As an important form of cultural entertainment, TV dramas have always been an important part of the audience's emotional sustenance and spiritual pastime. However, not all plays are able to live up to the expected artistic and emotional expression. In this article, we'll dive into ten works produced by Noon Sunshine that are generally considered "bad dramas". These episodes may have obvious flaws in narrative, characterization, or logical coherence, disappointing many viewers. We'll break down the shortcomings of each of these episodes and why they didn't meet the expectations of the audience, and even caused a backlash from the audience.
1, "He's coming, please close your eyes".
The tension and detective elements of this suspense drama are really gripping and give people the intimacy of the girl next door. But there are some overly exaggerated episodes in the play, such as the protagonist can still bear ** when he is weak, and the short appearance and hasty ending of the villain, which make people feel a little unreasonable. The plot is over-the-top in some respects and leaves much to be desired.
2. "Surgery".
The medical profession depicted in this drama seems to deviate from reality. As an experienced doctor, Lu Chenxi's behavior pattern in the play seems to be too extreme, which is different from the professional behavior standards of doctors in reality. The depiction of doctors' professional ethics in the play sometimes seems too exaggerated, which affects the authenticity of the plot.
3, "Qing Pingle".
Although the play has exquisite visual effects and a deep cultural background, the main contradictions and character conflicts are not prominent enough, and the plot development lacks driving force, making it difficult for the audience to clarify the purpose of the drama. The storytelling appears scattered and lacks focus, and while it has some artistic value, it fails to reach its full potential overall.
4, "Ode to Joy 2".
Compared with the first season, the story line of the second season seems to be too loose and dragging, lacking a clear main line and character development. The characters in the play focus too much on romantic relationships and ignore personal growth and deep emotions**. The audience was expecting to see the stories and growth of each of the five female protagonists, but the plot seems to focus too much on their interactions with the male characters.
5, "Ode to Joy 3".
There seems to be a bias in the portrayal of different social classes in the play, especially the portrayal of poor characters, which shows a negative and stereotyped concept. This kind of biased portrayal of social class may have a negative impact on the audience's values, and the play should pay more attention to the diversity and depth of the characters.
6, "Ode to Joy 4".
Many of the storylines appear bland and unappealing this season. Although there are some highlights, such as some episodes of Sister Zhu, others, such as David's storyline, are lengthy and unattractive. Overall, the series needs to be more focused and concise in narrative. He Minhong is too annoying, and a good end of a drama has not been broadcast for three years, which is very annoying.
7, "Meeting Season".
The play shows the entanglements and grievances between the two families, as well as the emotional twists and turns of the main characters. Although there are some twists in the ending, the overall development of the story is a bit too tortuous and lacks a clear focus. This complex plot setting, while it adds to the drama, can also be confusing for the audience.
8, "Welcome".
The characterization and plot development in the play seem to be unreasonable, especially the image and behavior of the protagonist Zhang Guangzheng. The depiction of the characters' professional background and social status in the play deviates from the real situation, which affects the authenticity of the story and the audience's sense of substitution. The scribbled ending, chasing so vigorously in the front, and giving up so easily in the back, doesn't make sense. Anyway, the main theme of the whole drama is a brave, if you want to chase it, you can chase it, be cheeky, and don't care about anything.
9, "Fox Hunting".
While the actors' performances are remarkable, the script itself has obvious flaws. The character's character and motivation in the play seem to be too one-sided, lacking depth and logic, especially in dealing with the contrast between male and female characters, showing a certain bias. The actors are very good, this configuration shoots such a thing, the camera is shaking and I want to vomit, and the plot progress is delayed.
10. "County Party Committee Compound".
The show's plot was clearly influenced by the editing, causing the storyline to appear fragmented. Although the actors' performances are acceptable, the shaping of the characters and the development of the story lack a sense of reality and depth, which makes the overall work a little shallow in expression. Several events can be dug deeply, but they are all superficial, and the part of the environmental protection restructuring in the back is simply like another screenwriter wrote, messy and very chaotic.
Through the analysis of these ten episodes produced by Noon Sunshine, it is not difficult to see that even the acclaimed production companies can miss the game. These so-called "bad plays" may be lacking in script, direction, performance, or production, and fail to accurately capture the emotional and aesthetic needs of the audience. This kind of reflection is necessary for the TV drama production team, it is not only a review of past works, but also a deep reflection on the future direction of creation. For viewers, these episodes may be a disappointing experience, but they are also a recognition of the diversity of the art of TV dramas, prompting us to cherish even more excellent works that can touch our hearts and resonate. Ultimately, the value and impact of each play depends on how it interacts with and resonates with the audience.