Chinese culture has a long history, broad and profound, and the couplet is a unique flower of literature and art. Today, couplets are deeply ingrained in people's daily lives and have become an indispensable element in weddings, celebrations, funerals and other occasions. Every year, every household will post a couplet, which is a unique manifestation of couplets in life. In the field of literary creation, couplets are an important intellectual activity for the gathering of ancient literati and writers, which not only has no restrictions on the rhythm and peace of poetry, but also has a larger space for divergent thinking and creation, so it is loved by literature lovers.
The couplet was originally carved on peach wood and was called "peach charm", which has the effect of warding off evil spirits and avoiding harm. Over time, the couplet gradually incorporated more cultural elements, also known as "pairs", along with poetry, or "antiphons". From the point of view of the characteristics of creation, the couplet pays more attention to the ingenuity, confrontation and flexibility of the words, presenting a rich and colorful form.
In the classification of couplets, there are various types such as borrowed couplets, homophonic couplets, and couplets adapted to the scene. Borrowing from the canon, such as "The bird is in the cage, and the hatred of Guan Yu can't fly." In the world, people need Wukong more to have eight precepts";The homonym is like "the lotus seed is bitter in the heart, and the pear is sour in the abdomen";For example, "the female duck washes her feet without shoes, and the rooster does not comb her hair when she has a bun" and so on. In addition, there are various forms such as overlapping couplets, palindrome couplets, split character couplets, numerical couplets, and spelling couplets.
Throughout the ages, many pairs of masters have emerged, such as Su Shi, Foyin, Ji Xiaolan, Tang Bohu, etc., as well as the eternal absolute. Many of the couplets have beautiful stories behind them.
A couplet story to share today, the upper couplet is "two horizontal and one vertical is dry", which is quite interesting.
In ancient times, there was a bold private school talent who raised three delicate daughters. Over time, the daughters became young women and married Ruyi Langjun. On the occasion of Xiucai's 70th birthday banquet, three sons-in-law came to celebrate his birthday. Lao Xiucai came up with a couplet, and he wanted to test the three sons-in-law: "Two horizontal and one vertical is dry".
The three sons-in-law understood the deep meaning of the old man and asked for advice. Lao Xiucai explained that this is a warning to have a family style of hard work and struggle in order to prosper the family. After hearing this, the sons-in-law nodded yes and began to think about their respective downlinks.
The eldest son-in-law was shrewd and decisive, and gave the following link: "Half a lamp and half a bowl only recognize money." Lao Xiucai shook his head and said, "That's right, but it's a pity that the smell of copper is too strong." The eldest son-in-law explained that this was a couplet who ironically valued money too seriously. Lao Xiucai nodded in praise and drank it all.
Subsequently, the second son-in-law gave the following link: "A skimming is a person". Lao Xiucai shook his head and said, "It's too brief." The second son-in-law explained that this means that there is no delay or urgency, one is long and the other is short, and learning from each other's strengths. Lao Xiucai nodded in praise and drank it all.
In the end, it was the turn of the little son-in-law, and he gave the following couplet: "A single person is alone, everything is off". Lao Xiucai smiled: "The old man is the most sensible, because of this." The three sons-in-law said in unison: "Family and everything is prosperous."
This couplet story not only shows the profound connotation of the couplet, but also presents the beauty of family harmony. As a treasure of Chinese culture, couplets have been inherited and carried forward in the lives of Chinese people with their unique forms and meanings. Perhaps, in our busy modern life, we can also find a spiritual comfort from the couplets and feel the breadth and profundity of traditional Chinese culture.
This article profoundly explores the breadth and profundity of couplets in Chinese culture, as well as the unique position of couplets in their application in life and literary creation. From the origins and development of couplets to the different types of classification, the article provides readers with a comprehensive and rich understanding. At the same time, through an interesting couplet story, it vividly shows the inheritance of couplets in the family and the beauty of family harmony embodied.
The author first uses the profundity of Chinese culture as an introduction to outline the ancient and unique literary form of couplets for readers. Through the classification of couplets, such as borrowing couplets, homophonic couplets, and couplets corresponding to the situation, the article allows readers to have a deeper understanding of couplets. This kind of commentary opens up a new perspective on the literary art of couplets, making it no longer just an embellishment in life, but also an art form that expresses thoughts, emotions and wisdom.
As a literary art form, couplets were carved on peach wood in the early days to ward off evil spirits and avoid harm, and later gradually evolved into pairs and were juxtaposed with poetry. Behind this evolution, it reflects the inheritance and development of Chinese culture, and reflects the innovation and transformation of people's literary and artistic forms. The creation of couplets is flexible and not limited by rhythm and peace, which makes it an indispensable intellectual activity for the gathering of ancient literati and artists, and provides a larger space for literary creation.
Through the description of the couplet story, the article cleverly connects the couplet with family harmony. Lao Xiucai took "two horizontal and one vertical is dry" as the upper link, and conveyed the expectations of the family's hard work and struggle through the three sons-in-law's respective lower links. This couplet is both humorous and deeply rooted in family ethics, expressing complex emotions and expectations through simple words.
Overall, this article vividly shows the unique status and profound connotation of couplets in Chinese culture through the introduction, classification, and a vivid story of couplets. For readers who like literature, art and traditional culture, this article not only provides informative information, but also outlines a beautiful picture of the couplet inherited in the family, triggering people's in-depth thinking about traditional Chinese culture.
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