The realm is free from vulgarity, and there is no obstacle to reading Mr. Lu Xinli's Yuanguang sketches
Hu Ping. In the twilight of autumn, Yu took all the students to the south of Suicheng, and when he returned to Tianjin, he looked at the car leisurely, and it was sparse and sluggish, and gradually showed a golden atmosphere. In the meantime, I occasionally saw dozens of frames of landscape round light and micro-scenes, the public environment was thick in a corner, the pen and ink were elegant and elegant, the color was not bad, and I was tired of traveling. The inquiry was painted by Mr. Xinli, and it was as it was. It tastes with Mr. Liu Gongyancheng, a master of Jinmen landscape, and the pen and ink have the veins of Shixi and Hongsuo, the essence of the world, and the spirit of Chuanyue, so it is often good to reach Hanhao. Looking at its works today, accumulating its cultivation and depressed thoughts, presenting its learning and reflecting its actions, you will know that it is chic and unhindered, and it is harmonious and influential, and it is its divine will. Although the scenery is slight, the realm is broad, a frame is a storage, a picture is merciful, the silk is delicate, the twilight forgets the machine, the green peak forest, the purple glow Maoting, the Danyang Tenghe, the pine shade deer, the slope of the ridge, the far pine of Kondo, the wild jackdaw, the hollow valley of the eagle, to it, the scenery can be "secluded, open, secluded" of the three phases.
Song Shi Han Zhuoyun: "There is a painting." Those who are remote and far-reaching, those who are faint and existing. In the past, he was careless and careless, and often neglected, but now he can witness this work: Mr. set the color different from the layman, and borrowed the traditional green base, and poured it into the image of purple and purple, so the picture is cold and lonely, and this is one of them;Because of its color and image, it is desolate and cold, so it is known that its heart is simple and far-reaching, the pen and ink can get its heart, and the pictures prove its line, which is also the second;Picture, color and other external appearances to this, the inevitable realm is free of vulgarity, clear and unhindered, although the chaotic world is inseparable, but the corner of the heart has become interesting, so the color of blue and purple paints its quiet, and the scene of silence proves that it is clear, now the two are handed over, and the quality of the public work reflects its seclusion, which is also the third. If you get the secluded, sparse, secluded three phases and taste, you can calm its heart, express its feelings, relieve its desires, slow its spirit, when the world of the woman is steaming, the hustle and bustle is sad and impermanent, here is the only realm of this painting, it is also wonderful!
Oh, the pen and ink reached, it is in the midst of the restoration, the phase is touched, ethereal and pure, illusory and far-reaching, cold and helpless, it is the painting of the wise, and the enlightened are also within the reach. 癸卯冬 **Yu Zhai.
Author**, Ph.D. in Calligraphy and Painting Aesthetics, Secretary-General of the Calligraphy and Painting Aesthetics Branch of Tianjin Aesthetics Society, currently teaching at Tianjin University of Science and Technology. ）
Lu XinliHe is a member of the Tianjin Artists Association, a member of the China Couplet Society, a visiting professor of the Shanghai Famous Education and Continuing Education College, the vice president of the Tianjin Zhang Shanzi and Zhang Daqian Art Research Association, an academician of the Chinese Couplet Painting and Calligraphy Academy, a distinguished painter of Rong Bao Zhai Tianjin, and a researcher of the Sichuan Zhang Daqian Research Center.
Since Lu Xinli started his career in painting, he has faced the art world with the constant impact of various currents of thought, and he has experienced a process Xi of learning from noise to quiet, which is accompanied by joyful and uneasy choices. He once hoped to find the coordinates to eliminate confusion in the batch of copying the classic representative works of famous artists, and he was also like a wanderer, facing mountains, wastelands, and deserts, bent on finding the true answer to what is modern Chinese culture. His gaze was fixed on everything, wishing to suck in all the nourishment that would nourish his soul, though his initial choice was mostly based on feeling, though at first he was a little blind ......Until one day he met Mr. Liu Hao, a master of landscape painting who led him all the way forward, and brought his feeling factor into a more open situation, that is, contemplation, so that he truly realized that "choice is not only the choice of the object to be depicted, but more importantly, the choice of the subject's consciousness, this is because the 'ideology' of plastic art works, that is, the consciousness of the integration of objects and self is embodied in the work, which is the truth that poetry must be entrusted to words, and painting must be seen in the brush." ”
Lu Xinli's landscape paintings, both sensibility and intellectuality, show his thinking in this regard. In his recent landscape paintings, he has demonstrated his unremitting exploration and pursuit of art. The practice of such efforts is also increasingly free. He said: "My artistic creation is to find the language of artistic conception through the depiction of ink and wash to express the contradictory relationship between man and nature, which is both conflict and harmony. In fact, this is Lu Xinli's inner desire to express some real experiences and feelings. This seems to mark the nostalgia and mature life of the artist's understanding of painting.
Selected new works of Mr. Lu Xinli's Yuanguang sketches