It is human nature to love beauty, whether it is in today's world with a high degree of civilization, or in the barbaric period in which our ancestors lived thousands of years ago, the pursuit of beauty in human society has never stopped. How did the Qin bricks and Han tiles in the ancient architectural decoration evolve into the treasures of the beauty of Chinese architecture today?
In the great China Empire, civilization stretches for 5,000 years. From Qin bricks, Han tiles, Tang Sancai, to Song Dynasty porcelain Yuan blue and white, each era has left a unique imprint. However, our tracing of the beauty of Chinese civilization points to even more astonishing discoveries. Through archaeological excavations, experts have revealed the earliest architectural decorative tiles, which makes us respect the wisdom and creativity of the Chinese ancestors.
Qin brick Han tile is the treasure of the treasure house of Chinese civilization, its exquisite words, peculiar animal images, gorgeous patterns, in archaeology, history, ancient characters and fine arts, calligraphy art, as well as the study of ideology and culture, occupies an irreplaceable special position, has a very high value of art appreciation and cultural research. The evolution of this tile did not happen overnight, but went through a gradual process of sublimation.
The Journal of Archaeology published the "Annual Excavation Report of the Taosi City Site in Xiangfen, Shanxi", revealing the mystery of the pottery plate of the Taosi culture. These clay slabs were originally thought to be the lids of a type of vessel in ancient times, however, after careful study, experts preliminarily determined that these clay slabs should be the decorative materials of ancient building surface tiles.
In ancient times, people's architectural decoration was more simple than today, mainly divided into three categories: roof, wall, and ground. The shape of the pottery slabs excavated from the Taosi site is divided into flat quadrilateral, isosceles or right-angled trapezoidal, and most of the pottery slabs have round holes on one side. According to the analysis of experts, as a wall decoration, the flat quadrilateral or trapezoidal shape is not only mechanically unnecessary, but also has a poor decorative effect, far inferior to squares and rectangles. Therefore, Taosi slabs and tiles are characterized as roof decorations, that is, tiles. The holes in the pottery slabs are used to fix the nails, and the twill has a certain ornamental value in addition to better draining rainwater.
The Taosi slabs and tiles are flat, which is slightly primitive compared to the later curved tiles. However, we must be impressed by the wisdom and creative power of our ancestors thousands of years ago.
It is known that the pottery tile of Taosi existed from 2300 BC to 1900 BC. Although the Taosi terracotta tiles are the early tiles unearthed in China, they are not the earliest. In recent years, in the ruins of Lushan Pass and Shiyuan excavated in northern Shaanxi, fragments of terracotta more than 4,000 years ago have been unearthed. These terracotta tiles are cylinder tiles, most of them are clay gray pottery, the table decoration is mainly basket pattern, a small amount of rope pattern, the inner wall is not decorated, and there are obvious cutting marks on both sides.
The pottery tube tiles unearthed at the Shiyuan site are 200 years earlier than the tiles unearthed at the Tao Temple. However, experts have found that the craftsmanship and techniques used to make these tiles have matured. The stone clay tube tiles are not the most primitive tiles. The efforts of archaeologists may lead to the discovery of earlier, simpler and more primitive tiles, which are of great significance for the study of the aesthetics of our ancestors and the origin of terracotta.
It is an indisputable fact that Huaxia is the first place in the world to appear tiles. Through the diligence and wisdom of the ancestors, China has left countless historical, cultural and spiritual wealth. As children of China, we must continue to carry forward the fine tradition and create more and greater brilliance for the Chinese civilization. Through the tile, we have a deeper understanding of the evolution of the beauty of Chinese architecture, which is not only the inheritance of skills, but also a tribute to the wisdom of our ancestors.
Conclusion: In the journey of pursuing the beauty of architecture, the discovery of terracotta has become a key part of exploring the profound heritage of Chinese civilization. From the earliest pottery temple tiles to the more ancient Shiyuan pottery tiles, these tiles have witnessed the evolution of the architectural aesthetics of the ancestors from simple functionality to ornate decoration. Through the retrospective of these magnificent beauty, we cherish and understand our own cultural traditions more and contribute our strength to the magnificence and splendor of Chinese civilization.
The beauty of Chinese architecture: tracing the heritage of civilization from tiles.
By tracing the ancient Chinese architectural tiles, this paper brings us back to the time and space of 5,000 years ago, and shows the evolution of the beauty of architecture in Chinese civilization. This article not only fascinates the magnificent beauty of ancient architecture, but also makes people deeply admire the wisdom and creativity of their ancestors.
First of all, the article details the architectural decoration of Qin bricks and Han tiles during this period, highlighting their unique position in the treasure house of Chinese culture. Through archaeological excavations, we have been able to get a glimpse of the architectural aesthetic of our ancestors, from texts and animal figures to ornate motifs, all of which are intricately combined to reflect the artistic level of the time. The article draws attention to the discovery of pottery temple tiles, and deeply analyzes how these flat ceramic plates evolved from simple functions to architectural decorative tiles.
Secondly, the article skillfully compares tiles from different periods, such as the Taosi slab tiles and the Shiyuan pottery tube tiles. Through this comparison, the reader understands more clearly that these tiles are not only tools for decorating buildings, but also witnesses of the evolution of civilization. The experts found that the pottery temple tiles were slightly more primitive, while the Shiyuan pottery tube tiles showed a more mature production process, which made us interested in the skills and technical level of the ancient craftsmen.
The most fascinating part of the article lies in the in-depth analysis of the aesthetic concepts and civilization development behind the evolution of tiles. Through the research of experts, we have learned that the flat quadrilateral or trapezoidal shape of Taosi slabs is not the first choice for wall decoration, but is more suitable for roof decoration. The logic behind this in-depth excavation brings the reader closer to the lives of ancient people, and realizes that the evolution of architectural aesthetics is not accidental, but a continuous exploration of function and beauty.
In addition, the article is also very good at highlighting Chinese civilization. By pointing out that Huaxia was the first place in the world where tiles appeared, the author shows the reader the leading position of the ancient Chinese people in the field of architecture. This point has important enlightenment significance for promoting traditional Chinese culture and establishing self-confidence in civilization.
Finally, the article calls on readers to inherit the fine tradition and create more brilliance for Chinese civilization with a positive attitude. This positive viewpoint makes people feel that it is their duty to cherish and inherit the magnificence of Chinese civilization even more.
To sum up, this article presents us with an ancient and vivid picture through a detailed tracing of the evolution of Chinese tiles. Through this historical journey, readers deeply feel the unique beauty of Chinese civilization and have a richer understanding of ancient architecture.
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