Zhang Tianxiang, Dean Fu of the Enlightened ** Painting and Calligraphy Institute, member of the Chinese People's Political Consultative Conference, researcher of the Shaanxi Museum of Culture and History, and vice president of the Shaanxi Academy of Painting and Calligraphy.
The book is the heart to the wonderful, and Mr. Zhang Tianxiang knows how to create calligraphy!He expresses his heart with handwriting, and his writing is lyrical, which can let emotion control the rhythm of pen and ink, and make calligraphy a supplement to nourish his temperament. Do not be trapped by the pen, the pen is used by the heart, can be changed between a stroke of the ups and downs in the edge, can also be frustrated within a point, hold the pen and ink to write ten thousand kinds of images, the grass has infinite changes in the image of pen and ink.
Mr. Zhang Tianxiang's works have also softened into the rich, rough, simple and vigorous charm, and the aesthetic taste has a deeper and more perfect connotation. He said that books are "divine and interesting". Yes, a closer look at his works, the pen and ink are expressive, the charm is profound, and it is very interesting.
The pen and ink are in harmony with each other, with a wave of the pen, the dry ink flies white, the force and the intention are combined, and the desert is lonely and straight, and the sun sets over the long river. With a turn of the reaming pen, the fine pen moistens the ink, and the silk is written, and the slender is like a crescent moon out of the world. Mr. Zhang Tianxiang writes the grass, calligraphy lines like the image of all things, can be the thrilling movement of the autumn eagle chasing the rabbit, can also be the stirring waves to write the fluttering and free. Mr. comprehensively absorbs the pen and ink imagery of the literati calligraphy of the past dynasties, expresses the humanistic atmosphere of calligraphy from a cultural perspective, and makes the courage of chivalry and the elegance of Confucianism complement each otherKeeping this book at all times is the natural shaping of the Tao.
Mr. Zhang Tianxiang waved the paper, and the pen walked the dragon. The straight painting is like a sword, the curved pen is like a vine, the point is like a dangerous peak falling stone, and the skimming is like an orchid leaf blowing in the wind. Writing about life is an ingenious combination of dots and lines, and a blend of joys and sorrows of life. The writing is flying, not restrained at all, and even the whole line is down, like a fairy-like indulgence, coming and going without a trace. Look at its strength without losing, the posture is not exaggerated, and the handwriting is flowing and cloudy.
Mr. Zhang Tianxiang's practice of calligraphy, originated from the genius of pen and ink in his childhood, and became a meticulous copy of the stele later. Viewing the monument in the post, absorbing the history of calligraphy is wonderful, refining the essence of the wonderful, all the books are completed, and the list of books has merit.
Mr. Zhang Tianxiang's large-character calligraphy can be used to express the form of pleasing and shocking. He is a person with a bold temperament, and he dances and writes big characters, which is the sincerity of his heart and the big stage. Pen and ink at will, can become the artistic conception of the heart to drive the height of pen and ink, so his large-character calligraphy stands in the world, but it is flowing from the heart, the spirit is radiant, spectacular, there is no lack of beauty, the atmosphere is not lacking in euphemism. In the current calligraphy world, those who can write big characters are pouring into the crowd, but most of the big characters are rough, and calligraphy is a river and lake. The big characters are too casual, very artificial, and there are many people who are not refined.
Mr. Zhang Tianxiang writes large-character calligraphy, but it is the pen to the big place, the momentum of the dragon, can not be added, but the law is to the details, excellence, extreme. In other words, only a calligrapher like Mr. Zhenglu with profound professional pen and ink cultivation can write large characters is the true quality of calligraphy, not the free body of Jianghu calligraphy.
When Mr. Zhang Tianxiang wrote a book, if there was no one around, he poured his emotions into the pen, such as drunk and crazy, such as madness, and his ** chic and upright, shocking and vulgar;And Huaisu's writing is also "a whirlwind" (Su Lian's "Huaisu Master's Cursive Song"), Tang Lu's "Continuation of the Book Review" cloud: "Huaisu cursive, aid to electricity, change at will", its pleasure is like "flying birds out of the forest", "startling snakes into the grass", which shows the speed of his writing. However, not all cursive writing is fast, there is a kind of cursive with vigorous strokes, almost every stroke has multiple pauses, called "waves and twists", this kind of cursive lines are often drawn slowly against the front of the pen struggle.
In the course of studying, he came into contact with many famous calligraphers, and Mr. Zhang Tianxiang humbly sought advice, absorbing the strengths of each family like a sponge, and integrating them into his own calligraphy creation. In addition, he pursues with his heart and hands, and learns to think and practice. Regardless of spring, summer, autumn or winter, as long as he has time, he will practice at his desk.
Wen Tianye) welcome to like and leave a message, if you like Mr. Zhang's works, please leave a message to contact us.