Recently, the TV series "Flowers" has attracted widespread attention from the audience.
The play tells the story of the business war and emotional entanglement in Shanghai, in which Mr. Bao's emotional fate has attracted much attention.
At the beginning, the relationship between Miss Wang and Mr. Bao seemed to be very ambiguous, but in fact it was meaningless.
Reiko and Mr. Bao have a love affair because they take care of each other in a foreign country. Only Li Li aroused Mr. Bao's strong interest.
Li Li is not only charming but also dangerous, so that Mr. Bao is tempted step by step. The extreme pull between them is itchy.
Until Wong Kar-wai's stream-of-consciousness "car play".
The ambiguity of the two undercurrents finally broke out into the confusion of adult men and women.
The beginning of Mr. Bao and Li Li began with the complete end of Miss Wang and Lingzi.
In the climax of the story, Li Li's Zhizhen Garden encounters a problem, not only moving Mr. Bao, but also asking him to help with the king snake.
After Li Li was arrested and interrogated, the dragons in Zhenyuan were leaderless. Mr. Bao supported Li Li and showed his courage and bearing.
Mr. Bao sent a trunk of money to Li Li, which made her feel relieved and touched by the emergency.
At this moment, the corners of Li Li's mouth changed slightly, and his eyes also changed, he didn't say it, he didn't cry, but he could feel it all.
This pouting was her relief after suffering all night in the interrogation room.
A person who came to Shanghai under pressure, the vulnerability and grievance of being helpless are vividly and vividly, and the aftertaste is endless.
The emotional story of Mr. Bao and Li Li makes people look forward to their future development. Sending people off by car is a common thing.
But in Wong Kar-wai's movie, this plot can be interpreted as a "big drama".
Mr. Bao drove Li Li home, and the relationship between the two had a subtle change at this moment.
In the car, Li Li closed his eyes, and his body swayed with the turn and turn of the car.
She leaned against the window, her posture uncomfortable, but it reflected her graceful body.
Mr. Bao drove the car, holding the steering wheel in his hand, with a beautiful expression on his face.
Along the way, he made steady progress, controlling the rhythm and direction.
The ambiguity between the two was pulled to the extreme between the red lights and green of the car, and in just a few minutes of car play, the flow of ** was vividly interpreted.
Exactly. Finally, when the camera extends from Li Li to Mr. Bao in the front seat, the expression on his face is incredible.
Afterwards, he smoked in front of the car, as if to slowly dissipate the afterglow of the car play.
The filming technique of this stream of consciousness made the audience can't help but be amazed.
There are no explicit lines, no gaudy nudity, Wong Kar-wai shows superb directing skills in this car scene.
This five-minute car scene is definitely a movie master class for internal entertainment!