"The Legend of Miyue", as the leader of mainland costume films in 2015, was created by the team of "Zhen Zhi", and has been highly anticipated since its debut. However, word-of-mouth is not satisfactory, is it disappointing the audience because the expectations are too high? I think that although it is similar to "The Legend of Zhen Huan", it performs well in terms of plot structure, attributes and data collection. In particular, the wedding scene of King Qin and Mi Shu is meticulously detailed, subverting the traditional wedding imagination. In terms of actors, Sun Li's level has not decreased, and Liu Tao's acting skills are even more amazing.
The story is based on the first "Queen Mother" in Chinese history, and depicts her legendary life. Mi Yue, the princess of Chu State, came from a humble background, and became a concubine due to the death of her lover Huang Xie and married to Qin State, triggering a series of emotional dramas. The plot gradually deepened, unfolding the triangular love triangle between Miyue and Huang Xie, King Qin Huiwen, and King Yiqu.
An impressive scene is the scene of Mi Shu's marriage, especially the scene of dancing to the "Shao Si Ming" on the border of Chu and Qin. This aroused the author's curiosity, who is the god of "Shao Si Ming"?
In fact, those who are familiar with pre-Qin literature may know that "Nine Songs" is a literary work by Qu Yuan, a native of Chu, and there is a sacrificial piece called "Shao Si Ming". Tradition holds that the "Great Commander" is in charge of life and death, while the "Young Commander" is in charge of the fate of children and the marriage of love.
Therefore, Miyue Mishu worships "Shao Si Ming" before she gets married, which can be understood as related to women, and Mi Yue often prays for "Shao Si Ming's blessing" in the play.
Unlike what we usually think of as ancient women worshipping Buddha gods, countries in the pre-Qin period had their own native gods, such as the "Shao Si Ming" of the Chu State. This shows the pluralism and locality of religion in the pre-Qin period, and presents the audience with a colorful picture of ancient religious beliefs.
Observing the excavated artifacts, such as those in the Sanxingdui site, we found a large number of masks. This has aroused the curiosity of researchers, what role did masks play in the sacrifice of the ancient Shu Kingdom? The Sanxingdui culture dates back to about 3700-3200 years ago, showing the uniqueness of the ancient Shu civilization.
Although these ancient cultures have gradually disappeared in history, we can still find some clues through the excavation and analysis of the excavated cultural relics. These cultural relics not only reflect ancient religious beliefs, but also make us more proud to recognize the breadth and profundity of Chinese civilization.
"The Legend of Miyue" profoundly reflects the historical style of the pre-Qin period by showing the legendary life of Miyue. The play incorporates the mysterious "Shao Si Ming" sacrificial ceremony, allowing the audience to better understand the ancient religious culture. Different from previous costume dramas, the play presents a wonderful historical picture for the audience by revealing the diversity of religions in the pre-Qin period.
"The Legend of Mi Yue" is a fascinating costume drama that profoundly depicts the historical style of the Warring States period by showing the legendary life of Mi Bazi. The article mentions that the audience's unsatisfactory reputation for the series may be due to high expectations, but from the point of view, the show performs well in terms of structure, attributes and data collection, especially the wedding of King Qin and Mi Shu, showing meticulous steps and subverting the traditional wedding imagination.
In terms of roles, the performances of Sun Li and Liu Tao have been recognized, especially Liu Tao's interpretation of the role of Mi Bazi is even more admirable. The whole plot is based on Mi Bazi, and through her life experience and emotional experience, a vivid historical picture is outlined. The princess of Chu came from a humble background, experienced emotional twists and turns, and finally became the "queen mother", this legendary story is thought-provoking.
In the plot, the author specifically mentioned the scene of Mi Shu's marriage, as well as the scene of dancing to the "Shao Si Ming" on the border of Chu and Qin. For the mysterious element of "Shao Si Ming", the article explains it in detail and links it with the gods of the Chu State. This part provides the audience with an understanding of the religious beliefs of the time, and gives people a deeper understanding of the pluralism and locality of religion in the pre-Qin period.
Regarding religious beliefs, the article also compares the differences between ancient women's worship. Unlike what we usually think of as ancient women who were more inclined to worship Buddha gods, in the pre-Qin period, countries had their own local gods, such as the "Shao Si Ming" of the Chu State. This makes the series more realistic reflection of the social and cultural background of the time, presenting the audience with a colorful picture of ancient beliefs.
Finally, the article mentions the study of unearthed cultural relics, such as the masks in the Sanxingdui site, which aroused curiosity about the ancient Shu civilization. This part emphasizes the importance of the inheritance and protection of history and culture, and at the same time allows the audience to have a deeper understanding of the long history and profundity of Chinese civilization.
In general, this commentary** fully demonstrates the in-depth interpretation and elaboration of views on "The Biography of Miyue". Through the analysis of various aspects of the series, readers can get a more complete understanding of the value of the show and what makes it unique in costume dramas.
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