Every Spring Festival, people can't wait to pay attention to Spring Festival movies, and this year's Spring Festival movies are extremely eye-catching. Among them, "Detective Chinatown 3" accounted for half of the Spring Festival movies with nearly seventy percent of the box office, becoming the box office winner. However, what does not match its box office performance is that "Tang Detective 3" is actually at the bottom of the Douban score, becoming a typical case where word-of-mouth and box office run counter. In stark contrast, "The Crowd", which had a mediocre pre-sale box office, jumped to the second place among Spring Festival movies with excellent ratings.
Detective Chinatown 3, as a big IP of domestic original suspense detective movies, not only broke a number of records, but also surpassed "Avengers 4" at the pre-sale box office on the same day. As of noon on the first day of the new year, the total box office exceeded 1.6 billion, quickly refreshing the box office record of the day. In addition, the estimated box office of "Tang Detective 3" is as high as 629.4 billion, once this expectation is reached, it will surpass "Wolf Warrior" and refresh the box office record again. However, despite becoming the box office leader, Douban's score has been sluggish. As of the time of publication, the Douban score of "Tang Detective 3" was only 61, and it is likely to continue to decline.
The Chinatown detective series of movies has always had some plots that make people feel "embarrassed", and the Douban scores of the first two are not high, showing a trend of gradually moving towards "Jiang Lang's talents", the first part is 76, the second part is 67。On the contrary, "Hello, Li Huanying", which ranked second, stood out with its high cost performance. This is Jia Ling's ** work, adapted from her personal experience, which tells the touching story of "the son wants to raise but does not wait". Up to now, the film's Douban score ranks first among Spring Festival movies, breaking through 8 points. In just two days, the box office of the film exceeded 500 million, which has both word-of-mouth and strength.
Of course, there are also some different voices for "Hello, Li Huanying", who think that this movie consumes family affection. And the biggest dark horse of this year's Spring Festival movie is "The Crowd" starring Andy Lau. Although the pre-sale box office performance was tepid for a while, its reputation and score were quite eye-catching, and the Douban score reached 75 points, a very solid performance.
As for "Assassination of the ** Family", both the box office and the score belong to the midstream level. After all, the film has a relatively narrow audience, and such an ending is to be expected.
In the Douban score, "Serving God Order" and "Detective Chinatown 3" launched a battle for the "penultimate one". However, judging from the current trend, it is quite likely that "Detective Chinatown 3" will be firmly in the "penultimate place". Of course, the Spring Festival stalls are not over yet, and the ratings are still changing, so let's wait and see.
Spring Festival movies: The box office overlord encounters Waterloo, and Tang Detective 3's score falls to the bottom" profoundly reveals some interesting phenomena of this year's Spring Festival movies, especially the contrast between the box office and word-of-mouth of "Detective Chinatown 3" is thought-provoking.
First of all, the article starts with an eye-catching headline that successfully catches the reader's eye. This reminds me of this year's Spring Festival, and one of the hottest topics discussed on social ** is the Spring Festival movies, especially the performance of "Tang Detective 3". The setting of the title is very clever to point out the core topic of the article, which makes people want to read.
The article mentioned that "Detective Chinatown 3" became the winner of the Spring Festival movies with nearly seventy percent of the box office, but it was at the bottom of the Douban score, which is indeed surprising. This reminds me of the contradiction between the audience's expectations for commercial blockbusters and the demanding standards for the quality of films. The film market is highly competitive, and commercial considerations cannot be ignored, but how to maintain the quality of the film while achieving commercial success has become a huge challenge for directors and producers.
On the other hand, "Hello, Li Huanying" successfully won the runner-up of the Spring Festival movie with its cost-effective and touching story. This sparked me thinking about the emotional resonance of cinema with the audience. If a film can touch the heartstrings of the audience and resonate, it will often achieve a bumper harvest in word-of-mouth and box office. Jia Ling's ** work is a typical example, she told her personal story with sincere emotions, and the audience empathized, not only giving high scores, but also creating an excellent box office for the film.
At the same time, "The Crowd" starring Andy Lau has become the dark horse of this year's Spring Festival movies, and its excellent performance in word-of-mouth and ratings has made me more curious about the expectations of the movie. This also shows that even in a highly competitive environment at the box office, a film still has a chance to succeed in word-of-mouth as long as it has a compelling plot and a good cast.
Finally, "Spring Festival Movies: The Box Office Overlord Encounters Waterloo, Tang Detective 3 Score Falls to the Bottom" mentions the midstream performance of "Assassination of the ** Family", which reminds me of the diversification of the film market. Each movie has its own unique positioning and audience, and the value of a film cannot be measured only by the box office and Douban score. "Assassination of the First Family" may have gained recognition among a specific audience, which is also a reflection of the diversity of the film market.
In general, "Spring Festival Movies: The Box Office Overlord Encounters Waterloo, and Tang Detective 3 Scores Fall to the Bottom" shows the diversity of this year's film market and the audience's pursuit of film quality through an in-depth analysis of a number of Spring Festival movies. This also makes me look forward to more excellent films with depth and thought in the future.
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