After visiting the Inner Mongolia Art Museum, the Communist Party of China's Jungger Banner Committee, and the people of the Jungger Banner sponsored the "Ode to the Long River in Northern Xinjiang" Wang Jianzhong's photography exhibition, these days, what I think about the most is, what kind of feelings make the poet, essayist, and ** Wang Jianzhong pick up the camera?I met Wang Jianzhong 25 years ago, I forgot where it was, I saw an article ** "Kiln Second Sister-in-law", and I was envious of the literary talent of the author Wang Jianzhong. Wang Jianzhong, who is it?I asked a lot of people around me, and they all shook their heads. One day, after class, I was chatting about this again in the office, and Mr. Zhao from our group suddenly said, "Hi!."Are you talking about the Wang Jianzhong who wrote **?I said, yes!She said, "Then I know!".He and we are in the same unit. I was very excited after hearing this, so I asked her to bring her lover the short story ** "Laughter" written by me, and asked him to hand it over to Wang Jianzhong. A few days later, Mr. Zhao gave me a piece of tissue paper, saying that Wang Jianzhong gave it to me. When I opened it, it was a 16-carat thin manuscript paper, and on the back of it, there was a text message written by Wang Jianzhong in one go. I read this short letter so many times that I memorized it before I knew it, and more than ten years later, I can still recite it fluently. Now, although I can't memorize it, I still remember the general content of the letter. I don't know that he was in charge of editing "Jungardi" at the time, and he didn't explicitly tell me that I was going to post my work in "Jungardi", but I listened to his off-string sound, and that's pretty much what it meant. In addition, he also frankly pointed out the shortcomings of this **, he said, "The works of the local complex can actually be written more vigorously." These were his exact words. On the one hand, his letter made me know that my strengths were **, and my heart was very nourishing;On the other hand, I also clearly know where I should strive next, and I feel that I have a direction to move forward and am no longer confused. I regarded this letter as a beacon in my writing journey, and carefully folded it and tucked it away in a long book that I loved at the time. In the next few years, whenever I have free time, I will turn it out and look at it, and every time I read it, there is always something new to gain or inspire. Unfortunately, I didn't have a fixed place to live at that time, and I always moved frequently, I remember moving twice in one year, once at the beginning of the year and again at the end of the year. In the process of frequent moving, some books were lost, and the ** of the clip letter was also among them. For this reason, I felt uncomfortable for a long time. The second short story I submitted to "Jungardi" was "Two Loops". We talked a lot about the topic of ** creation together, although it was not deep enough, but we were honest with each other, unobtrusive, to the point, and very affectionate. Since then, I feel that I really know Mr. Wang Jianzhong. At that time, many of his works, as long as I could collect, such as "Woman in Cheongsam", "Charming in the Wind", "Clear Springs Everywhere", etc., I regarded them as treasures, read them carefully, pondered them repeatedly, and carefully realized them, and this situation continued until many years later, his interests became more and more extensive, his achievements became more and more abundant, and my work and life became more and more busy. I've read his work for years and I haven't understood why he writes about itI have never been able to grasp the soulful things, the root things, and the common characteristics in his works. I think this is the most important thing to understand a writer and learn Xi a writer. It wasn't until this time, after watching Mr. Wang's photography exhibition, participating in his "Ode to the Long River" music and painting poetry recital, and seeing his beautifully printed collection of works "China Has a Zungeer", that I suddenly woke up like a dream. I suddenly felt that I had a deeper understanding of Mr. Wang's literary and artistic creation. I was so excited that I almost screamed, and suddenly I felt that if I screamed on such an occasion, the people around me would think of me as crazy, and I couldn't help but scream at this level.
It turned out that Mr. Wang, whether writing articles or photography, has been closely focusing on the theme of Jungar. Jungar is his literary and artistic territory. In his heart, Jungger is both real and illusory, and he has always lived in a two-dimensional world where the real Jungger and the literary and artistic Jungger complement each other. Live in the worship of Zhungar, in infinite longing, in good wishes. His talents, his love, his ideals and beliefs in life are all closely related to Jungar and share weal and woe. Jungar often haunts him. Jungar has always made him unforgettable and soft. The beauty of the Yellow River is famous all over the world, and the beauty of the Yellow River that photographers have paid attention to in the past is often in the snow-capped mountains at its source, in the Hukou Waterfall, in its turbulent waves, pouring thousands of miles, and feeding the great Chinese nation in it. Under Mr. Wang's lens, the beauty of the Yellow River lies in its tranquility, turquoise and clear, and the river is clear and the sea is clear, and lies in the vastness and vastness of both sides of the river, and the northern scenery under the snow. These are the unique temperaments of the Yellow River flowing through the Jungar section. What he loves, what he refines, what he praises, and what he repeatedly expresses is the beauty of the Yellow River in the Junggar section. It is the beauty of the perfect combination of infinite softness and infinite magnificence in the Junggar section of the Yellow River. There is no doubt that Wang Jianzhong's literary territory is China's Zhunger, and the territory of his photographic art is also China's Zhungeer. Zhunger is to Wang Jianzhong, just as Shen Congwen is to Xiangxi, Lao She is to Beijing, and Mo Yan is to Gaomi Northeast Township. In Wang Jianzhong's prose, in a word: Zhungeer has a long history and a rich collection of humanities. In Wang Jianzhong's photographic works, in a word: the mountains and rivers of Zhungeer are the best in the world. He said that writing is actually about finding your relationship with the land under your feet. The more you love this land, the deeper and farther your words may reach. Jungar is the softest and warmest place in Wang Jianzhong's eternal love, which is as precious as life. This is the background color that determines his literary and artistic achievements and taste, and it is also the golden key for us to understand the theme and connotation of Mr. Wang's literary and artistic works.
About author:Qin Wenmao, born in August 1966, is a native of Zhunger. He studied in the cultural research class of Inner Mongolia University. Bachelor's degree. Senior Chinese Teacher in Secondary School. He is the author of the anthology "Spring Breeze in February", the long story "Wind and Water" and "A Thousand Miles of Snow in Yinshan". Won the Inner Mongolia "Five One Project" Book Award. The short story ** "The Second Master Out of the Mountain" was shortlisted for the 8th Lu Xun Literature Award. The feature-length ** "A Thousand Miles of Snow in Yinshan" is participating in the 11th Mao Dun Literature Award. 
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Jungar Banner released the "Night Reading" columnNEW BACK!Welcome new and old friends to contribute。Submission email number:[email protected]Please include your real name and contact information** in your submission, and we will contact you as soon as we receive a suitable manuscript. More newsThe loan amount has been raised!Ordos City issued a new policy on housing provident fund!
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