Recently, the plot of one woman and multiple men in domestic TV dramas has been hotly discussed and has attracted widespread attention. This phenomenon is becoming more and more common in today's entertainment industry. From the many episodes broadcast this year, we can easily find traces of this kind of plot, such as "Sauvignon Blanc" starring Yang Zi, "Ning An Like a Dream" by Bai Lu, and Zhou Ye's "For the Dark Fragrance" and so on. What these dramas have in common is that they are obviously centered on the heroine, but the male actors are more likely to become the focus, which has caused widespread heated discussions.
So, why are these works that are obviously big heroines, but it is always easier for the actors to attract the audience's attention?The answer may lie in the fact that the main audience for TV dramas is female viewers. The male actors have done an excellent job of satisfying the preferences of female audiences, creating affectionate and delicate character images, which are exactly the dream lover images pursued by female audiences. They often play the role of a gentleman, considerate, and steadfast guardian of the heroine, which is in line with the romantic fantasies of female audiences, so it is easier to win the love of the audience and accumulate fans.
For example, in "Sauvignon Blanc", Deng Wei's Tu Shanjing is deeply loved by female audiences and is nicknamed the male vixen, his character shows deep affection for the heroine, and his delicate and considerate and unwavering guardian image deeply touched the hearts of female audiences. This kind of role positioning satisfies the expectations and fantasies of contemporary women for feelings.
In addition to the attraction of the actors, the crew also adopted a series of strategies to stimulate the audience's interest and increase the audience's sense of substitution. For example, in "Ning An Like a Dream", the crew set up a CP team Shura field to encourage the audience to vote and call for their favorite actors. And "Sauvignon Blanc" uses a variety of methods, such as the character is punished for standing on the wall, and the audience can participate in the punishment, etc., this highly interactive strategy further enhances the audience's sense of substitution, makes them more involved in the plot, produces a sense of truth, and increases the stickiness of drama fans.
However, this plot setting also brings some problems, one of which is that the role of the heroine is often weakened and becomes a foil for the male actors, and the heroine character is also modified, resulting in lower expectations of the audience for the big heroine. This phenomenon is reflected in many dramas, such as the heroine in "Ning An Like a Dream", due to the unscrupulous pursuit of power, the character gradually becomes impetuous, and the audience thinks that the heroine in the previous life is more thick. A similar situation appears in other works, making the image of the heroine obscured in the minds of the audience.
In short, the phenomenon of one woman and multiple men in domestic TV dramas has sparked extensive discussion, and the attraction of male actors and the interaction strategies of the crew have become key factors in attracting female audiences. However, this kind of plot also brings some problems, which need to be re-examined by the crew in order to reshape the image of the heroine, meet the expectations of the audience, and further win the trust and expectations of the audience. In this entertainment industry, the needs of audiences are constantly changing, and the creation of dramas needs to keep pace with the times in order to achieve long-term success.