More than 1,000 years ago, a poet in the Tang Dynasty went to Beijing to take the examination, and after being disappointed in the examination room, he met a beautiful peasant girl in the peach blossom forest on the outskirts of the capital. The two fell in love with each other, but the relationship failed to bear fruit. A year later, the poet revisited the old place and found that the peach blossoms were still there, but the human face was gone.
The intersection of love and regret.
In addition to regret, the poet wrote the evocative love poem "The Title Capital City Nanzhuang". This poem has become a classic in the ancient Chinese "erotic poems", and through just 28 words, it profoundly depicts the regret of not being able to love and the fantasy of erotic love.
Title: Capital City Nanzhuang" appreciation.
Cui Hu's poem tells the poet's love experience with a peasant girl in the peach blossom forest in concise language. Despite the simplicity of the text, why has it been loved by literati and ordinary people for thousands of years?
Deeply touch the "pain points" of the heart
The reason why this poem is so popular is that it deeply touches the "pain points" of many people. It not only expresses the emotional "regret of not being able to love" many people, but also outlines people's yearning for "erotic" love.
Ancient Chinese men have always liked to create "erotic literature", such as "Seven Fairies" and "The Snail Girl", which depicts ordinary men meeting fairies because of their kindness. In this kind of story, the man meets an idealized and superhuman "good wife" through "sexual encounters".
"Sexual encounters" in literature
In Pu Songling's "Liao Zhai", stories such as "Xiao Qian" are full of plots that men choose because of their "sexual encounters". In order to pursue "sexual encounters", scholars even gave up "good wives" and chose to pursue beautiful, intelligent, and gentle female ghosts.
Cui Hao of the Tang Dynasty's "Where to Live in the Long Trunk Line" tells the scene of the encounter between a fisherman girl and a young boy on the river in the form of vivid dialogues. Similar "encounter" stories, such as Dugu He's "He Gift Yuan", are almost exactly the same as Cui Hu's "Title Capital City Nanzhuang" story.
The Imprisonment of Ancient Marriage and Love.
Why did the ancients like to write "erotic encounters" poems so much?The reason is that the marriage and love of men and women in ancient China were often "not free". Even in the Tang Dynasty, when the atmosphere was relatively civilized, marriage was still dominated by the parents, the concept of family was serious, and the individual's right to choose was limited.
Bai Juyi's admonition and the concept of "door".
Bai Juyi once wrote "The Silver Bottle at the Bottom of the Well to Stop Adultery and Run" to warn women not to make mistakes that they will regret for the sake of temporary love. Despite the changes in society, the influence of Confucian culture still makes marriage strictly regulated.
What you can't get is the best.
People crave "excitement", are excited about "encounters", and are disappointed to "miss". In "Tang Taizong Li Shimin", even though the eldest grandson queen is virtuous and dignified, Li Shimin still pursues other people's daughters. This may be because people often think that what they don't get is the best.
The subtleties of love.
Love is subtle and elusive. Arranged marriages are difficult to bring true love. In ancient times, people felt bored because they were "too cheap", and the marriage relationship was more complicated under the pressure of "door".
Cui Hu's love regrets.
After Cui Hu failed to participate in the scientific expedition, he chose to go to the wild to relax, but met a beautiful girl in the peach blossom forest. The two teased each other, but they couldn't get together because of their differences. This experience of "love but can't" has become a pain point in his heart, and it is also the reason why "Title Capital City Nanzhuang" is loved by readers.
The charm of classical poetry.
Cui Hu recorded a love that is both fantasy and real through "The Title Capital City Nanzhuang", and the short and concise text touches on the reader's "itch" and "pain point" in free love at the same time. This makes this poem a classic among ancient love poems.
Epilogue. People have a bit of "sadism" in their hearts, eager to feel the excitement of life through some evocative experiences. With its short and profound language, "Title Capital City Nanzhuang" allows readers to resonate between excitement and loss. This thousand-year-old legendary love story is still circulating in people's hearts today and has become a treasure in classical poetry.
Title: A thousand-year-old love legend" This article profoundly ** the connotation of Cui Hu's ancient love poem "Titled Capital Chengnanzhuang" and its significance in the historical background. Through the interpretation of the poems, the author provokes deep reflection on ancient literature and the concept of marriage.
The article first vividly outlines the scene of the poet of the Tang Dynasty meeting a peasant girl in the peach blossom forest after being frustrated. Although this love story is short, it touches many people's emotional "regrets that cannot be loved", as well as the yearning for "erotic" love. This deep emotional depiction allows the reader to resonate and feel the deep pain of the poet's soul and the desire for love.
The article also mentions the theme of "erotic encounters" in ancient literature, mentioning other similar works, such as "Seven Fairies" and "The Snail Girl". These stories reveal the ancient literati's fantasies about ideal marriages and "erotic" love. By comparing these works, the reader can better understand the uniqueness of Cui Hu's "Title Capital Chengnanzhuang" in the social context of the time.
The concept of marriage and social pressure is an important point of discussion in the article. By quoting Bai Juyi's works such as "The Silver Bottle at the Bottom of the Well to Stop Prostitution", the author highlights the bondage of ancient marriage and the adherence to the concept of door. In ancient society, the influence of Confucian culture on marriage is thought-provoking, and individual choices are limited by parents and social norms, which also adds more drama and poignancy to the poet's "love is not allowed".
The article provides an in-depth analysis of the psychological phenomenon that "what you can't get is the best". Through some cases, such as Li Shimin's pursuit of someone else's daughter, it is emphasized that people often think that what they can't get is the most desirable. This phenomenon is especially prominent in love, and it explains why people have complex and contradictory emotional experiences of "encounters" and "misses".
Finally, the article summarizes Cui Hu's love regrets, and explains why this ancient poem can still resonate with people after thousands of years. The poet recorded a love that was both real and illusory through "The Title of the Capital City Nanzhuang", and captured the "itch" and "pain point" of the reader in free love. This makes this classical poem a classic that has been passed down through the ages.
Overall, this review** fully demonstrates a deep understanding of "The Title of the Capital City Nanzhuang" and a reflection on ancient literature and the concept of marriage. Through the multi-perspective analysis of love, literature and social mores, readers will be able to more fully understand the connotation of this thousand-year-old classical poem and its influence on later generations.
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