Changting resented.
Song] Jiang Kui. Yu Po likes to make his own songs. The initial rate means long and short sentences, and then the rhythm is followed, so the front and back are different. Huan Da Sima Yun: "In the past, the willows were planted, according to Hannan, and now they look at the shaking, sad Jiangtan, the tree is still like this, how can people be worthy?" I love this very much.
Gradually blowing away, the branches are fragrant, it is a people's house, a green and deep portal. Yuanpu lingers, where is the twilight sail scattered? There are many people, who has to look like a long pavilion tree? If the tree is affectionate, it will not be green like this!
At dusk, looking at the high city, I saw countless chaotic mountains. Wei Lang went, how could he forget to pay for Yuhuan. The first is to return early, afraid that the red calyx will not be the main one. It is difficult to cut off a thousand strands of sorrow.
This is a song that regrets farewell romance. The first four sentences of "gradually blowing out" write that the incense of the branches is gradually blowing out, indicating that it is late spring. Everywhere there is a deep shade of greenery, covering the door of people's homes. The three sentences of "Yuanpu" are transcribed elsewhere, leading to the farewell of the willows. The four sentences of "Reading People" write that the willow tree of the long pavilion has read countless people, and I have seen all the hatred and sorrow in the world. The willow tree is emotionless, otherwise it would not be so green and green. Here, the ruthlessness of the willow tree is used to set off the affection of people.
After the three sentences of "sunset", the lyricist left Hefei with reluctance. In the twilight scene, the poet looked at Gaocheng from afar, and all he saw was "countless chaotic mountains", indicating that the Venerable Master was far away. The two sentences of "Wei Lang" use the allusion of Wei Gao in the Tang Dynasty to visit Jiangxia, and write that he will not forget the ardent advice of his lover, and he will definitely come again. "The first is" two sentences are the words of the sweetheart, asking the lyricist to return early as soon as possible, so as not to be late, "no one is the main red calyx". The red calyx here is the self-reference of the sweetheart. At the end, the two sentences of "empty and empty" end with the sorrow that is difficult to cut, rendering the sorrow and separation after parting to the extreme.
The whole poem uses the change of subject and object and inner monologue to show the two-way emotional exchange between the traveler and the sender, which is a more distinctive article in Jiang Ci.
Qinggong Chun. Song] Jiang Kui.
Shaoxi Xinhai Chinese New Year's Eve, Yubei Shihu returned to Wuxing, after the snow night over the rainbow, taste the poetry clouds: Kasawa vast wild goose shadow slightly, Yufeng overlapping cloud clothes; The long bridge is lonely on a cold spring night, and only the poet returns. In the winter of the next five years, Fu and Yu Shangqing, Zhang Pingfu, and Yu Puweng were self-styled and carried together, Zhuliangxi. The road passes through Wu Song, the mountain is cold and the sky is different, the clouds and waves are four, the middle and evening phases are weeping rainbows, the stars are drooping, the fishing fire is intricately mixed, and the wine can not be supported. Pu Weng entangled himself with his own clothes, still looking at each other and chanting, because of this rhyme, covering the tenth, the manuscript is fixed. Pu Weng blamed the rest for nothing, but he was delayed, and he couldn't help himself. Pingfu, Shang Qing, and Pu Weng all work in poetry, and they are strange; Yu Yiqiang chased after him, and after returning to this trip, he got more than 50 solutions.
The sculls are waves, a pine rain, and the twilight is gradually full of space. Call me the alliance gull, fluttering down, carrying people and passing the wood dust. That returned, the clouds and snow, the lonely boat at night. Sad to see again, according to the Meishan, Dai Scar low pressure.
The spring is cold in the incense picking trail, Lao Tzu is soothing, who will answer the self-singing? Looking westward, the rainbow is led away, and this prosperity is difficult to stop. The wine wakes up far away, and I am contemplating, Ming Xuan socks. Where are you now? Only the trunk is accompanied by people for a moment.
This is a song about travelers. The preface explains the background, time, place, and reason for writing the word. The first three sentences write that the sculls are paddled on the floating water surface of the lettuce, and the pine wind blows and rains, falling on the lily clothes. The twilight is sorrowful, and it gradually fills the vast world. The word "spacious" has laid the tone of the whole word. The three sentences of "call me" are written on the picture of the sand gulls circling and flying, as if they want to fall, but in the end they still fly away from the treetops with people on their backs. The two sentences of "that time" transcribe the scene of returning to Wuxing five years ago, sweeping away the clouds, mist and cold snow, and setting off overnight in a lonely boat. The three sentences of "sad" mean that the sad past has now reappeared, faintly appearing in the distant mountains in front of you, like a woman's eyebrows.
The three sentences of "Picking Incense Path" remember the historical monuments, think about the ancient feelings, and cherish the old people. The four words "who answers from the song" are not only the lyricist's sigh for the current loneliness, but also the nostalgia for the previous life of "self-made new rhyme is the most delicate, Xiaohong sings me **". The three sentences of "Weeping Rainbow" are to say, looking to the west, it is the Weeping Rainbow Bridge, and the lyricist is drifting away in a small boat, which is really a pride and elegance that is difficult to contain in his life. After the writer of a few sentences of "sobering up" woke up, he found that the boat was far away. The person who the lyricist thinks about is now gone, and only the railing that he once leaned on can accompany people for a moment.
This poem has a broad artistic conception, emotional ups and downs, and a clear and far-reaching style. Integrating the scene, lyricism, travel, nostalgia, and nostalgia for people, the infinite emotion is stored in the scene, and the sadness of the present and the past are full of emotion. In the arrangement of the structure, the vertical and horizontal opening and closing, the restraint is powerful. The words are exquisite, the scenery is lovely, and the reading is exciting.
Pipa Fairy. Song] Jiang Kui.
Wu Dufu "Cloud": "Household collection of smoke, furniture painting boat." "But Wu Xing is so, the spring outing is prosperous, and the West Lake has not been able to pass. When Yu and Xiao Shi's father carried wine to Nanguo, they met and became a song.
When the sculls came, some people looked like old curved peach roots and peach leaves. The song fan is about flying flowers, and the moth eyebrows are amazing. Spring is getting farther away, Tingzhou is green, and a few more cries have been added. Ten miles of Yangzhou, three lives Du Mu, the past is not said.
It's still the palace candles and smoke, and the time is changed in a hurry. All put a frenzy, with the empty elm pod. Tens of thousands of wisps, hidden crows and fine willows, for the jade, dancing back to the snow. I want to see the west out of Yangguan, and the old people say goodbye for the first time.
This is a nostalgic poem about a spring outing, describing the lyricist who encounters a woman who is similar to his old lover during the spring outing, thus evoking good memories of the past. The film gets straight to the point, pointing out that the oncoming woman with sculls is very much like her former lover. "Old Song Peach Root Peach Leaf", pointing out the identity of the lover's singer. The second sentence of "Song Fan" turned into memory, writing that the lover held a group fan and gently greeted those Yang Hua who were flying freely, and her appearance was so beautiful. The three sentences of "spring is getting farther away" describe the beautiful past, which is gradually far away from themselves, and Tingzhou is already green. This quiet picture was accompanied by a few more pelican chirps, and the sense of twilight jumped on the paper. The three sentences of "Ten Miles" are transformed into Du Mu's "Spring Breeze Ten Miles Yangzhou Road, and the bead curtain is not as good as the "Huang Tingjian" Spring Breeze Ten Miles Bead Curtain Roll, as if the poetry of Du Muzhi of Sansheng refers to the beautiful past as if it is a lifetime, and the empty wounds are infinite.
After the film, the two sentences of "still are" lamented that it is now the Qingming season again, the scenery is still the same, but the years have changed. The sentence "Hurry to change the season" writes the poet's infinite sadness for the twilight of spring and the changes of the past and the present. "All put a piece of fangsi" uses elm pods as a metaphor for willows, which leads to the following "dancing back to the snow". The four sentences of "Ten Thousand Wisps" write willow feelings, flying and circling for the guests, and the lyricist once again recalls the scene of separation from the deceased. These few sentences are the climax of the lyrics, and the lyricist writes here and ends abruptly, and the aftermath is lingering like wisps.
Cui Lou groaned. Song] Jiang Kui.
Chunxi Bing in the middle of winter, Wuchang Anyuan Lou Cheng, and Liu Qufei friends fell into it, and the song saw the ambition. Yu went to Wuchang for ten years, so there are people who park the boat and parrot island, hear the word Xiaoji song, ask it, quite able to tell the matter; Return to Wu, for the rest of the words, reminisce about the past, and hurt the present to leave the rope.
The moon is cold and the dragon sand, the dust is clear and the tiger falls, and this year is the beginning of the Han Dynasty. Newly turn over the beard and listen to the song of the felt curtain Yuanrong. The floors are high, and the sill is red, and the eaves are flying green. The people are beautiful, the powder fragrance blows, and the night is cold and the wind is fine.
There should be word immortals here, with Suyun Yellow Crane, and you can play games. The jade ladder stared at it for a long time, sighing for thousands of miles. The taste of the end of the world, the wine purifies the sorrow, and the flowers are heroic. Outside the West Mountain, it is still rolled in the evening, and there is a curtain of autumn mist.
This poem was written for the completion of the Anyuan Building in Wuchang. The first few sentences of "the moon is cold" write that the cold moonlight shines on the side of the fortress, and the guardrail surrounding the castle is quiet, and this year the imperial court began to reward the subjects for gathering and drinking, playing the new song of Saibei, and listening to the melodious singing in the marshal's military tent. This shows that the Song-Jin peace agreement has been reached, and the national situation has temporarily stabilized, thus showing the significance of Anyuan. The three sentences of "floor" transcribe the grandeur of Anyuan Tower, the floors are towering into the clouds, the red railings are tortuous, and the glazed eaves that stretch outward are green. The two sentences of "sill song lingering red" and "eaves and teeth flying cui" are even extremely workmanlike, which not only reflects the casting skills, but also shows the beauty of color matching. The three sentences of "Ren Shuli" correspond to the previous "song blowing" and write about the grand occasion of the banquet. The beautiful woman attending the meeting was beautiful and moving, and the fragrance emanating from her body was blown far away by the breeze of the cold night. The scene of this faction singing and dancing has further embellished Anyuan Tower.
The three sentences of "here" in the film are to say that in such a beautiful place, there should be a word fairy with wonderful pen and flowers, who come to congratulate with the white clouds and yellow cranes, and play happily with the people who climb the building to watch. The writer of the five sentences of "Jade Ladder" stared at the high-rise building for a long time, only to see the grass and flowers, stretching for thousands of miles, which could not help but cause the thoughts of the township. This sentence uses the poetry of Cui Hao's "Fangcao Mingmu Parrot Island" to express the situation of people at the end of the world. The sorrow in the heart of the poet cannot be discharged, so he has to use wine to kill his sorrows, and to enjoy the flowers to forget the pride he once had. At the end, the three sentences of "Outside the West Mountain" write the scene, and the scene is loved. Beyond the west mountain, a curtain of autumn rain rolled up at dusk is a metaphor for the sad mood of the lyricist.
While celebrating the completion of Anyuan Tower, this poem enters the sense of the lyricist's life experience, revealing the atmosphere of the times that is flat on the surface but in fact declining, making the connotation of this poem beyond the scope of the meaning of celebrating Anyuan Tower, reflecting the sense of the times and history.
Apricot blossom sky shadow. Song] Jiang Kui.
In the winter of Bingwu, the hair is blowing. On the second day of the first month of Ding Wei, Dao Jinling, looking at Huai and Chu in the north, the wind is clear, the boat is on the seat, and Rong is on the waves.
The green silk is low and the mandarin duck is low, thinking of the peach leaves, and calling the ferry at that time. and will be sad and the spring breeze, stay and stay, and rely on the blue tree to stay less.
Jinling Road, warblers and swallow dances. Counting the tide, knowing people is the most bitter. Manting Fangcao does not return, sunset, where to move the boat?
This is a lyric song that misses an old lover. The first three sentences of "Green Silk" reminisced about the time in Yuanyangpu, the green willows were low, and the woman loved by the lyricist once called for a boat ferry. Peach leaves, originally the concubine of the king of the Jin Dynasty, are used here as a metaphor for the woman loved by the lyricist. The "sad eyes" here refer to the willow eyes, that is, the willow leaves that have just grown. At the beginning of the spring breeze, the willow eyes seem to be open and closed, and the shape is sad. The writer of the two sentences of "to go" was about to leave, leaning on the oars of Mulan's boat, and then moored the boat for a while. In just a few words, the complex mentality of the lyricist who wants to go but can't bear to leave, nostalgia and stops.
The sentence "Jinling Road" not only indicates that the lyricist was on Jinling Road at this time, but also alludes to the alley of Hefei Yangliu Yiyi. "Yingge Yan Dance" is the lyricist's memories of those beautiful dances and songs of Qin Huai at that time. The writer of these two sentences stood on Jinling Road, looking north at Huaichu and caring for the Yi people. The sentence "counting the tide" can know that the most bitter person in his heart is the only one who is in the tide, and the implication is that no one knows the pain in his heart. "Full of grass" sentence speculates that in the future, the word person is a thousand miles of people, at this time Xiaobo Jinling, the line is about to go east, to the dream of Hefei will also be far away, it is difficult to make a return. The last two sentences are written that it is too late, and the lyricist is sad in his heart, not knowing where the boat will move.
This poem is written with a strong pen to write tenderness, the meaning is faint, the love is deep and the words are bitter, elegant and ethereal, which deeply reflects the style of Jiang Ci Qing and Saoya.
A calyx red. Song] Jiang Kui.
Bingwu people's day, the rest of the guests in Changsha do not drive the view of the political hall, the hall under the curved marsh, the swamp west negative ancient wall, there is Lu orange secluded fence, a path deep curve. Passing through the path and south, dozens of official plums, such as peppers, such as mushrooms, or red and white dew, branches and shadows are sparse. Between the moss and fine stones, the wild is flourishing, and it is urgent to ride the king's platform, and the chaotic Hunan flows into the foothills; Xiangyun is low, Xiangbo is tolerant, happy and sad, drunk and chanting.
The ancient city is yin, there are a few official plums, and the red calyx is not suitable for hairpins. The ice glue on the surface of the pool, the snow on the wall is old, and the clouds are still heavy. Green vines, idle through the bamboo, gradually laughing, startled lying sand birds. The wild old forest spring, so the king of the pavilion, called to come.
What is the matter with the south going to the north, swinging the clouds and water, and the eyes are extremely sad. Zhu Hu sticky chicken, golden plate cluster swallow, empty sigh time series invasion. Remembering the Zeng Gong, the West Building Yaji, want to weeping willows, but also thousands of gold. When the saddle arrives, I'm only afraid of the deep spring.
This poem was written by the lyricist when he lived in Changsha, expressing the thoughts of people and the pain of wandering. The first three sentences of "ancient city yin" are written under the ancient city wall, and there are some plums planted by the government, and the red calyx is still small, and it is not yet the time to arrange flowers and wear hair. The three sentences of "Pond Noodles" write that the ice is difficult to melt, the snow does not melt, and the thick clouds are heavy, as if it is brewing snow again. "Ice glue" and "snow old" vividly depict the demeanor of ice and snow. In a few words, it shows a quiet and miserable artistic conception. The two transcribers of "Cui Teng Gong" and his friends walked leisurely through the green vines and bamboo paths to the quiet place of the garden. The crowd walked all the way, and the excitement was quite high, and the laughter continued, so that they flew away from the waterfowl perched on the water's edge. The three sentences of "Ye Lao" write the process of taking friends to climb the Wangtai, cross the Xiangjiang River, and climb the Lu Mountain, which reflects the poet's devotion to the embrace of nature, the deep love of the forest and spring, the nostalgia of the ancients, and the feelings of forgetting worries.
The three sentences of "going south" are the words of emotion of the lyricist, sighing that he has come to the north and south every year, wandering the rivers and lakes, but he doesn't know what to do. Seeing the ups and downs of Xiangyun, the rushing of Chu water, and everywhere he looked, he suddenly felt infinitely sad. The three sentences of "Zhu Hu" borrow the custom of the beginning of spring, lamenting the reunion of the family in the beginning of spring, but he is alone and adrift, sad for the passage of time in vain. The "sticky chicken" and "cluster swallow" here are all customs of the beginning of spring. The word "empty sigh" contains a lot of helpless sadness. The two sentences of "remembering Zeng Gong" are the main purpose of the whole word, writing the happiness of gathering in the West Building, and the weeping poplar of "returning thousands of silk gold" are now good memories. At the end, the two sentences of "stay" think of the future from the past, and imagine that when you go back, I am afraid it will be the twilight of spring.
The structure of this poem is rigorous, the artistic conception in the word is full of changes, and the time and space transformation, artistic conception switching, emotional changes and other pen meanings are connected, which seems to be traceless, but in fact, the dark veins are hidden. The ingenious conception is Jiang Kui's outstanding point.
Pale yellow willow. Song] Jiang Kui.
Living in the west of the Chiqian Bridge in the south of Hefei, the alley is desolate, and the river is different; But the willow color sandwiched the road, still pitiful. Because of this song, in order to relieve the nostalgia of the guests.
The empty city Xiaojiao blows into the weeping Yang Mo. Immediately single clothes cold and compassionate. Seeing all the goose yellow and tender green, they are all old acquaintances in the south of the Yangtze River.
It was lonely, and the Ming Dynasty was cold again. Strong wine, small bridge house, afraid of pear blossoms falling into autumn colors. Yanyan flew over and asked where the spring was? Only the pond is self-greening.
At the beginning of this word, the three sentences of "empty city" were heard and felt by the writer, and the empty city sounded the dawn horn and passed directly into Yang Mo. The lyricist was on his horse, dressed in a single coat, and felt a chill hit him. In fact, the lyricist's "cold compassion" is not only the thinness of the clothes and the intolerance of the spring cold, but also the cold of "clear corners blowing the cold". The two sentences of "see everything" mean that the willows that are "goose yellow and tender green" are all old acquaintances in the south of the Yangtze River. The implication is that except for the willows, he doesn't know anything, and the meaning of loneliness and loneliness is overflowing.
After the film, "Zheng Cen Lonely" connects the previous and the next. In the three sentences of "Ming Dynasty", the lyricist brought wine to Xiaoqiao's house during the Cold Food Festival and forced himself to rejoice. What I'm afraid of is that the pear blossoms will fall and suddenly turn into autumn colors. The "small bridge house" here is something else. The lyricist is in Hefei, and there are two people who are affectionate and affectionate, Da Qiao and Xiao Qiao, so "Xiaoqiao House" should refer to Xiao Qiao's residence. At the end of the three sentences of "Yanyan" is the scene after "the pear blossoms have fallen", Yanyan returned, and found that the spring did not know where to go, so he asked. The sentence "only" is the answer to Guiyan's question, indicating that spring has returned, the flowers are no more, and only the water in the pond is green.
This poem is written throughout the scene, which deeply conveys the sorrow of the lyricist living in a foreign country and feeling the world when he is sad. The artistic conception of the whole word is bleak and cold, and the language is fresh and simple. In the description of the willow-colored spring scene, the infinite grievances of the lyricist are integrated.
The first in the middle of the dress.
Song] Jiang Kui. Bingwu years old, stay in Changsha, Deng Zhurong, because of the song of the gods, said "Yellow Emperor Salt", "Su Hexiang". In the book of music work, he had to discuss the eighteen rhymes of "Ni Dress Song", all of which were empty and speechless. According to the tune of Shen's music rhythm "Ni Dress", this is a commercial tune. Lotte poems are scattered in the order of six rhymes, this special two rhymes I don't know which one is? However, the syllables are leisurely and elegant, not similar to this song; I don't have time to do it, and I made "The Preface" and passed it on to the world. Yu Fang was detained, feeling this ancient sound, and he didn't know the resentment of his words.
Tinggao is looking at the extreme, and Jiang Lian has not returned. Sick but without strength, the fan is gradually thinning, and Luo Yi is at the beginning. The streamer passed through the gap, sighing apricot beams and double swallows like guests. Where are the people? A curtain of light moon, as if shining in color.
Lonely, chaotic moaning walls, moving letters, clear sorrows. Contemplating the wanderings of youth, the flute is closed in the mountain, and the willows are in the fangmo. There is no information about the red, the water is dark, and the trickle is blue. Drifting for a long time, what does it mean now, drunk and lying on the side.
This poem expresses the resentment among the lyricists. The beginning of the sentence "Tinggao" unfolds a picture of a lofty realm, and the word "Wangji" is particularly affectionate and far-reaching. The sentence "chaotic" writes that the lotus flowers on the river are withering, but they can't return. "Falling Jiang Lian" alludes to the fact that his sweetheart is getting old and haggard, and the words "not returning" deeply reveal the bitterness and helplessness of the lyricist. The sentence "sick" explains the reason for not returning. The two sentences of "Condition Fan" go one layer further, writing that the autumn wind is bleak, the fan is gradually being idle, and Luo Yi has become thin and begins to change his clothes. These two sentences clearly write that the group fan abandons the donation, and Luo Yi leaves, but in fact alludes to the severance of affection and the estrangement of the relationship between the two. The two sentences of "Streamer Gap" show that time flies, parting for a long time, and sighing that he is like a swallow that is about to fly south in autumn, and it is difficult to live for a long time. The three sentences of "Where are the people" is the climax of the words, sighing that the beauty is not there, and the faint moonlight seems to shine on her haggard face.
The film uses the word "lonely" to transcribe the current situation in front of the lyricist. In the two sentences of "chaotic", the lyricist compares himself with Yu Xin, and writes the sound of crickets moaning between the walls, which touches his heart like weaving silk. The three sentences of "contemplation" are the feelings of the lyricist and the life of wandering the world, and the pun of "Dili Guanshan" refers to both the ancient flute song "Guan Shan Yue" and the lyricist's trek to Guan Mountain. "Liuxia Fangmo" alludes to the encounter in Hefei back then. The three sentences of "falling red" write that the falling flowers fall silently, and they pass away with the blue water, which means that the person who is pregnant has no news. At the end, the two sentences of "drifting for a long time" use the allusion of Ruan's drunken lying down to express the subtle feelings, which means that he has been scattered for a long time, and there is no pride and happiness on the side of the drunken and drunken side of the year, showing that he cherishes the love of the year.
This poem is ethereal, the sustenance is far-reaching, the imagery is exquisitely clear, the artistic conception is ultra-broad and far-reaching, and it has the beauty of emotion, literary style, sound and emotion.