Drawing the tree technique.
The trunk is double-hooked, the branches are on all sides, the branches are left and right, and the complex and simple are noted, and the density changes. This picture shows the trunk of a pine tree. ↓↓
Sketch of Huangshan pine.
The trunk of the pine tree is coiled like a dragon, the branches are like a dragon flying in the air, and the pine needles are dense, layered, and lush. ↓↓
How to draw a peach tree. This picture is selected from Qiu Ying's "Peach and Plum Garden", two peach trees have many knotted scars, slightly horizontal lines, lightly dyed with light ink, and the branches are thin and powerful, with a variety of postures. ↓↓
Banyan tree sketch. This picture is mainly for the drawing of tree roots and tree body, and it is necessary to draw the characteristics of the banyan tree with entwined roots and criss-crossing lines. ↓↓
Willow tree sketching. The willow tree is characterized by the body of the tree is hard and knotty, the main trunk is upward, the wicker is slender, the willow leaves are written with more realistic point leaves, the pen is smooth, the branches can not be parallel, should be uneven and natural, and the point leaves are dyed green after drying. ↓↓
Cypress tree sketch. Draw cypress trees with lines to draw the coiled body and scars at the roots, cypress leaf dots are clustered with small dots, or you can use scattered front points to dot the leaves, and the leaves are dyed green. ↓↓
Autumn tree sketch. Autumn trees are dotted with leaves after drawing trunks and branches, and in order to depict autumn scenery, the dotted leaves can be colored with ochre, dark green, and vermilion. ↓↓
Coconut tree sketching.
The coconut tree is tall and straight, the bark can be rubbed with horizontal stripes, there is a stem in the middle of each leaf, and many arrow-shaped leaves are irregularly arranged on both sides of the stem, and the overlapping leaves are mainly dyed with light ink, and the leaves are dyed with juice green. ↓↓
The technique of painting trees by famous artists of the Northern School.
Fan Kuan leaf tree painting method.
The picture shows a part of the Song Dynasty painter Fan Kuan's "Traveling in the Mountains and Streams". ↓↓
First, use the center to double hook the trunk and twigs to draw the knots on the tree, stain the body of the tree with light ink, and then outline the leaves, which are chrysanthemum-shaped and decorative locust leaves. ↓↓
Guo Xi's pine tree painting.
The picture shows a part of the "Early Spring Picture" made by the Song Dynasty painter Guo Xi. ↓↓
The two ancient pines are tall and vigorous, the needles are sparse, the pine needles are short and flexible, and the body of the dead tree in the near view is curved, the shape is sideways, and the twigs are bent and powerful. ↓↓
Guo Xi's crab claw tree painting method.
The picture shows a part of Guo Xi's "Hidden Valley". ↓↓
Guo Xi's painting tree obliquely clumsy, the root of the rocky bank, take the unique situation, several dead trees growing on the body are interspersed with a horizontal downward fluttering old tree, the form is vivid, the twigs are bent downward, and the pen is strong. ↓↓
Guo Xi's miscellaneous tree painting method.
The picture shows a part of Guo Xi's "Stone Pingyuan Map", two straight miscellaneous trees are interspersed with several curved dead trees, and the branches are mostly crab claw-shaped; Some twigs bend downwards, while others bend upwards in different postures. Leafy trees are either hooked in small circles or covered with large patches of wet ink to contrast with dead trees. ↓↓
Li Tang pine tree painting method.
The picture shows a part of the Song Dynasty painter Li Tang's "Ten Thousand Pine Winds". ↓↓
There are five pine trees with solid lines, coiled pine branches, pine needles similar to horsetail pine needles, and a main needle in the middle, and pine needles arranged on both sides of the main needle. Pine bark is written in circles of varying sizes, note the variation in sparse size. Pine needles are dyed green, and pine dry is dyed with ochre. ↓↓
Ma Yuan pine tree painting.
The picture shows a part of the "Landscape Character Scroll" made by the Song Dynasty painter Ma Yuan. ↓↓
The first characteristic of Ma Yuan's painting of pine is that it is thin and hard like iron, and the second is "dragging branches" - painting pine branches or stretching flat or downward, small branches like sharp arrows, because of dragging branches, the pine tree posture is as graceful as a dance. ↓↓
Ma Yuan's bamboo painting method.
The picture shows a part of Ma Yuan's "Walking Song". ↓↓
Ma Yuan paints bamboo with a double hook method, with a pen such as folding iron, the pen is strong and clumsy. He paints bamboo poles, clumsy and steady, painting bamboo leaves, but also with a slightly deformed technique, bamboo leaves are triangular, and slightly stunned. The first stroke of the bamboo leaf is slightly paused, and the stroke is drawn from the outside to the inside, and the stroke is slightly longer. The second stroke then outlines the shape of the bamboo leaves, and the strokes are slightly shorter, so that each bamboo leaf is pointed. ↓↓
Li Tang willow tree painting method.
The picture shows a part of Li Tang's "Village Doctor". ↓↓
In the picture, the willow trunk is old and knotty, thick and clumsy with a pen, and the trunk grows upward, but the branches drift with the wind horizontally. The branches are light and flexible with a pen, and the willow leaves are made by the point leaf method, which is finely pointed out, and the leaves are paid attention to when the wind is pointed, and the willow leaves can be dyed with juice green. ↓↓
Fan Kuan deer antler tree painting.
This picture is a part of Fan Kuan's "Snow Scene and Cold Forest", several dead trees on the slope bank, the trunk is thick and clumsy, the small branches are dense, the shape is like antlers, and the hair grows upward, the trunk is as hard as bending iron with a pen, and the branches are soft and clumsy with a pen. ↓↓
Malin willow tree painting method.
This picture is a part of Ma Lin's "Snow Peak Cold Boat Map". Near the front of an ancient willow, the wicker should be painted with a soft posture, reflecting the artistic conception of the cold wind blowing. ↓↓
How to draw a crab claw tree.
This picture is a part of Ma Lin's "Hanjiang Solo Fishing Map", a typical crab claw tree method. After the snow, the big trees on the slope bank are covered with snow, and an angler is still squatting in the grass hut waiting for the fish to catch the net. A dead tree in front of me, the branches are all written in the crab claw method. Use the pen clumsy and powerful, with the twigs facing downward. ↓↓
Li Di willow tree painting.
This picture is the Song Dynasty painter Li Di's "Wind and Rain Return to the Pasture", the willow tree in the wind and rain is bathed in the wind and rain, the posture is moving, a shepherd boy's straw hat is blown off, and the life is full of interest. The willow leaves in this picture are dense, written with the point leaf method, the wind blows the leaves, the willow leaves fly, and the willow leaves are in the shape of the top wind, which increases the dynamics of the picture. ↓↓
Liu Songnian's willow tree painting method.
This picture is a part of the Song Dynasty painter Liu Songnian's "Four Scenic Landscapes", Liu Songnian's painting of willow trunk is thick and strong, and there are many knots and scars. The willow leaves are dotted with the leaf method, fine point out, lush and dense, point once the willow leaves are dry, and then use thick ink to point again to strengthen the sense of layering. The willow leaves are dyed cyan or juice green, and the willow stems are dyed with ochre. ↓↓
Tang Yin's pine tree painting.
This picture is a part of the Ming Dynasty painter Tang Yin's "Drawing of a Calf in the Field". Tang Yin's pine tree in this picture is a masson pine, the pine trunk is like a flying dragon, and the vines are entangled. The biggest feature of Masson pine needles is that there is a main needle in the middle of each bundle of pine needles, and the other Georgians are distributed on both sides of the main needle, all of which grow from the main needle, and each bundle of pine needles is oblong and oblong. ↓↓
Zhou Chen's pine tree painting.
This picture is a part of the Ming Dynasty painter Zhou Chen's "Pavilion Forest Summer Picture". Two pine trees, one erect and one sideways, one of the two leaf trees with triangular leaves, one with leaves resembling weeping chrysanthemum leaves, and two trees on the right side, one with a head point and the other with plum blossom points. ↓↓
Jiang Song broad-leaved tree method.
This picture is a part of the Ming Dynasty painter Jiang Song's "Fishing Boat Reading Map". In the picture, the boulder is towering, a small boat in the stream, the master in the boat is reading, and the child is holding the oar, and the artistic conception is quiet. On the edge of boulders, the branches of the trees are either erect or hanging, and the leaves are broad and fat. When drawing, the pen is full of water, and the side pen is pointed out, and the shade is done in one go. ↓↓
Zhou Chen's pine tree painting.
The picture shows a part of the Ming Dynasty painter Zhou Chen's "White Pond Map". ↓↓
Zhou Chen's painting of pine trees is rigid and soft, although the small branch brush is strong and sharp, but the trunk and large branches are more rounded with lines, and the brushwork has changed to the solemnity and fierceness of the Song people to be loose and smooth. The bark of the pine tree is drawn with small dots and circles, and the pine needles are drawn slightly on the basis of the golden pine. Pine dry dyes ochre, pine leaves dye juice green or cyan. ↓↓
Qiu Ying's sycamore tree painting.
The picture shows a part of the Ming Dynasty painter Qiu Ying's "Tongyin Book Static Map". ↓↓
The sycamore leaf painting method can be divided into two types: hook leaf and point leaf, the left picture is the hook leaf method, and the left picture is the point leaf method. The trunk of the sycamore tree is thick and straight, the bark is horizontal with a light ink pen, the leaves are wide and palm-shaped, and there are four or five small branches. ↓↓
Yuan Yao's peach tree painting method.
The picture shows a part of the Qing Dynasty painter Yuan Yao's "Taoyuan Picture Screen". ↓↓
The willow tree has a thick trunk with horizontal stripes on its bark, and its branches can emerge from close to the roots, interspersed with branches that are interspersed with dense twigs. After painting the twigs, at the twigs, the bottom is rendered with light ink, left to dry, then dyed with pink, and then, dotted with white flowers. ↓↓
Chen Shaomei's plum tree painting method.
The picture shows the modern painter Chen Shaomei's "Plum Blossom Book House". ↓
The trunk of the plum tree is bent and knotted, the twigs are longer, strong and strong like a sharp arrow, the twigs should be interspersed with branches, sparse and dense, and the branches should not be numerous at the treetops, and the branches should be combined with the length and shortness, and the white flowers are dotted after the whole picture is dyed. Excerpted from "Northern School Famous Landscape Painting Tree Method", edited and painted by Zhang Kui, published by Tianjin Yangliuqing Painting Society).
Chinese landscape painting