At present, most of the sketches of the Spring Festival Gala have become formalized programs, and they always end in a happy way, and everyone enjoys dumplings together.
In the past, the programs of the Spring Festival Gala showed rich and colorful characteristics, and the creative ability of the actors was also very good.
It can be regarded as a big-name person, such as Chen Peisi.
The older generation of viewers often miss the sketch shows of the Chen Peisi era, although the shows of the Spring Festival Gala today feel boring.
At present, most of the programs of the Spring Festival Gala revolve around the theme of "celebrating reunion", and the content is relatively conservative.
Even the most anticipated sketch shows seem to be the same.
The only work I am still looking forward to is probably the sketch performance of Shen Teng leading the twist team.
The author doesn't seem to dare to take risks in the Spring Festival Gala, and just creates some sketches step by step, without trying other types of works.
However, in the classic Spring Festival Gala programs in the past, especially the sketch programs, there were always various forms of expression, and the creativity at that time was also quite colorful.
On the stage of the Spring Festival Gala, Zhao Benshan, Gong Hanlin and other sketch masters showed their talents, and in the sketch world of that year, Chen Peisi also occupied a place.
His collaboration with Zhu Shimao in the sketch "Eating Noodles" is a classic, in which he played the role of a small person, which was created in 1984.
Through comical costumes and humorous movements, the difficulties of life are interpreted in a light-hearted and witty way.
With the blessing of his funny appearance, the performance of this work made Chen Peisi gain a firm foothold in the Spring Festival Gala sketch world.
Chen Peisi later partnered with Zhu Shimao in "The Leading Role and Supporting Role", his funny and funny image formed a sharp contrast with Zhu Shimao's upright and literary image, and quickly won the applause of the audience as soon as he appeared.
Through their humorous and energetic performances, this classic work is once again deeply imprinted in the hearts of the audience.
Since then, Chen Peisi has become a resident guest of the Spring Festival Gala, bringing excellent works such as "Making a Movie", "Selling Mutton Skewers", "Brother-in-law and Brother-in-law" to meet the audience.
People are most looking forward to the joy and happiness that sketches bring to them in the Spring Festival Gala, and Chen Peisi's works can cause bursts of laughter from the audience every time, allowing the audience to immerse themselves in the festive atmosphere of the festival.
However, there is a wealth of educational significance behind these works, and in the form of comedy sketches, many outrageous and common phenomena in society are subtly satirized.
Therefore, his works are also highly anticipated by many audiences, and it is a high-profile program in the Spring Festival Gala.
Of course, the evaluation of Chen Peisi's popularity that year should not only be based on his several performances in the Spring Festival Gala, but also on the strength of his works.
Referring to one of his classic works, "The Protagonist and the Supporting Role", Chen Peisi plays a funny-looking actor who doesn't look so decent.
Therefore, in the work, he was passively arranged to play the role of a supporting role, that is, to play the image of a traitor.
However, he realized that the explanation of the character could not be based solely on appearance, so he had to swap roles with Zhu Shimao, who was about to become the protagonist.
In the performance, they used an important prop, and that was the matching gun. Viewers who have watched anti-Japanese war dramas know that the guns at that time all came with a long strap.
Zhu Shimao played the protagonist of the Eighth Route Army in the show, and he wore this control gun.
Chen Peisi is a supporting role, but he has to change the role to play, so he needs to wear this prop.
The situation on stage was really difficult to control, and even after many rehearsals, they did not expect such a sudden situation as a broken strap with a gun.
Chen Peisi just received this broken prop, and then he still had a very important role, so he quickly fastened the strap and quickly put it on his back, becoming the so-called "protagonist".
Due to the shortening of the strap and the funny image of Chen Peisi, the effect of the whole show immediately reached its peak, and the original "protagonist" became a more comical "supporting role".
Excellent actors show real ability when dealing with unexpected situations on stage, and for powerful actor Chen Peisi, this seems to have become a basic skill.
After Chen Peisi became popular, why did his new works gradually disappear?There are three main reasons for this.
The first thing to mention is Chen Peisi, who once had a ridiculous incident with CCTV.
Chen Peisi became popular that year, and his work attracted much attention, including the China International Television Corporation, a subsidiary of CCTV.
Without Chen Peisi's permission, several of his works were burned into CDs for sale.
It is important to know that there were no such convenient network resources at that time, and many TV shows could not be unlimited**.
As a result, many classic shows have been released as discs that can be repeated**.
After Chen Peisi learned of this, he filed a lawsuit with CCTV and took the company to court.
China International Television Corporation inevitably lost the lawsuit in the end and was sentenced to pay 160,000 yuan in compensation to Chen Peisi.
However, CCTV seems to have felt that it has suffered a setback, so his work has gradually become scarce on CCTV.
Television stations in many places have followed CCTV's lead, and as a result, Chen's works have gradually lost their high profile and are rarely mentioned.
In addition, there is another reason that Chen Peisi himself mentioned in the interview.
As we age, our physical condition gradually becomes problematic;Although the comedy show looks lighthearted and fun, the creative process is very arduous.
Chen Peisi not only has to participate in the creation of works, but also develops his own film career, which leads to a period of physical exhaustion.
After becoming famous, the audience's expectations of the actor will rise, which will bring an invisible pressure to the actor.
However, when it comes to comedy, creating something lighthearted and funny requires not only creative thinking, but also the corresponding emotion.
Chen Peisi is under tremendous pressure every day, feeling that he is beyond his strength, worrying that his new work may not be able to surpass his previous achievements and thus disappoint the audience.
Therefore, it is better to leave in a decent way than to let the audience down and be bombed**. This view seems to have also been mentioned by comedy predecessor Song Dandan.
Chen Peisi believes that he has not been able to adapt to the drastic changes in the work environment, which is another reason.
In the early days, actors also crossed paths in their private lives, and they were more like a group of like-minded partners who could communicate with each other about their work or creative difficulties.
However, as time went on, the work became more difficult and the creation became more restricted.
The way people get along with each other is crucial, and the vigilance increases, but the atmosphere of relaxation and harmony decreases.
Comedy creation requires innovative thinking, which cannot be borrowed from others, and can only rely on oneself to explore in order to obtain new creative inspiration.
Privately, however, some insiders will gradually begin to steal other people's ideas.
For example, during a meal, if a group of people discuss creative ideas, they may be stolen by people with ulterior motives.
However, until the work is formed, it is impossible to determine who belongs to the intangible thing of "creative ideas".
Therefore, it is not easy to implement precautions against the act of stealing ideas, and the only thing that can be done is to be cautious and cautious with your peers.
Chen Peisi felt that the working atmosphere made him feel very dull, so he gradually lost the desire to create.
He later gradually withdrew from the comedy stage and instead contracted tens of thousands of acres of fertile land in the suburbs of Beijing.
Like many successful people in the city, they struggled for most of their lives, but in their later years they longed to live a Tao Yuanming-style idyllic life.
At first, some people laughed at Chen Peisi, but as a result, he was forced to live a peasant life because of the **. Now it seems that Chen Peisi's vision is still quite far-reaching.
In the suburbs of Beijing, tens of thousands of acres of high-quality farmland have long appreciated, and the specific value seems to be incalculable, but in short, it is very valuable.
Chen Peisi's life is now enviable, because he lives a life of idyllic flowers and plants, and is no longer constrained by dealing with complex interpersonal relationships.
His son will always be by his side, and he will get along with each other more happily and warmly, so to speak, to enjoy the joy of family. On the other hand, it is true.
There are many second-generation stars in the entertainment industry, and their parents are all top-level bigwigs in the industry.
However, as they get older, people who aspire to return to their families and enjoy a leisurely life don't seem to be treated like Chen Peisi.
For example, take Jackie Chan's son as an example, he is also a member of the kung fu movie stars, and his status can be described as quite high, and whoever sees him must respectfully call him eldest brother.
In his career, Jackie Chan not only achieved great success in China, but even enjoyed a certain prestige in the United States, but his son failed to bring glory to him.
Jackie Chan's son was exposed to a drug abuse scandal that year, and online comments immediately boiled.
Although the father is an anti-drug ambassador and actively participates in public welfare activities, it is regrettable that the son of the family is addicted to drugs.
It is naturally impossible to touch the bottom line of the law, and there is no warm family fun. Now Jackie Chan is still active in the audience's sight, but the scene of enjoying his old age with his son seems to be impossible to look forward to.
In addition, the relationship between Guo Degang and Guo Qilin's father and son is also a very different example.
Although Lao Guo has now revived the cross talk industry with years of hard work, the relationship between him and his son is also very flat.
Whether in public or in private, Guo Qilin treats Guo Degang very respectfully, and they believe that the relationship between father and son should be like that between father and son, not like friends.
However, Chen Peisi is different, he no longer appears on stage as an actor, which is a pity.
However, in his later years, he had the privilege of enjoying the idyllic life with his son, which was also a gratifying thing.
The short ** circulating on the Internet clearly shows that Chen Peisi is now gray-haired, looking like a simple farmer, busy in his fields all day long.
Chen Dayu, his son, is always by his side, whether it is chatting or helping, they always get along easily.
The estrangement between father and son has been reduced a bit, and more joy between friends has been replaced.
Some people commented that even if the family has a lot of money, it is very important to struggle for a lifetime.
However, if you can't enjoy a happy family life in the end, then such a struggle seems to be meaningless.
When you are young, you should be like Chen Peisi, do your best to struggle, and have made certain achievements in your career.
As you get older, having your son by your side is the ideal life.