When Chinese cultural relics experts inspected the ruins of Qingliang Temple, they accidentally found a strangely shaped vessel, which turned out to play a vital role in the process of firing the kiln. What's going on here?If you're wondering, let's uncover it together:
China's porcelain culture has a long history, but the core step of porcelain production, firing, hides the mystery of ancient wisdom. In the Qingliang Temple in the southwest of Daying Town, Baofeng County, Pingdingshan City, Henan Province, China, a ceramic researcher Wang Liuxian accidentally found a piece of Ru porcelain, which has become one of the hot spots for archaeological experts to find Ru porcelain.
Qingliang Temple was originally just a small temple with little incense, but there were rumors about buried treasures. After Wang Liuxian's investigation, it was found that Qingliang Temple was actually the production base of Ru porcelain in the Northern Song Dynasty. During the archaeological excavations, experts not only found a large number of cultural remains, but also accidentally found a special piece of porcelain - a scarred turtle-shaped vessel.
What exactly is this mysterious vessel?It wasn't until the arrival of an old potter that the secret was revealed. It turned out that this vessel was a tool used by ancient potters to control the fire, and it was called a "fire illuminator".
The production process of porcelain is complex, requiring clay, molding, firing, glazing, etc., and the core step is the firing of porcelain. In order to master the fire, the ancient potters invented the fire lighting method. After all the porcelain is sent into the kiln, the potters will put a palm-sized clay near the kiln mouth, and insert small holes with broken porcelain, and small porcelain tiles coated with porcelain glaze on the holes. During the firing process, the kiln worker uses a long iron hook to take out the porcelain pieces at regular intervals to observe the degree of change in the porcelain in the kiln.
This fire illumination method can not only save a lot of manpower and time, but also ensure that the best porcelain will not be broken in the middle of the fire due to observation, resulting in a decrease in quality. Once the glaze on the porcelain tiles on the fire is fired, the kiln should be immediately closed and the porcelain inside should be removed. This method is a bit similar to tasting a belly, because the temperature inside the kiln is basically the same, and if a porcelain piece is successfully fired, then the porcelain in the kiln should be successfully fired.
Although modern porcelain production technology is advanced, with a full set of temperature and humidity control devices, and can also carry out fully automatic intelligent control, we must not forget the value of fire. The wisdom of the ancients was able to find the most suitable method of production even when the productive forces were extremely underdeveloped. The wisdom carried by cultural relics cannot be measured by their actual value.
Through the investigation of Qingliang Temple, it not only reveals the wisdom of ancient porcelain production, but also adds a new chapter to the history of Ru porcelain. The discovery of Qingliang Temple has become the focus of attention in the archaeological community, and at the same time, it also allows us to have a deeper understanding of the breadth and profundity of ancient porcelain culture.
In this seemingly inconspicuous little temple, there are hidden precious relics of ancient Chinese porcelain wisdom. This is not only a major discovery of cultural relics and archaeology, but also a vivid portrayal of ancient Chinese wisdom. The mysterious fire illuminator of Qingliang Temple opens a door to the world of ancient porcelain for us, making us more in awe and love this long-standing cultural heritage.
This article profoundly reveals the wisdom of ancient Chinese porcelain making, especially through the mysterious fire illumination ware found in Qingliang Temple, which gives us a deeper understanding of the unique skills used by ancient potters in the process of porcelain firing.
First of all, through the discovery of archaeological experts in Qingliang Temple, the article leads to the origin of Chinese porcelain culture. As an important kiln for porcelain production, Ru kiln became the official imperial kiln during the reign of Emperor Huizong of the Song Dynasty, and the Ru porcelain produced was even more precious. This set a benchmark for porcelain production in later generations and formed a unique porcelain culture. This historical background provides a deeper cultural heritage for the discovery of Qingliang Temple.
Secondly, the description of fire and its importance in porcelain firing shows the remarkable wisdom of ancient potters. The firing process of porcelain is extremely complex and requires strict temperature control. As a visual observation method in a high-temperature environment, fire lighting not only reduces the labor burden of the potters, but also ensures the quality of the porcelain. This wisdom of solving complex problems in a simple yet ingenious way is breathtaking.
At the same time, the article also shows the meticulous work attitude of archaeological experts through the discovery process of the fire illuminator. From the initial rumors to the on-site investigation to the detailed study of the firelight, every step of the way shows professionalism and patience. This also reflects the progress of archaeology in China, as well as the efforts of professionals in the protection and research of cultural relics.
Finally, through a brief comparison of modern porcelain production processes, the article subtly emphasizes the irreplaceable value created by ancient wisdom under the conditions of the time. Although modern technology has achieved fully automatic control, the article calls on us not to forget the wisdom of the ancients. This is not only a respect for history, but also a cherishing of traditional culture.
Taken together, this essay vividly outlines the development of ancient Chinese porcelain culture and highlights the ingenious use of ancient wisdom in the face of complex techniques. Through the archaeological discovery of Qingliang Temple, readers seem to be able to walk into the work scene of ancient potters and feel the spirit of craftsmanship. Such archaeological reports not only expand our understanding of history, but also provide profound inspiration for our contemporary people to inherit and carry forward Chinese culture.
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