Qi Lisheng's preface: I heard two songs of the Jiangshu, one in the throat and one in the nose;Huang Hua Er, the left wrist can be Kai, the right wrist can grass. The magic is also skillful, and I have not seen it. Today, there are two songs without distinguishing between the throat and nose, two songs without any distinction between left and right, one and two songs, one hand and two songs, this absolutely impossible thing, can not be obtained, and it is actually the book "Stone Record". Hey!Different.
For hundreds of years, no one has realized that the authors and the additions and deletions have extremely profound artistic accomplishments and unique artistic insights into the poems and songs, and that the poems of the Dream of Red Mansions have not yet been truly understood by the world.
The full text of Dream of Red Mansions is a work of two songs in the face and inside, one throat and two songs, poetry and words have a long history as two important styles in the history of ancient Chinese literature, since ancient times there have been early poems, the Book of Poetry is the representative of that time, since the beginning of the Tang Dynasty, poems and songs have entered the **, becoming a part of the storyline, the Song Dynasty script is to use poetry at the beginning and between paragraphs to attract readers and summarize the previous text, "Romance of the Three Kingdoms" and "Journey to the West" have inherited this usage. However, literary masterpieces such as "Romance of the Three Kingdoms" and "Journey to the West" are dwarfed by "Dream of Red Mansions", and the poems of Dream of Red Mansions are no longer the retelling and simple embellishment of the previous narrative events, it has become an important part.
Let's take a look at Jia Yingchun's judgment "sub-lineage mountain wolf":
The sub-line of the mountain wolf, the ambition is rampant.
Golden boudoir willow, a load to sorghum.
Ordinary people understand that before the verdict, "a vicious wolf is drawn, chasing a beautiful woman, and the meaning of wanting to eat", implying that Yingchun is going to fall into the hands of a wicked person and be destroyed.
On the surface, Yingchun was the daughter of the concubine of Jia Yu, the eldest lord of Rongfu, and she was cowardly because of her personality, and she was later married to Sun Shaozu by her father Jia Yu. Sun Shaozu's ancestors relied on the power of the Jia family to start their business, but this Sun Shaozu was very lucky in the officialdom later, so he was selected by Jia Yu to be the "fast son-in-law of the East Bed". But Sun Shaozu's quality is bad, and after Yingchun married, he was tortured to death within a year of all kinds of abuse.
But there are a couple of problems here, and that is the interpretation of sorghum. The original meaning of the interpretation of yellow sorghum is the name of corn, that is, yellow millet. The allusion has "Chu Ci Summoning the Soul": "Rice and wheat, and some yellow sorghum." Hong Xingzu's supplementary note quoted from "Materia Medica": "Yellow sorghum is produced in Shu and Han, and Shang and Zhejiang are also planted, and the fragrance is more beautiful than Zhuliang, and it is called bamboo root yellow." Tang Dufu's poem "Gift to the Eight Guards": "The night rain cuts spring leeks, and the yellow sorghum is in the new cooking room." Li Shizhen of the Ming Dynasty quoted Kou Zongzao in the "Compendium of Materia Medica, Grain and Liang" as saying: "There are many kinds of yellow sorghum and white sorghum in Xiluo peasant households, and they are especially good for rice, and the surplus is not very suitable. Another interpretation of Huangliang can be found in the same "Huangliang A Dream", Huangliang A Dream is an idiom in a fable, and the idiom-related allusions first came from Shen Jiji's "Pillow Notes" in the Tang Dynasty. It is said that Lu Sheng met the Taoist priest Lu Weng in the Handan inn and sighed poverty.
Lu Weng took a celadon pillow and put Lu Sheng to sleep, while the shopkeeper was cooking rice. Lu Sheng enjoyed all the glory and wealth in his dream, and when he woke up, the store's small rice was not yet cooked. Later generations summarized the idiom "Huangliang a dream" according to this story, which is a metaphor for illusory dreams and unrealizable desires, and its allusion is also excerpted from Li Dongyang's "Lutang Poems" in the Ming Dynasty: "Chen Yuzhai Shi Zhao was in Nanjing, and he tasted the poems in his dreams, and he replied to the play: 'The world is empty and dreamy, and the fame is not Huangliang.'" With Jun Mo said to the idiot, said to the idiot's dream to grow. ’”
Zhang Huangyan, an important minister of the Ming Dynasty, wrote the poem "Bu Tianzhong Day and Sleep Drama": "In the new autumn, the north window of Xiao Feng is cool, and the dream of Emperor Xi is also long." Just ask the butterfly shadow in the paint garden, have you ever been against the journey to make trouble. "There is no equivalent meaning of death here with Huang Quan, so it is nonsense to say that Jia Yingchun died a year of Sun Shaozu's abuse. The true meaning of the golden boudoir willow is that Jia Yingchun is the eldest daughter of Jia Zhu and Jia Zhen's wife in Jiafu, and the historical prototype of Jiafu belongs to the daughter of Zhu Youxiang's concubine Jin Guifei family, so it became a golden boudoir. The meaning of the five elements of yellow sorghum, the five lines of the yellow character are soil, the five lines of the word sorghum are water, the name is a combination of soil and water, soil and water, and soil wang. People in this combination are loyal and honest, and have poor social skills. Jia Zhu's eldest daughter Jia Yuanchun is not strong enough, she can't do things, she doesn't do what she should do, she insists on doing what she shouldn't do, and she can endure a lifetime of hard work, but her husband doesn't provide a tolerant spirit for his patience.
Huangzhou is located in the southwest of Huanggang City, Hubei Province, on the north bank of the middle reaches of the Yangtze River, bordering Dabie Mountain in the north, the Yangtze River in the southwest, facing Ezhou across the river, and adjacent to Xishui County in the east. Huangzhou is a military strategic place since ancient times, mountainous, and there are Chibi Mountain, Nanshan, Keshan, Huanggang Mountain, Chishan, etc. in the territory, so there is the saying of "facing the deep and bearing the danger, and Yi is the male town". Huangzhou has a long history and culture, the court began to establish an administrative system in Huangzhou during the Xia and Shang dynasties, Huangzhou in the Qin and Han dynasties belonged to the county state, and began to form a relatively complete county state after the Eastern Jin Dynasty. During the Sui Dynasty, the imperial court placed Huangzhou and changed it to Cheng'an County, and in the Tang Dynasty, it was changed to Qi'an County, and then changed to Huangzhou.
Ancient Huangzhou is the gathering place of carrying thousands of years of humanity in Huangzhou, many historical celebrities have left their footprints here, Tang Dynasty Du Mu, Yuan Jie, Bai Juyi and other famous poets set foot in Huangzhou to give the Huangzhou poets rich humanistic connotation, Huangzhou has the Song Dynasty has countless derogatory poets, eunuchs, roaming poets, and recluse people are all located here. The Northern Song Dynasty centered on Wang Yuyan, Su Shi and Zhang Lei, and laid and inherited the exclusive Huangzhou eunuch culture. These wandering poets and melancholy eunuchs, leisurely poets, and self-satisfied hermits have injected a diverse cultural atmosphere into Huangzhou. There is the east slope of Chibi in the northwest of Huangzhou, Su Shi, a great writer of the Song Dynasty, often traveled to Chibi because he lived in Huangzhou, and wrote famous works such as "Chibi Fu" and "Nian Nujiao Chibi Nostalgia" before and after, which made Chibi famous at home and abroad. Unexpectedly, hundreds of years later, Huangzhou ushered in a very important exile in the last years of the Ming Dynasty.
Let's talk about Liangzhou, Liangzhou has a long history, the mountains and rivers of Dayu when he created Liangzhou have always been fertile, "Yu Gong" records: "Its soil is Qingli." On the field, the three mistakes in the middle are given. In ancient Kyushu, there was Liangzhou, Liangzhou was incorporated into Yongzhou during the Zhou Dynasty, because the place of Liangzhou itself is relatively small, and although Yongzhou is more remote than Liangzhou, the boundary of Yongzhou is very large, so compared to Liangzhou, which is relatively small, Yongzhou can completely Liangzhou. The history and culture of LiangzhouLiangzhou has a splendid history and profound cultural heritage.
Since the Spring and Autumn Period and the Warring States Period, Liangzhou has begun to have a unique local culture. During the Han Dynasty, Liangzhou had become a military and commercial center. During the Shu Han period, Liangzhou has always been one of the military, political and economic centers of the Shu Han Dynasty. During the Three Kingdoms period, Zhuge Liang's famous literary works such as "The Teacher's Table" and "The Book of Commandments" were produced in Liangzhou. During the Tang Dynasty, Liangzhou culture reached its climax again, and famous figures such as Mingjiao Emperor Li Shimin and Li Yuan were stationed in Liangzhou. Liangzhou officially became the name of the administrative region in the fourth year of Cao Wei's reign (about 263), that is, the year of the fall of Shu Han. Cao Wei divided the Yizhou of Shu Han into two, with eight counties remaining in Yizhou and the other eight becoming Liangzhou. After the establishment of the Western Jin Dynasty, Liangzhou still had eight counties, 44 counties, and 76,300 households.
Note: This article refers to some professional literature.