Chinese culture is broad and profound, and each field can be its own school. In this colorful cultural system, in addition to the beauty of poetry and songs, there are some particularly interesting cultural phenomena, one of which is the culture of scolding.
The magic of Chinese characters lies in the fact that they can form unimaginable wonderful poems like Li Bai, and can also form a culture of scolding with cultural connotations, which makes people feel that they are being blamed, but they still can't help but praise first, "It's so good to scold!".”。Scolding is also a cultured way of expression, and there are many types: swearing, scolding, scolding, scolding, scolding, funny scolding, clever scolding, scolding, ......It's almost unrecognizable.
However, when ordinary people quarrel, the scolding is often more vulgar. In the moment of anger, he only pursues victory, no matter how ugly the scolding is, he can't care about being elegant.
However, sometimes we also encounter delicate situations, when we want to express our dissatisfaction but have to weigh it carefully, when we want to secretly criticize the boss or someone, and when we want to be sarcastic but don't want to use dirty words......At this time, we can refer to the literati's language art without dirty words, learn a few stalkes, and maybe next time it will cause a sensation like "You don't have to move here, I'll buy you an orange".
The classic words in the afterglow: cleverly scare people without dirty mouth.
Mr. Yu Guangzhong used his famous sentence to show how to use clever language to scare people without being conventional. He said, "When I first saw your giant elephant-swallowing mouth, I used to fantasize about the depth and breadth of it. Unfortunately, every time you open your mouth, you can see that there is neither black ink nor blue ink in your belly, and you are suffering from malnutrition. This passage is ostensibly a grievance for gardenias, but it subtly satirizes the inherent prejudice of some literati and scholars against beauty.
Wang Zengqi's elegant ridicule: use the elegance of a literati to scare the worldly customs.
Wang Zengqi is known for the timelessness, tranquility, and peace of his prose, however, he can't help but be reconciled by the gardenia. He said: "The gardenia is thick and big, and it is so fragrant that it can't be dusted off, so it is not taken by the elegant people, thinking that the character is not high." Gardenia said, 'Fuck you, I just want it to smell like this, it smells so good, can you fucking handle it!'This passage outwardly defends the gardenia, but in fact mocks the vassal elegance of some literati and scholars, emphasizing that the diversity of beauty should be accepted.
Wang Xiaobo, the master of scolding: The literary charm of sharp and poisonous words.
Wang Xiaobo, as a well-known writer, is known for his incisive remarks. He believes that "all human suffering is essentially derived from anger at one's own impotence", which is summarized as "impotent rage", which seems to be direct, but has a deep insight into the essence of human nature. When he was intimidating, Wang Xiaobo's language was full of literary charm.
Lu Xun, a master of scaring people: The use of language is perfect.
Lu Xun is a master of intimidation, he is well versed in human nature, and his use of language is also perfect. He even wrote an article "Wheel Fucking" specifically for "national scolding", which summarized the way the Chinese cursed. There are a lot of famous sayings of Mr. Lu Xun that have been circulating on the Internet for a long time, and they are easy to use on various occasions.
Qian Zhongshu, the king of scaremongers: complaining about the master's literary taste.
Qian Zhongshu is a real master of complaining, choking people every word, punishing every word, and hitting the key point. His ** "Siege" is full of incisive sentences, such as "The woman's grease-smeared face, unable to withstand the sweat from the steaming of wine and rice, and the shock of chewing and biting movements, are inevitably like the walls of the Huangmei season." His language is sharp and sharp, which is impressive.
The ridicule of foreign writer Maugham: the British humor of the way of scolding people.
Maugham was an English writer known for his satirical style in The Moon and Sixpence. His language is full of British humor, such as: "He frowned and pouted his red mouth, which reminded me of a restless Dutch pig." The metaphor makes for a hilarious laugh and shows his sarcasm.
Epilogue. Have you learned?Language is a university that seems to be familiar with every word, but it can be skillfully disassembled and combined. These venomous literati used a polite and polite way to speak sharply, elevating scolding people to an art. In the magnificent picture of Chinese culture, these ways of intimidating people are not only a profound analysis of human nature, but also a clever control of language. Perhaps, the next time you encounter a delicate situation, these literati skills can give you some inspiration, so that you can easily navigate between words and express your opinions without losing grace. The beauty of Chinese culture is not only reflected in the broad and profound tradition, but also shines with a unique light in the language art of these masters.
This essay profoundly and humorously shows a unique and interesting side of Chinese culture, namely the language art of the venomous literati. From Yu Guangzhong to Qian Zhongshu, from Wang Xiaobo to Lu Xun, these literati have elevated the intimidation to a noble art form with their unique perspectives and clever use of language. Through the analysis of the words of these masters, readers can feel the breadth and profundity of Chinese culture, and also appreciate the beauty of language.
The article first starts with the broad and in-depth understanding of Chinese culture, and points out that there is not only the beauty of poetry and songs, but also some interesting cultural phenomena, one of which is the culture of scolding. This non-traditional interpretation of traditional culture makes people have a deeper understanding of Chinese culture in laughter. The praise of the magic of Chinese characters points to the power of language, which can not only create a poetic realm, but also construct a rhetoric full of cultural connotations.
Secondly, the article cleverly quotes the famous sayings of the literati, showing their exquisite attainments in the art of intimidating people. Through the quotation of Yu Guangzhong, Wang Zengqi, Wang Xiaobo, Lu Xun, Qian Zhongshu and others, it not only enriches the content of the article, but also shows the unique style of each literati. For example, the humor in the afterglow, Wang Xiaobo's profundity, and Qian Zhongshu's complaints, these elements are intertwined, making the whole article delicate and entertaining.
In addition, through the reference to the mocking style of foreign writer Maugham, the article shows the similarities and differences between different cultures, presenting readers with an international picture. This cross-cultural contrast not only increases the layering of the article, but also enables readers to have a more comprehensive understanding of the diversity of languages in appreciation.
Overall, this review not only provides an in-depth interpretation of the article, but also incorporates reflections on the diversity of literature, art, and culture in its praise. Through the praise and deconstruction of the language art of the Chinese culture and the poisonous tongue literati, readers not only feel the charm of literature in laughter, but also have a deeper understanding of the power and diversity of language.
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