Three Qingping tunes (one of them) Li Baiyun wants clothes, flowers want to look, and the spring breeze blows Revlon.
If it weren't for the jade mountain, it would meet Yaotai under the moon.
The clothes are as gorgeous as the clouds, the posture is like the flowers, the spring breeze blows the railing, the dew drops are shining, and the flowers are more delicate. The concubine is beautiful and fragrant, if she hadn't met in that group of jade mountains, she would have met in Yaotai under the moon. Appreciating the three years of Tianbao (744), Xuanzong and Yang Guifei appreciated the peony in the Agarwood Pavilion of Xingqing Palace, and the famous musician Li Guinian sang old songs on the side. Xuanzong said: "Appreciating famous flowers, for concubines, why use old music words."He then summoned Li Bai to write three chapters of "Qingping Tune". Li Bai was enshrined in Hanlin at the time, and the hangover was not solved and the pen was established. Liyuan musicians stroke the silk and bamboo to tune it, Li Guinian sings, and Xuanzong relies on the flute to accompany it, which is a momentary event. This poem uses the peony flowers in front of her as a metaphor for the first beauty at that time, her clothes are like clouds, her face is like a beautiful peony, the spring breeze blows her, and the dew moistens her;Later, she used Jade Mountain and Qiong Yao Wonderland to highlight her luxury and dignity. The romantic poet imagined the peculiar, writing about the peony in the wind and the swaying of the wind god, to metaphor the graceful and beautiful style of the concubine, and the flower is to say that the person is the flower and the person are integrated. The poet's dedication to the lyrics is also extraordinary.
Three songs of Qingping tunes (the second) Li Bai has a branch of red dew and incense, and the clouds and rain Wushan are in vain. By asking who in the Han Palace is like, poor Feiyan leans on new makeup. (Guifei) is like a red peony, the dew drops are condensed with fragrance, and the infinite love makes the goddess of Wushan sad and broken. Who in the Han Palace can compare to her?The lovely Zhao Feiyan may have to rely on new makeup. The first sentence of the appreciation is that the red peony is bathed in rain and dew is more fragrant, and it is also a metaphor that Yang Guifei is favored by the king. The last three sentences use two allusions to gods and people, and the canon of "Cloud and Rain Wushan" is to say that the king of Chu sleepwalked in the past and met with the goddess of Wushan, which is illusory after allZhao Feiyan, the queen of Emperor Cheng of the Han Dynasty, can be called a peerless beauty, and she still relies on her new makeup to be "similar", which brings out Yang Guifei's heavenly fragrance. 
Qingping tune three songs (the third) Li Bai Minghua poured the country into two joys, and the king looked at it with a smile. Explain that the spring breeze is infinitely hateful, and the agarwood pavilion is leaning on the north of the gan. The peony and the beauty are equally delicate, and the king often admires them with a smile. She is delicate and soft like a spring breeze, which can dissipate infinite resentment, and at this moment she is leaning on the railing in the north of the Agarwood Pavilion. Appreciating this poem is really endowed with the agarwood pavilion to enjoy the flowers, the rhetoric is quite gorgeous, writing a charming style, and in addition to the thoughts, there is room for infinite imagination. These three poems were deeply appreciated by Tang Xuanzong at that time, loved by the concubines, and recited by later generations.