Looking back at the 80s of the last century, countless Chinese and foreign photographers came to China to capture the Chinese scenery and cultural moments of that unique era. Today, we have compiled these precious ** into a series of 10 albums to recall those unforgettable years. Let's interpret these ** together, feel the vicissitudes of the years, and pay the most sincere respect to these original photographers!
The imprint of the capital of the year.
In Beijing, a foreign photographer, Wally McNamee, frames an ordinary family. The man and woman sit quietly at the writing desk, the bed and sofa in the room show the mark of the times, the concrete floor is clean and tidy, and a bicycle is quietly parked. This is 1984, and the picture of life in that era is vividly presented in this frame.
2. Suzhou Yuxiang, 1988.
In 1988, the lens of American photographer Bill Hocker left a unique image in Suzhou. In the rain, a woman rides a bicycle and puts on two raincoats, and in front of her is her daughter who is struggling to move forward. Thirty-three years later, is this moment still deeply imprinted in the memory of the girl's middle age?
3. The Silk Thread on the West Lake, 1986.
In 1986, French photographer Yann Layma documented a couple on the shores of West Lake in Hangzhou. In the rain, the man held an umbrella and put his right hand around the woman's shoulder, and the two enjoyed the beautiful scenery of the West Lake in the drizzle, and whispered to each other with emotion.
4. Moments on the streets of Wuzhou, 1984.
In 1984, foreign photographer Peter Charlesworth's perspective focused on a corner of the streets of Wuzhou. A monkey trickster struck a gong, and many children next to him gazed with relish. At this moment, the lively scene of the street is captured by the photographer's lens.
5. The Beauty of Kunming, 1983.
In 1983, foreign photographer Marie Mathelin stood on the west mountain of Kunming and took a bird's-eye view of the magnificent scenery of Dianchi Lake. The sky was full of white clouds, and the surface of the lake was sparkling like silk. At that time, the lakeside was mostly a fertile field full of greenery.
6. Wedding Dress Era, Shanghai, 1980.
In 1980, French photographer Bruno Barbey's shutter freezes the scene inside a photo studio in Shanghai. A couple is immersed in the wedding photo shoot. After the reform and opening up in Shanghai, wedding suits have become a fashion trend.
7. The years of electrical appliance stores, Shenyang in 1985.
In 1985, foreign photographer Alain Le Garsmeur focused on electrical appliance stores on the streets of Shenyang. A mother holding her child in her arms stares intently at the television, tape recorder, electric fan and radio.
8. The road to growth, Chengdu in 1980.
In 1980, foreign photographer Francois Lochon focused on a manure puller on the streets of Chengdu. Shirtless and dragging a manure truck, he walked on the main road, shouldering the best fertilizer for the vegetable fields in the rural suburbs.
9. Yangshuo style, 1985.
In 1985, the camera of foreign photographer D**id G focused on the Li River in Yangshuo. A pontoon boat was moored, several girls gathered together, and the girl in front of her crossed her waist with a full expression, showing the unique local style.
10. Dai style, Xishuangbanna in 1983.
In 1983, Japanese photographer Hiroji Kubota froze in a traditional Dai village. The towering roof shows a unique style, and several Dai women carry baskets and skirts, and their elegant figures dance in the picture.
Looking back on these, we seem to travel through time and feel the era full of charm. Each frame is a lens of history, recording the lives, emotions and landscapes of the people of that era. These precious moments are the testimony of time and our deep attachment to the past.
Through the lens of Chinese and foreign photographers, this article freezes the Chinese scenery and humanity in the eighties of the last century, presenting a series of precious and touching **. These ** are not only the testimony of time, but also the memory of the years, outlining the unique life atmosphere and cultural style of that era.
First of all, the article successfully restores each picture with vivid language and wonderful descriptions, making readers feel as if they have traveled through time and come to the scene. For example, when describing the rainy scene in Suzhou, the author uses the description of "a woman riding a bicycle in the rain, putting on two raincoats, and a daughter struggling to move forward in front of her", so that people can feel the freshness of the rain, the tenacity of the woman and the will to struggle. This vivid description brings the reader closer to the life scene at the time and is more emotionally resonant.
Secondly, through the interpretation of each **, the article presents the details of each frame and the story behind it vividly. From the ordinary life of a resident in Beijing, to the hard work of the dung workers on the streets of Chengdu, to the spirit of several girls by the Li River in Yangshuo, each ** carries the imprint of the times and people's emotions. This in-depth interpretation allows readers not only to look at the picture, but also to feel the precipitation of the years and the ups and downs of life in the picture.
The title of the article, "Back in Time, Treasures of Photography in the Eighties", cleverly uses "going back in time" to express the theme of going back to history, and "Photography Collection" points out the special value of these **. The title catches the eye, stimulates the reader's curiosity and interest, and makes people want to read more about the story of this era.
Finally, through a tribute to the photographer and a reminiscence of a bygone era, the article succeeds in conveying a sense of awe and nostalgia. The sincere respect for the photographers reflects the respect for the art creators, and also allows the readers to have a deeper understanding of the artistic value behind these **. The nostalgia for that era full of charm evokes the reader's deep nostalgia for the past and triggers deep thinking about life.
Overall, this review fully demonstrates the depth and breadth of the article through a detailed interpretation of "Back in Time, Treasures of Photography in the Eighties". The author skillfully combines description, interpretation and emotional expression, so that readers can not only feel the weight of the passage of time, but also appreciate the cultural scenery of that era in reading. It is a thoughtful and thoughtful commentary that provokes the reader to think deeply about the past years and the meaning of life.
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