Chinese culture is broad and profound, with a long history and encompassing myriads. Among them, couplet culture, as a unique branch, has been deeply integrated into people's daily production and life. Every year during the Spring Festival, every household will post door couplets and Spring Festival couplets;In festive activities, couplets can also be seen everywhere. When the newlyweds get married, there is a happy couplet;At funerals, people express their grief with couplets. Even the song of the mountain belongs to the category of couplets.
The earliest couplets were carved on peach wood, also known as "peach charms", and it was believed to have the effect of good fortune and ward off evil. Over time, couplets also evolved into pairs, which were part of the "poetry pairing" in the gatherings of the ancients. Compared with poetry, couplets do not have too many restrictions in terms of level and rhythm, and the space for creation is broader. In order to increase the difficulty and interest, a variety of couplet forms such as overlapping couplets, couplets, split couplets, and palindrome couplets have gradually appeared.
Throughout the ages, many pairs of masters have emerged, leaving behind many classics, known as the swan song of the ages. Behind many couplets, there are moving stories.
In this rich and colorful couplet culture, Emperor Qianlong can be described as a master of ingenuity. Emperor Qianlong, among the many emperors in ancient times, wrote the most poems, and also collected the most cultural relics. The "Sanxi Hall" he founded is famous for collecting three rare pieces of calligraphy, which are "Boyuan Post" (Wang Xun), "Mid-Autumn Post" (Wang Xianzhi), and "Sunny Post when the Snow is Fast" (Wang Xizhi).
Emperor Qianlong once inscribed a couplet for "Sanxitang", the upper couplet "deep heart trusts Haosu", and the lower couplet "embraces the ancient and modern". What is the evaluation of this couplet?This is not only a couplet, but also the deep contemplative mood of Emperor Qianlong. There are many couplet stories about Emperor Qianlong behind this.
In Qianlong's life, there was a pair master who impressed him - Liu Fenghe. Liu Fenghe has shown his talent and intelligence since he was a child, and is known as "Jiangxi Daqi". At the age of eighteen, he was admitted to the juren, and in the fifty-fourth year of Qianlong, Liu Fenghe was twenty-eight years old and participated in the palace examination, and his results were among the best.
However, Qianlong found that Liu Fenghe was a "one-eyed" and felt that his appearance was not beautiful enough, so he was reluctant to hire him for a while. However, in front of the civil and military officials, Qianlong could not show the side of judging people by their appearance. So, Qianlong came up with a couplet: "It is difficult for one-eyed to be on the dragon and tiger list". This is a tricky topic, which is intended to embarrass Liu Fenghe, if he can't be right, he can justifiably not hire him.
In this uplink, Qianlong cleverly included the feature of "one-eyed", while Liu Fenghe had an idea and gave a majestic downlink: "The half moon is still shining." After hearing this, Qianlong deeply felt that this person had an extraordinary temperament, although he was ugly, but he might be a usable talent. In order to test Liu Fenghe's talent, Qianlong came up with a more difficult couplet: "East Qiming, West Changgeng, South Ji Beidou, who is the star picker?.""This is a cumbersome structure and far-reaching uplink, and it is difficult to imagine how difficult it is to get the downlink.
Liu Fenghe's answer was ingenious and imposing: "Spring peony, summer peony, autumn chrysanthemum and winter plum, Chenben Tanhualang." This couplet not only cleverly responds to the upper couplet, but also cleverly corresponds to the four directions of east, west, north and south with spring, summer, autumn and winter and flowers.
Qianlong admired Liu Fenghe's wit and talent so much that he quickly appointed him as the Tanhua at that time. In the Qianlong and Jiaqing dynasties, Liu Fenghe held important official positions, served the imperial court, and made great contributions.
However, Liu Fenghe's most classic couplet appeared in the first year of Jiaqing, when Emperor Jiaqing succeeded to the throne, Emperor Qianlong was the emperor of the Emperor Taishang, this year Emperor Qianlong's birthday, during the banquet, Emperor Jiaqing asked Liu Fenghe to make a couplet, which must contain Shunzhi, Kangxi, Yongzheng, Qianlong, Jiaqing five dynasties.
Liu Fenghe's quick thinking has created a classic swan song for the ages: "Shuntian Kangmin, Yongran Qianjian Jia through the ages", "Governing the country is the long-lasting celebration of ten thousand years". This couplet cleverly contains the names of the five dynasties, expressing admiration for the emperor. Emperor Jiaqing was overjoyed when he heard this, and Emperor Qianlong was also deeply satisfied.
Through the couplet, Chinese culture has been inherited for thousands of years, showing a profound historical heritage. The couplet story of Emperor Qianlong and Liu Fenghe is a beautiful chapter in Chinese culture. Couplets are not only the collocation of words, but also the crystallization of wisdom and art.
This article delves into the profundity of the couplets in Chinese culture and the wonderful couplet story between Emperor Qianlong and Liu Fenghe, which is breathtaking. From the origin of the couplet, to the development of different forms of creation, and then to the couplet duel between Emperor Qianlong and Liu Fenghe, the text unfolds layer by layer, so that readers can better understand this unique traditional art in Chinese culture.
First of all, as a part of Chinese culture, couplet culture is not only close to people's production and life, but also permeates various festive and sad occasions, showing the breadth and profundity of Chinese culture. Through multiple scenes such as the Spring Festival, marriages, and funerals, the author depicts the ubiquity of couplets in daily life, so that readers can feel the infiltrating power of this traditional culture.
Secondly, for the couplet story between Emperor Qianlong and Liu Fenghe, the author cleverly reveals the wonderful moments of Qianlong's challenge to Liu Fenghe and Liu Fenghe's witty response. This description not only shows the creative process of the couplet, but also demonstrates the deep insight into talent through the test of Qianlong. This kind of witty and clever couplet exchange shows the tradition of "poetry in pairs" in Chinese culture, and makes readers deeply feel its unique charm.
In addition, the article also digs deep into the couplet created by Liu Fenghe for the great birthday of Emperor Qianlong in the first year of Jiaqing, expressing his admiration for the emperors of the Five Dynasties. This couplet skillfully blends the names of the Five Dynasties, which not only highlights Liu Fenghe's talent, but also expresses his reverence for the emperor, adding more artistic and historical connotations to Chinese culture.
Overall, this article presents the charm of couplets in Chinese culture vividly and vividly with vivid language and profound analysis. Through the description of the couplet story of Emperor Qianlong and Liu Fenghe, readers have a richer understanding of traditional Chinese culture. Couplets are not only a literary form, but also a traditional wisdom and cultural inheritance, and the charm of this tradition still shines today.
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