In the past 600 years, Zisha has been able to achieve long-term development, enter thousands of households, and become the king of contemporary utensils, the core reason for which lies in the intervention of literati.
Yixing Chen Zhenhui, one of the four sons of the late Ming Dynasty, has such a record in "Autumn Garden Miscellaneous":
The name of the pot is far away, that is, it is still known in the remote domain. Its system began to offer spring, the pot style is simple and elegant, and the tea utensils have the fun of the wilderness. Later, such as Chen pot and Xu pot, they can not be as if Dabin is in case.
For springIt is the companion of "Xuexian Wu Yishan", and Wu Yishan travels in the sea of books, discussing the ancient and modern, his knowledge, its heritage, its style, and its taste have reached a considerable level, so he is the precedent for opening a purple clay pot.
Achievements:Purple clay pot ancestor.
Ming Dynasty DabinHe often tasted tea and discussed pots with calligraphers and painters such as Dong Qichang and Chen Jiru, and was influenced by them to innovate the purple sand pot making process. Shi Dabin's newly made small pot is plain and unpretentious, and the style is cold, which is very much in line with the literati's wishes. The small purple clay pot has become a delicate and transparent handheld treasure, and its value has skyrocketed. It changed the clumsy shape to an elegant and portable small device, completing a milestone leap in the history of purple sand.
Achievements:The innovator of purple sand production technology sold 20 million at auction.
Take the literati as mentors and friendsChen MingyuanHe has long been a teacher and friend with literati such as Yang Zhongne and Cao Lianrang. Its cultural literacy has reached a very high level, greatly expanded the types and categories of purple sand, and opened the era of purple sand literati pots.
Among them, the greatest influence on Chen Mingyuan was the Qing Dynasty, a calligrapher, and he and Mingyuan. Yang Zhongne's cultivation and insights in calligraphy and painting influenced Chen Mingyuan's creation.
Achievements:The first one engraved the poems and paintings on the purple clay pot, and the auction price was 30 million.
Chen ManshengAs one of the "Eight Families of Xiling", he is proficient in literature, calligraphy and painting, and seal carving. He created the original design concept of the purple clay pot, and personally instructed the pot artist Yang Pengnian to make the pot, creating a new shape of the purple clay pot, which became a model of the times.
Achievements:Mansheng's eighteenth style became a classic in later generations, and Chen Mansheng's purple clay pot sold for more than his calligraphy and paintings.
Gu JingzhouI am convinced that whether there is cultural accumulation or not is the most important difference between folk artists and real people. Gu Jingzhou attaches great importance to this origin and has worked hard for it all his life. In particular, when he went to Shanghai at the age of 20 to engage in antique pots, it was the most important turning point in Gu Jingzhou's pot-making career. He was fortunate to come into contact with a large number of treasures of ancient masters, and was humbly taught by famous calligraphers and painters such as Wu Hufan and Fu Baoshi, so that he gradually possessed the atmosphere of literati. In the era of the Seven Elders of Zisha after the founding of the People's Republic of China, Gu Jingzhou entered the pot because of his literati popularity, he became the most shining purple sand master, and became the swan song of the Chinese literati purple sand pot.
Achievements:China's last literati pot master, 92 million, the king of contemporary utensils auctions.
In the later Jingzhou era, the cultural context was interrupted, and the disciples and grandchildren were eating the old rice of the ancestors, and they were all working their skills, but they forgot to combine the context and concept of the times with the purple clay pot untilPurple sand aristocracyof the appearance.
The purple sand aristocracy takes the international perspective as the starting point, stresses the combination of national art and purple sand technology, and creates a purple sand pot that meets the current aesthetic needs. It is the No. 1 art subject of the Gongmei Center of the Central Academy of Management, and it has become a quasi-cultural relic, which is the king of contemporary artPurple sand aristocracy
It ushered in this era, and the important collection known as the British royal family entered the world art history along with the works of Leonardo da Vinci and Picasso. It has made Zisha from Chinese art to world art.