1905 Film Network News On December 26, the main creator of the major revolutionary historical film "Who Holds the Color and Dances in the Air" entered Peking University and the Film Creation Seminar was held in Yannan Park of Peking University. "Who Holds the Color and Practices the Dance in the Air" is based on the battle of honor of the Red Army, the Battle of Dabaidi, focusing on the history of the struggle of the Red Fourth Army to advance into southern Jiangxi under Jinggangshan, an important stage in the history of the development of the Red Army, and vividly expresses the firm ideals and beliefs, superb command ability and revolutionary optimism of the Red Army commanders and fighters of the Red Army. On the occasion of the 130th anniversary of the birth of ***, this symposium became particularly meaningful.
The meeting was chaired by Li Daoxin, Vice Dean of the School of Arts, Peking University. Zheng Kaiyan, chief producer of the film and Secretary of the Party Committee of Ningbo Film Group, and Li Xiaojun, director and screenwriter, shared their creative journey, and experts and scholars such as Yan Shaofei, Zhang Baiqing, Li Yang, Qiu Zhanghong, and Yu Xiaofeng gathered to discuss and interpret the creative space of mainstream films from multiple perspectives.
The film rarely puts "the most honorable war since the founding of the Red Army - the Battle of Dabaidi", which is also a battle in which *** personally participated in the battle with a gun, on the big screen. In the view of the chief producer Zheng Kaiyan, the battle of Dabaidi is related to the choice of China's historical destiny, and "Who Holds the Color and Practices the Dance in the Air" aims to present that extraordinary process with images, inherit the spirit of revolutionaries, pay high tribute to the 130th anniversary of the birth of the great man, and cherish the memory of Comrade *** and his comrades-in-arms.
Zheng Kaiyan. Li Xiaojun, a director from a military family, was deeply shocked by the story of fighting here when he visited Dabaidi 10 years ago, and he admitted that the battle of Dabaidi was not as magnificent as the three major battles, but it contained the power of faith and human nature. After years of polishing the script, the film has made bold innovations, striving to get rid of the stereotype of film narratives with major revolutionary historical themes.
Li Xiaojun. The experts and scholars at the meeting discussed "Who Holds the Color and Practices the Dance in the Air" from multiple perspectives. Lei Hong, Secretary of the Party Committee of the School of Arts of Peking University, believes that this ** is not only an artistic reproduction of the Battle of Dabaidi, but also an important medium for spreading the revolutionary spirit and red genes, and it also has important significance and inspiration for the new era and the audience.
Lei Hong believes that this seminar was held at Peking University, not only to commemorate the great historical moment and revolutionary spirit in China's modern history, but also to commemorate the great man and the ancestors who bred the ideological spark and spread the fire on the fertile soil of Peking University, and also to pay tribute to the revolutionary predecessors who were not afraid of sacrifice and contributed their lives to the Chinese revolution, and encouraged students to grasp the great historical outlook in the great changes unseen in a century in the new era, and inherit and carry forward the revolutionary spirit of their ancestors.
Lei Hong. Professor Peng Feng, Dean of the School of Arts of Peking University, pointed out that taking this film as an example, how to express major revolutionary historical films can become a topic of in-depth research. Peng Feng hopes to turn the constructive results embodied in Chinese contemporary art into the contemporary art concept of Chinese and the global contemporary art concept.
Peng Feng. Yan Shaofei, deputy secretary of the party group of the China Film Association, said that the battle of Dabaidi is rarely presented in movies, and for recording and inheriting the shocking legendary story, "Who Holds the Color and Dances in the Sky" has extremely high image value, "Its thinking and value to the times, and its reference significance for film creation is worthy of affirmation."
Yan Shaofei. Zhang Baiqing, president of the China Film Critics Society, analyzed the *** image in the movie, saying that it "stands and stands", and his character space is a force that supports the progress of the film. The film has an element of romantic expression, "From the beginning, it was *** "Bodhisattva Barbarian Da Baidi", exuding a strong poetic nature. The director has carefully conceived and highlighted the innovative nature of this film".
Zhang Baiqing. Xiang Yong, a professor at Peking University's School of Arts, also emphasized the poetry of film, respecting the principles of poetic aesthetics in terms of perspective, character building, rhythm control, picture composition and color calling. Liu Chen, deputy dean of the School of Arts of Peking University, paid attention to the color of the film, "red, orange, yellow, green, blue, blue, purple, who holds the color to practice dancing in the air". Borrowing words from the painter Li Keran's 1954 reform of Chinese painting, she described the main creative innovation, and she called the exploration of this film "the courage of the valuable, the soul of the demander".
Xiang Yong. 
Liu Chen. Yu Xiaofeng, Secretary of the General Party Branch of the School of Management of Beijing Film Academy, was amazed by the film's exquisite photography and lighting. He mentioned that He Zizhen's voice, as a particularly ingenious stroke in the movie, made the audience believe in this history more and imagine the difficulty of the revolutionary process.
Yu Xiaofeng. Professor Li Yang, deputy dean of the School of Arts of Peking University, praised "Who Holds the Color and Practices the Dance in the Air" not only focuses on the grand war, but shoots around a battle, full of ingenuity in the character arrangement and plot structure, and the gunfights and scenes meet the requirements of commercial films. Wang Bei, deputy secretary of the Party Committee of the School of Arts of Peking University, analyzed the plot of Wu Ruolan's sacrifice in detail, "She kept singing "Being a Red Army" before the street battle, in order to attract the enemy in exchange for the opportunity for her comrades to evacuate safely. In the midst of this gunshot, the beautiful melody is very tense, and the director deliberately amplified the volume of the song. Wu Ruolan finally serves as a symbol of the little white flower, and when she sacrificed, this song echoes the same as the picture." Wang Bei specifically mentioned that the ending song of the movie "The Ballad of Guan Shan" is very sincere. "Xiaocao remembers that they have been here, where they are going, where is the direction of the wind", the lyrics are very good, and they combine the grand narrative with pop culture without revealing the mountain, which is similar to the narrative of the movie. From this song, you can see that the main creator spent a lot of effort on the creation of the film.
Li Yang. Wang Bei. Professor Qiu Zhanghong, director of the Department of Drama and Film and Television at Peking University School of Arts, said that there are nine indicators for evaluating the portrayal of the protagonist of commercial films, skills, perseverance, conscience, diligence, fun, courage, suffering, injustice, and often in danger. The portrayal of "Who Holds the Color and Practices the Dance in the Air" can meet seven of them, and this film has completed another exploration of the path of shaping Chinese greats in the new era. Chen Jun, an associate professor at the School of Arts of Peking University, praised the literary nature of the film, saying that many films have drawn energy from literature, and "Who Holds the Color to Practice the Dance in the Air" also cites a large number of literary elements, and constructs a world of revolutionary culture that the audience can understand from literature. Zhu Benjun, a research librarian at Peking University Library, analyzes that the enemy is outnumbered, the enemy is strong and I am weak, and the film embodies through strong contrasts to turn disaster into attack, turn evil into good fortune, and show perseverance, courage, enterprising quality and fearless spirit, which is where its mind and soul lie.
Qiu Zhanghong. Chen Jun.
Zhu Benjun. From the perspective of the best people, Chen Xuezhi, editor-in-chief of "China Screen" magazine, said bluntly that "Who Holds the Color and Dances in the Air" has a high degree of completion, and if the movie can produce enthusiastic social repercussions after its release, it will be an ideal state. Combined with He Zizhen's lines, Zhang Wenyan, deputy editor-in-chief of "Contemporary Film", shared his views, **The Marxist belief in my heart and the goal of liberating the toiling masses of the world are indestructible, and it is this power that allows the people to truly be the masters of the country, so that the people can be the masters of the world, and the people's nature is where the true divinity lies.
Chen Xuezhi. Zhang Wenyan. Ye Feng, Secretary-General of Zhejiang Film Projection Association, shared that this film is innovative and presents a youthful state, which is expected to resonate with the younger generation. Zhang Yueming, the former vice chairman and secretary general of the Jiangxi Film and Television Association, created the first film with director Li Xiaojun, and now director Li Xiaojun has released a new work, and he feels that this major revolutionary historical film is a huge harvest.
Ye Feng. Zhang Yueming. At the end of the seminar, Li Daoxin, deputy dean of the School of Arts of Peking University, concluded: "This is a revolutionary historical film with pursuit, courage, realm and innovation." He further analyzed that director Li Xiaojun combines audio-visual and plastic arts with the idea of the whole film very well, and has a very clear sense of authorship in both content and form. There are a large number of pitch shots, long shots and close-ups in the film, especially some shots of He Tingying's sacrifice, and the specific styling consciousness presents the inner spirit of mainstream films, hoping to convey this spirit and spirit further through the release of the film.
Li Daoxin. It is reported that the film is planned to be gradually screened in Beijing, Shanghai, Guangzhou, Changsha and other places in the near future.