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Huayi International's 30th Anniversary Autumn Auction will be previewed on the 27th-29th, and the auction address will be L1, Nanfeng International Convention and Exhibition Center, Pazhou, Guangzhou. The autumn auction has a total of 9 special sessions and 884 lots, including ancient Chinese court art, ancient calligraphy and painting, modern calligraphy and painting, famous aged tea, and letter books. Let's take a look at some of the lots.
Qing Yongzheng blue and white glaze red sea water cloud dragon pattern celestial ball bottle.
Size 49cm in height
Estimate: RMB 2,000,000-3,000,000
Lot description: This bottle has a straight neck, round belly, thick and powerful, and is a typical shape of a celestial globe bottle. The white glaze background is pure and white, as warm as beautiful jade, exuding a strong jade texture. The blue and white hair color is pure, and the copper red is also standard, and the firing conditions of these two colors are different, but it is not easy to burn such a pure color at the same time. The copper red has a little moss green inside, which is very natural. Under the magnifying glass, the bubbles are sparse and transparent, with different sizes, and the seawater lines are sophisticated and smooth, and the layers are extremely rich. The shape of the dragon is vivid, and it has the feeling that the dragon sees the head but does not see the tail. The scale painting method is very skillful, the pen is thick, the pen is light, the pen is so, and it is full of elasticity. There is a "Ming Xuande Year System" consignment money along the mouth for a week.
* Xu Zhongnan painted four seasons of flowers and birds porcelain plate (a set of 4 pieces).
Size 87 275cm×4
Estimate: RMB 200,000-400,000
Lot description: Xu Zhongnan (1872-1953), Mingyi, Zhongnan, Zhuli Old Man, Zhai Mingqi Bishan Pavilion, one of the "Eight Friends of Zhushan". He is especially good at bamboo and stone, pine cranes. This series of four screens of flowers and birds was painted by Xu Zhongnan in 1931, which was the peak of his creation, and it was an excellent reflection of his level of flower and bird painting. This series of works adopts the technique of part-time work and writing, and the scenery depicted is based on small fragments of life, implying beauty, or wealth and white-headedness, or living and working in peace and contentment, or mandarin ducks and amphibious, or happy eyebrows, these small animals are depicted vividly and vividly. The picture is fresh and elegant, the composition is simple and charming, which is the same as today's photographic close-ups, with a strong sense of virtual and real space, showing a clear and elegant artistic style.
Qing Kangxi underglaze three-color high-relief Mu Wang Eight Horses picture vat.
Size height 47cm;Diameter 65cm
Estimate: RMB 1,600,000-2,600,000
Lot description: Mouth folded edge, round belly, wide hoop foot, unglazed sand bottom in the foot. The size is huge, the shape is calm, the carcass is heavy, and the glaze is shiny. Painting Zhou Mu Wang holds the book and reads, and the side is the scene of the eight horses. The eight horses have different colors, with blue and white, bean green, glaze red and other raw materials, carved in high relief, and the colors also change, showing the heroic posture of the eight horses. The scene painted is full of life;The mountains are majestic, the momentum is majestic, and the characters look calm. The typical Kangxi technique of draping hemp is dripping with joy on the picture, with old brushstrokes, unrestrained and powerful, free and magnificent.
Qing Qianlong pastel plum bamboo double clear bowl.
Size diameter 135cm
Estimate: RMB 1,000,000-1,200,000
Lot description: Lot open, curved belly, lap foot. The body of the vessel is painted in pastel, and two plum blossoms are delicate and blooming. Among them, the branches of red plum are painted with light gray color material, thick and strong, and there are several dry green bamboos under the tree, and the branches and leaves are luxuriant. The branches of the white plum are painted with light brown color, and its white flowers seem to compete with the pink ones. The picture is rendered with a double hook, the color is elegant, the dyeing transition is natural, it has a literati atmosphere, and the bottom of the vessel falls "Qianlong Year of the Qing Dynasty" six-character three-line seal book.
Qing Qianlong Imperial Kiln Blue and White Entwined Branches and Lotus Pattern Piercing Ears (a pair).
Size height 508cm；51cm
Estimate: RMB 8,000,000-12,000,000
In porcelain, the difference between the Zun and the bottle is manifested in the mouth of the utensil, and the vertical ware with a larger caliber is generally called the Zun, and vice versa. The shape of Guanerzun was popular in the Qianlong period of the Qing Dynasty, and was taken from the shape of the Shang and Zhou Dynasty Zunyi, which was simple and elegant, stable and atmospheric, and won the favor of the upper nobles of the Qing Dynasty. It is more common to see six ways, sharp edges and corners, upright, so respectful of the round belly is not common. And this type is different from the general round ware can be drawn and formed, must be connected in blocks, the production process is very complex, so there are very few surviving in the world. The shape, size and ornamentation of this statue are similar to those of the Nanjing Museum, with a huge body and a graceful posture, which is a typical style of the Qianlong period.
Qing Qianlong white jade skin boy wash elephant ornaments.
Size 9 in height3cm；Length 145cm
Estimate: RMB 2,600,000-3,600,000
Lot description: This white jade is a round carving ornament for a boy washing elephant, with partial skin, a huge elephant body, four-legged standing, the belt folds, the elephant tail slightly bent to the left, and the elephant's back is decorated with the "Shoushan Fuhai" pattern, and the back of the elephant is decorated with a back-grain frame, and the brocade is decorated with tassel tassel patterns. Like a boy lying on his back, holding a ruyi in his right hand, he smiled happily. The elephant's eyes are curved, as if smiling. Elephant has the meaning of auspiciousness in traditional Chinese culture, and the boy also has the auspicious meaning of having many sons and blessings. Another example is the Southern Song Dynasty poet Lu Youshi, who said: "Taiping is like heaven and man, and Nanmo Dongqian pounds wheat incense." That is, it is also the meaning of the auspicious elephant of peace.
14 15th century bronze gilt Amitabha.
Size 35cm in height
Estimate: RMB 1,200,000-1,600,000
Lot description: Amitabha Buddha is the master of the Western Elysium, representing boundless light and infinite lifespan. After Buddhism was introduced to China, Amitabha Buddha was widely worshiped by the Chinese people for his grand wishes, wonderful Pure Land world, and convenient and easy practice methods. Especially in the Tang Dynasty, a Buddhist sect specializing in the Pure Land of Amitabha Buddha was formed, and in the Ming and Qing dynasties, a grand situation of belief in "every family Amitabha, every household Guanyin" was formed.
About 30-40s, Honghua Chen Chunlan straw mat original package on the original degree of Liubao tea.
Estimate: RMB 6,800,000-9,000,000
Lot description. Process: Liubao tea, weight: about 84 pounds, storage: Malay dry warehouse.
Liang Qichao's posthumous manuscript on "Mencius" is attached to Liang Qichao's own seal.
Size posthumous manuscript 307×22.2cm；Liang Qichao's own seal 186×1.86×3.9cm
Estimate: RMB 1,200,000-1,500,000
Inscription: Liang Qichao seal seal: Mr. Ren Gong's life, Zhang Yin is engraved. Inscription: Liang Qichao.
As one of the Confucian classics, Mencius has had a profound impact on Chinese culture. In the late Qing Dynasty, known as China's "unprecedented great change", in the face of the change of political system and the impact of the trend of Western learning in the east, literati and scholars fell into a new search for Confucian classics that penetrated into the bone marrow of the Chinese. Liang Qichao was an important scholar and politician in the history of the late Qing Dynasty in China, and in the face of the decadence of the Qing Dynasty, the sense of social responsibility of the elite literati led him to embark on the road of reform in the ancient era.
Zhang Daqian, 1941, made a vertical scroll of the flying sky.
Size 182 94cm
Estimate: RMB 32,000,000-42,000,000
Inscription: seal, Daqian.
Style: Drag the jade and drag the clouds for nine days, and Shi Lanjiao will shine on Yu Yuan. Scattered flowers make a return wind dance, twelve doors of high and urgent phoenix strings. Anxi Yulin Cave, the North Liang Depression Canal Meng Xun chiseled also, the cliff stone falls, only 47 caves remain, most of the painting walls of the Six Dynasties do not exist, this Fu 11th Cave Tang pen, Xin Si Dong.
Inscription: Layman painting Yulin Cave Tang people flying into the sky. Dean Kong.
Lot description.
The Flying Heaven was created during Daqian's second time copying the murals in Yulin Cave, and it is a work of copying the flying heaven on the top of the north wall of the front room of Cave 15 (Zhang Daqian's No. 11th Cave). The whole picture is graceful and luxurious, the color is exquisite, the size is huge, it is a rare treasure in the theme of Dunhuang. Feitian is the symbol of Dunhuang art, which is bred by Indian culture, Western Regions culture and Central Plains culture. In terms of artistic image, it is not the artistic image of one culture, but a composite of multiple cultures. It does not grow wings, does not produce feathers, does not have round light, and soars in the sky with the help of colorful clouds instead of relying on colorful clouds, mainly by virtue of fluttering dresses and flying ribbons, which can be described as the most genius creation of Chinese artists and a miracle in the history of world art.
Xu Yang returned to Zhuang Tu hand scroll.
Size 29 180cm
Estimate: RMB 20,000,000-25,000,000
Title: Written by Chen Xu Yanggong. Seal: Chen, Yang.
Treasure of the Collection: Treasure of Qianlong Imperial Collection, Treasure of Jiaqing Imperial Collection, Treasure of Xuantong Imperial Collection, Treasure of Shiqu, Three Editions of Treasures, Jiaqing Connoisseurship, Sanxitang Jingjian Seal, and Yi Descendants.
Emperor Qianlong's imperial title: Shake the spring water boat lightly, and the three paths of return are not completely deserted. Who is the envy of the other side, and the assassin Jiangzhou should be surnamed Wang. 癸酉Meng Chunyue's imperial inscription. Seal: Moyun Bibliography:
Lot description. Qing Dynasty court painting gradually flourished during the Qianlong period, and Xu Yang, as an important court painter, was deeply appreciated and favored by the emperor, and presided over a series of major historical paintings. Xu Yang was born in the 51st year of Kangxi (1712), lived in Suzhou Changmen Zhuzhu Lane, is one of the Ming Dynasty "Jiangdong Three Talents" Xu Lin's descendant grandson, born in prison, once a candidate for the main book, and participated in the revision of the "Suzhou Mansion Chronicles", it can be seen that he is not a professional painter, but a literati painter.
Zeng Fanzhi made fire (diptych) in 2008.
Size 330 430cm
Estimate: RMB 8,000,000-12,000,000
Inscription signature: Zeng Fanzhi 2008 Zeng Fanzhi
Lot Description: Created in 2008, Fire is one of the culminations of the "Brushwork" series, which depicts a wildfire-filled jungle with charred branches stretching out into an infinite space, and flaming flames flickering and jumping in the night breeze. The messy and orderly brushwork not only breaks the inherent rules of time and space and artistic paradigms, but also brings visual shock and spiritual impact to the viewer. Zeng Fanzhi defines his creative method as follows: "When I create, I work with two pens at the same time, the pen between the index finger and the middle finger is the dominant pen to create, and the other pen brings destruction in the creative process, which will bring about seemingly messy but orderly brushstrokes in the picture. ”
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