The play is full of fires, and there are suspicious clouds behind it.
While the audience praised the CCTV drama "Thrush", some sharp voices also began to rise. "Thrush" is based on the theme of anti-special in the fifties, with a compact plot and ups and downs, but the actor of the heroine Pang Hongmei in the play has aroused the resonance of the audience, but this resonance is not so positive.
Act 1: Pang Hongmei's makeup is beautiful but not in the play.
Peng Xiaoran, in "East Palace", won the hearts of the audience with her beautiful image, but in "Thrush", her makeup has become the focus of discussion among many audiences. Pang Hongmei's "technological face" is like a steamed bun, which makes it difficult for people to enter the play, especially the audience's expectations for a female policeman, who are often heroic and cool, but Pang Hongmei's image makes people feel that "this policeman is unreliable". In this anti-special drama, the policewoman played by Pang Hongmei should be full of a sense of justice, resolute and resolute, but her appearance seems to be a little out of place with the role.
Act 2: The acting skills are lost, and Mu Ne's expression is difficult to enter the play.
In addition to the appearance problem, Peng Xiaoran's acting skills have also been questioned by the audience. In the scene where Pang Hongmei's arm was injured, the audience saw cold sweat oozing from her forehead, but there was no painful expression on her face. The lack of acting skills makes people feel unreal in the process of watching the movie, and it is difficult for the audience to really invest in the plot. At some key moments, Peng Xiaoran's performance makes people feel that she is an actor who is "calm as water", which is in stark contrast to the tense and exciting plot.
Act III: Makeup is out of touch with the character Kong Lin's performance is embarrassing.
In addition to the problem of the heroine Peng Xiaoran, other actors in the play also frequently overturned. Zhang Yan, the director of the Public Security Bureau played by Kong Lin, as the heroine's master, is far from the setting of the role. Kong Lin's impatient expression and inaccurate performance in the play make her far from the "ruthless character". This sense of disconnection greatly reduces the audience's recognition of the plot.
Act 4: The acting skills of the old drama bones are limited, and the audience criticizes them.
Even the old actors, who have always been known for their superb acting skills, have not been spared. Ding Yongdai's appearance makes people feel like an old Chinese medicine doctor, but this kind of "old stalk" of old drama bones failed to save the overall perception. The audience's expectations and comparisons for the actors make the acting problems in the play more and more prominent.
Act V: The traffic dilemma Excellent anti-special dramas are ignored.
In today's chasing traffic, the audience's expectations for film and television works seem to have changed. The article calls for attention to the realism of the work itself, rather than the excessive pursuit of the star effect of the actors. Anti-special dramas set in the fifties should pay more attention to the restoration of the characters, so that the audience can better immerse themselves in the storyline. The article believes that the phenomenon of traffic in the modern film and television industry is affecting the quality of works, so that some excellent anti-special dramas are ignored.
Conclusion: Call for attention to the essence of the work and advocate high-quality film and television.
To sum up, although "Thrush" counterattacked in the ratings, the performance problem of the actors in the play is still a problem that needs to be solved urgently. The audience expects more excellent and real anti-special dramas, rather than "face projects" that are driven by traffic. I hope that future film and television works can pay more attention to the essence, impress the audience with real emotions and excellent acting skills, and truly become a masterpiece that has been passed down for a hundred years.