouse built by the parents, the thorns of life will sting and bleed, but you still have to move forward.
When Xiang Zuo understands this, his own acting career will begin.
Conclusion:
I think that Yao Anna should have some resonance with Xiang Zuo, the same strength is not enough to class, Yao Anna also has a late start, and the two have in common the lack of experience of being stung by life.
Relying only on natural sympathy, you can't play "the farmer's heart is like soup".If there is no physical or mental pain, one will not be cowardly, will not cower, and will not see one's own boundaries
Of course, after "Ice Hunting", Yao Anna may feel a little tingling.
The savage growth in the greenhouse has no quality at all, and only in the face of severe cold, frost and snow, and experiencing painful growth, can it be possible to reach the sky alone.
Instead of going into retreat for seven years, Xiang Zuo should go to the real grassroots to see, or start from low and experience the real pain.
It's hard to say whether a variety show can make him feel the sting, but at least this can be a start.
Today's topic:
What do you think of Xiang Zuo's acting career?
Let's talk in the comments section