He Ling, female, graduated from the Department of Chinese Painting of Xi'an Academy of Fine Arts in 1989 and completed the advanced research class of Beijing ** Academy of Fine Arts in 1996. In 2000, he was awarded the provincial first-class municipal cross-century discipline leader, and the provincial moral and artistic double Xin literary and artistic educator.
He is now a member of the Provincial Artists Association, the vice president of the Provincial Academy of Painting and Calligraphy, the tutor of Chinese painting landscape at the Doctoral and Master's Examination Center, and a visiting professor of art history at Tsinghua University.
In recent years, a large number of new sketches have been published in national newspapers and magazines, and have participated in many domestic and foreign exhibitions and won awards. In 1992, "When the Mountains Are Full of Red Leaves" won the first prize in the first National Teachers' Calligraphy and Painting Competition, "Northern Wax Moon" was selected for the 4th National Landscape Painting Exhibition and won the Excellence Award, "The Origin of Recovery" was selected for the 10th National Art Exhibition, and won the Excellence Award in the National Celebrity Calligraphy and Painting Invitational Exhibition to commemorate the 100th anniversary of the birth of the first country. In 1995, his works of art were included in the "World Chinese Art Expo Dictionary", "Modern Artists Collection", "Modern Artists Collection" and other dictionaries, and in 2023, he published "Collection of Contemporary Famous Artists", and in 2004, he published "He Ling Painting Collection". In 2010, he was published by Shaanxi People's Fine Arts Publishing House. His works have been collected by many universities, libraries and friends at home and abroad.
Falling snow listens to Zen painting and is natural - remember the famous painter He Ling
Through thousands of years of inheritance and development, Chinese painting has formed a rigorous legal system and wonderful creative principles. The famous contemporary painter He Ling's freehand landscapes are not only carefully studied by the law, but also rich in the creative principles of the heart of the foreign teacher. Therefore, her landscape works have a traditional cultural connotation, and the more you look at it, the more you feel it. Professionally, because there is no malpractice, he has become a professional who has studied techniques. In terms of aesthetics, because it is pleasing to the eye, it can decorate the barrier of thousands of homes, and it is rich in the influence of cultural promotion!
There is no one in the cold mountains, and there is no trace of birds in the thatched houses.
The sound of Lin Mixi is quiet, and the moon is hazy at night.
The wind window floats the shadow of the monk, and the snow lamp guards the sky.
With this cool and happy, it is difficult to be poor in the sky.
Teacher He Ling's landscape is taken as the top, there is the reference of the distant master Jing Hao freehand Beizong landscape, there are hundreds of generations of teachers to take the thinking of Fan Kuan, and there is the Chang'an painting school to write the majestic and dangerous wonders of Huashan, the use of scorched ink in Shilu landscape is perfect, and the pen can be used to express the spirit of the landscape and bones, and it is very spirited. I went to read it again and found that Huang Binhong's ink method was also quite fascinating. A female painter can play the essence of the landscape of all families, through a unique movement assembly, the method of self-transformation, which is enough to witness her ability, determination and innovative efforts to learn the painting method!
Rim River sketch
Teacher He Ling knows that painting the landscape of Beizong without the theme of "snow" is not enough to fully present the regional connotation of Beizong, so she has gone through rigorous and rich sketching experience to paint the snow with a distinctive personality style. With the consciousness of listening to Zen in the snow, I have accumulated rich visual experience in various scenes in and after the snow, and through the "blank" technique, I can express the texture, sense of space, and agility of the snow. A snow-capped mountain shows cold pines, as if the landscape is in front of you. The snow is soft and wide, accumulated and thick, dynamic and static are laid out in front of you one by one, with both freehand charm and realistic texture. The brush and ink should paint the snow scene with the times, which is a unique new feat. The ice and snow landscape is a spectacle that walks between reality and fantasy!
Standing in front of Teacher He Ling's landscape works, it is enough to enjoy the audio-visual pleasure! The bone method can be used with a pen, which can be used in one go, and can be specially rendered. The long lines are intertwined**, not messy or messy, and no line becomes a straggler. The exquisite brushwork is an important reason why he has kung fu and strength in painting landscapes. From ancient times to the present, line modeling is fundamental. Ms. He Ling's work, not afraid of many lines like rain, the pen and the pen are born together, and the pen is corresponding, which is the textbook that embodies the Chinese painting method!
The use of ink follows the Tao and pays attention to the natural expressiveness of the Tao. The shade of dry and wet is burnt, and the five colors are refreshed. It can accumulate ink, layer by layer, and the texture of the freehand Beizong landscape seems to have just been cast iron. What is convincing is that the seven layers, eight layers and more than ten layers of thick ink will not be a mess, but the layers are clear and vigorous. It is the reproduction of Gong Xian's method, the old pen flies, the power can be simple, the meaning can be complex, the white is black, and the black is white, full of the spirit of Chinese philosophy, the more the product is more and more feeling.
Listen to Zen in the snow, and paint the way naturally. Its landscape is then applied with clear green and light red, the color does not hinder the ink, and the ink does not hinder the color. Or travel to the mountains and streams, or write about Gao Shimao Pavilion, it must be a poetic mystery! The east cliff is covered with light mist, and the west peak is a jet spring. The woman paints landscapes, but she does not lose her eyebrows. The painting is authentic, so that the abyss of Danqing is endless!
Famous calligraphy and painting critic Shi Feng at Lanyi Zhai on December 13, 2021.