Love Baoyu to the real person".
The Dream of Red Mansions six-part drama is adapted from the radio drama Scene 49 (third draft).
Adaptation: Shen Weidong.
How do you know, from the bottom of my heart?
Love you and keep life as it is.
Extremely naïve, extremely sincere, and innocent.
It's a real person.
At the end of the day, Jia's mother loved the one who was a little dan and the one who was a clown, so she ordered someone to bring them in, and when she looked closely, she became more and more pitiful. Because of the age, the little dan was only eleven years old, and the clown was only nine years old, and everyone sighed. Jia Mu asked him to take some flesh and fruit with him, and rewarded him with two more strings. Sister Feng smiled: "This child is dressed like a person, you can't see it anymore." Baochai also knew in his heart, so he only smiled and refused to speak. Baoyu also guessed, but didn't dare to say. Shi Xiangyun then smiled: "It's like Sister Lin's appearance." When Baoyu heard this, he hurriedly glanced at Xiangyun and made a look. But when everyone heard this, they looked at it carefully, and they all laughed, and said that it was really good. It was scattered for a while.
In the evening, when Xiangyun was changing clothes, he ordered Cui Wei to open the clothes bag and pack them up. Cui Wei said: "What are you busy with, it's not too late to wait for the day you go." Xiangyun said: "Ming'er will leave early in the morning." What to do here? --Look at people's noses and eyes, what do you mean! When Baoyu heard this, she hurriedly approached him and said, "Good sister, you blame me wrongly. Sister Lin is a multi-hearted person. Others clearly know it, but they refuse to say it, because they are afraid that he will be annoyed. If you speak out without being prepared, won't he be annoyed with you? I was afraid that you would offend him, so I made my eyes look good. You are annoyed with me, not only have you failed me, but you have wronged me. If it were someone else, even if he had offended ten people, what would it have to do with me? Xiangyun wrestled his hand and said, "Don't coax me with your rhetoric." I'm not as good as you Sister Lin, others talk about him and make fun of him, but I just say it. I am not worthy to speak of him. He is the master of the young lady, I am a slave girl, I offended him, I can't help it! Baoyu said anxiously: "I'm for you, but I'm not here for you." I will have an outer heart, and I will immediately turn to ashes, and make all people trample against me! Xiangyun said: "In the Great Spring Month, don't talk nonsense. These irrelevant swears, gossip, and crooked words, are addressed to those who are petty, who are annoyed by their actions, and who will rule over you! Don't tell me to smack you. As he spoke, he went to Jia Muli and lay down angrily.
Baoyu was not interested, so she had to come to find Daiyu again. As soon as she reached the threshold, Daiyu pushed out and closed the door. Baoyu didn't understand what it meant, and just swallowed "good sister" outside the window. Daiyu always ignored him. Baoyu hung her head sullenly and examined herself. Those who attack people know the end early, and they can't be persuaded at this time. Na Baoyu just stood there dumbfounded. When Daiyu went back to his room, she got up and opened the door, only to see Baoyu still standing there. Daiyu was embarrassed, it was not good to close it again, so she had to withdraw and lie down. Baoyu came in and asked, "There is a reason for everything, and if you say it, no one will be wronged." It's annoying, what is the reason for it? Lin Daiyu sneered: "It's good for me to ask, I don't know why." I was there to make fun of you, to make fun of me. Baoyu said: "I'm not better than you, I didn't laugh, why bother me?" Daiyu said: "Do you want to compare?" Are you still laughing? You are not more smiling than others! When Baoyu heard this, she couldn't tell the difference, so she didn't say anything.
Daiyu said again: "This section is forgiven." Why are you making eye contact with Yun'er again? What kind of heart is this? Isn't it that he and I are stubborn, and he despises himself? He was the prince's lady, and I was the poor girl, and he was stubborn with me. Is that the idea? This is also your kindness, but that one doesn't accept your kindness, and it's generally annoying. You make fun of me again, but you say that I am petty and annoyed in action. You are afraid that he will offend me, and I will be angry with him. I'm angry with him, what do you have to do with it? He has sinned against me, so what does it have to do with you? ”
Baoyu saw that he had a private conversation with Xiangyun, and he also heard it. Thinking about the fact that he was the two of them, he was afraid of being annoyed, so he reconciled in the middle, but he didn't want to reconcile successfully, but he had fallen into two slanders. In conjunction with the "Nanhua Sutra" that I read the day before yesterday, there are sayings such as "the skillful work and the wise are worried, the incompetent have nothing to ask for, they are full of food and travel, and they are like a boat that is not tied", and it is also said that "the mountains and trees are self-defeating, and the source is self-stealing". So the more you think about it, the more boring it becomes. If you think about it carefully, these two people are just these two people at the moment, and they haven't compromised yet, so what do you want in the future? Thinking of it, he didn't have to argue and answered, so he turned around and went back to his room. When Lin Daiyu saw him go, she knew that it was boring to think back, and she was angry, and she didn't say a word, so she couldn't help but become more and more angry, so she said: "This time, don't come for the rest of your life, and don't talk." ”
Baoyu ignored it and went back to the room to lie on the bed, just staring. The attacker knew the reason very well, so he didn't dare to say it, so he had to explain it to others, because he said: "I watched the play today, and I hooked up the play for a few days." Miss Bao must return to the table. Baoyu sneered: "He still doesn't pay it back, it doesn't matter who it is." Seeing that this was not the tone of the past, the attacker smiled again: "What do you say?" In a good New Year's month, the ladies and sisters like to rejoice, why are you in this situation? Baoyu sneered: "Whether their sisters are happy or not, it has nothing to do with me. The attacker laughed and said, "Since they are easy-going, you are also easy-going, wouldn't everyone be interesting to each other." Baoyu said: "What is 'everyone to each other'!" They have 'everyone to each other', and I am 'naked and striped to come and go without concern'. When I talked about this, I didn't feel tears. When the attacker saw this, he refused to say any more. Baoyu thought about this interesting sentence, couldn't help crying, turned over to the case, and then picked up the pen and immediately occupied a cloud:
Zen clear rhyme through the sky".
A fragment of the six-part drama of Dream of Red Mansions.
Lyrics: Cao Xueqin, Shen Weidong.
Baoyu: The poem is clear and holds the jade bell.
Lotus brewed ice clear silver urn.
on a wisp of sandalwood cigarettes.
Look at the pear blossom moon.
Lie down in hibiscus wind.
Zen clear rhyme through the sky".
You testify to me, and your heart testifies to your will.
It's undocumented, Skoyun is proven.
There is no cloud proof, it is a foothold.
After writing, although I realized it, I was afraid that people would not understand it, so I also filled in a "Parasitic Grass", which was also written at the end of the book. I read it again, I felt that there was no obstacle, and I was satisfied, so I fell asleep.
Who wants Daiyu to see Baoyu go decisively this time, so on the grounds of looking for attackers, to see the movement. The attacker laughed back: "I'm already asleep." When Daiyu heard about it, she wanted to go back. The attacker smiled and said, "Girl, please stop, there is a note, see what it is." As he spoke, he quietly brought the song and verses from Fang Cai and handed them to Daiyu. Daiyu saw it, and knew that Baoyu was angry for a while, and she didn't feel ridiculous and lamentable, so she said to the attacker: "It's a thing, it doesn't matter much." After finishing speaking, he went back to the room and looked at it with Xiangyun. The next day, I looked at it with Baochai again. Baochai looked at the words and said:
I am not you, and I don't understand him from him. There is no obstacle to come and go. There is a lot of sorrow and joy, and they say that they are very close to each other. What used to be the reason, but now it's really boring to look back! After reading it, he looked at the verse again, and said with a smile: "This person has understood." It's all mine, it's all caused by a tune I made yesterday. These Taoist Zen machines are the most transferable. Ming'er talked about these crazy words seriously, and the meaning was all from my tune, and I became a culprit. As he spoke, he tore it to pieces, handed it to the girls, and said, "It's about to burn." Daiyu smiled: "You shouldn't tear it, wait until I ask him." Come with me, and make sure that he will accept this nonsense. ”
Sure enough, the three of them all went to the treasure jade house. As soon as she came in, Daiyu smiled and said, "Baoyu, let me ask you: the most noble is 'Bao', and the strongest is 'Jade'." What's so expensive? What is the strength of you? Baoyu couldn't answer. The three of them clapped their hands and laughed: "It's so dull and stupid, and it's still going to Zen." Daiyu said again: "Your end cloud, 'there is no cloud proof, it is a foothold', although it is good, but in my opinion, it is not perfect." I will add two more sentences to the end. Yin Nianyun: "There is no foothold, it is clean." Baochai said: "It's really this side of understanding." On the same day, the sixth ancestor of the Southern Sect Huineng, the first time to find a teacher to Shaozhou, heard that the fifth ancestor Hongren was in Huangmei, he served as a fire-headed monk. The five ancestors wanted to seek an heir, so that the apprentices and monks each had a side. Theravada Shenxiu said: 'The body is a Bodhi tree, the heart is like a mirror, always wipe diligently, and do not let there be dust.' At that time, Hui Neng was cooking rice in the kitchen, and when he heard this, he said: "Beauty is beautiful, but it is not enough." Because of the self-recitation, he said: 'Bodhi is not a tree, the mirror is not a platform, there is nothing originally, where is the dust?' The fifth ancestor passed on the mantle to him. Today, this verse also means the same thing. It's just that this sentence has not been completely finished, so it can't be thrown away? Daiyu smiled: "I can't answer at that time, even if I lose, it's not surprising that I will answer." It's just that I'm not allowed to talk about Zen anymore. Even the two of us know what we can, but you don't know if you can't, and you still go to Zen. Baoyu thought he was enlightened, and he didn't want to be asked by Daiyu, so he couldn't answer, and Baochai compared it to "quotations", which they never saw who they could do. I thought about it for a while: "It turns out that they are more conscious than me, and they have not yet realized it, so why should I be troubled now?" After thinking about it, he smiled and said: "Who participates in Zen again, it's just a stubborn talk for a while." With that, the four of them were still the same.
Love Baoyu to the real person".
A fragment of the six-part drama of Dream of Red Mansions.
Lyrics: Shen Weidong.
Daiyu: How do you know, from the bottom of my heart.
Love you and keep life as it is.
Extremely naïve, extremely sincere, and innocent.
It's a real person.
How do you know, in my heart?
Love you without a mask.
Unguarded, far from the world.
is a person who refuses to be tactful.
How do you know, from the bottom of my heart?
Love you with a complete personality.
Beyond the world, beyond the tiredness of things.
The heart is like jade, and it refuses to corrode.
How do you know, in my heart?
Love your true personality, real character.
True temperament, getaway.
What a lovely and genuine person.
Dream of Red Mansions six-part drama ** drama and adapted radio drama.
Adaptation: Shen Weidong.
Part 1: A hymn to youth and love.
Part 2 Love Song of Life and Ideals.
The third part of the song of the funeral flowers is easy to lose youth.
Part 4 A Song of Fantasy and Reality.
Part 5 The tragic song of love and the world.
Part 6 Life is fleeting, singing a poignant elegy.
Professor Fang Ming's comments:This kind of creativity is good! Transforming the Dream of Red Mansions into stage art in the form of opera is a kind of re-creation.
Xu Fangming, male, born in June 1957, is from Jingjiang, Jiangsu. He graduated from the Department of Chinese of Xuzhou Normal University in January 1982. He is currently a professor at Jiangsu Normal University, and a doctoral supervisor in literature and art, aesthetics and art. He used to be the President and Secretary of the Party Committee of Jiangsu Normal University, the Director of the Academic Committee of Jiangsu Normal University, the Chairman of the Academic Degree Evaluation Committee, and the Secretary of the Party Committee of Jiangsu Normal University.
The main academic part-time positions include: vice president of the National Marxist-Leninist Literature Research Association, executive director of the Chinese and Foreign Literature and Art Theory Society, director of the Chinese Teacher Education Society, vice president of the Jiangsu Aesthetics Society, vice president of the Jiangsu Media Art Research Association, expert of the theoretical propaganda expert database of the Propaganda Department of the Jiangsu Provincial Party Committee, and the keynote speaker of CCTV's "Hundred Lectures" and the "Listening to Lectures in the Literature Museum" of the Museum of Modern Chinese Literature, etc.
Research Interests: Aesthetic Culture and Literary Aesthetics. His main works include: "Aesthetic Culture and Image Poetics", "Cultural Observation and Aesthetic Interpretation", "New Vision of Aesthetic Culture", "New Theory of Aesthetic Culture", "Moruo Poetry", "Research on Creative Personality", "Cultural Spirit of Truth and Personality", "Introduction to Aesthetic Education in Colleges and Universities", etc.
In recent years, he has presided over 1 national key project, 1 provincial (ministerial) key project, won 1 provincial social science award, and published more than 50 academic articles in "Jianghai Academic Journal", "Jiangsu Social Sciences", "Nanjing Social Sciences", "Literature and Art Newspaper" and other journals, and has been "Xinhua Digest", "Digest of Liberal Arts and Science Newspapers of Colleges and Universities", "Photocopying Materials of the National People's Congress" or excerpts for many times.
The title of the six-part drama of Dream of Red Mansions and the adapted radio drama has been modified according to Professor Kou Liguang's suggestion, and I would like to express my heartfelt thanks!
Kou Liguang, born in April 1939, is a professor at Xuzhou Normal University, Jiangsu. He graduated from the Department of Chinese in 1960. For a long time, he has been engaged in undergraduate and graduate teaching and scientific research in Chinese modern and contemporary literature, overseas Chinese literature, and film and television art in colleges and universities. He is now a member of the Chinese Modern Literature Research Association, a director of the China Gao Yu Film and Television Society, a director of the Jiangsu Taiwan-Hong Kong and Chinese Literature Research Association, and a director of the Jiangsu Film and Television Critics Society. "Appreciation of Excellent Contemporary Chinese Films". He participated in the compilation of 6 books and 19 volumes, including "The Frontier of Film and Television Art - The Ontology and Trend of Film and Television Art" and "Appreciation of Contemporary Film Business Cards", and published more than 50 academic articles in newspapers and periodicals such as "Literature and Art Newspaper" and "Literary Newspaper". 8 (ministry) treatises have won state-owned, provincial and ministerial awards. 14 articles (parts) have been published in "China Film Yearbook", "Collection of Social Science Achievements in China's New Era", "Film and Television Art Research", "Digest of Chinese University Liberal Arts Newspapers", "Hong Kong Writers" and other books and newspapers at home and abroad. The biography has been compiled into the Dictionary of Modern and Contemporary Chinese Literary Critics, Who's Who in Chinese Literature and Art in the World, Dictionary of Contemporary Chinese Scholars, and Dictionary of Chinese Experts.
Zhen (Li Zhenying), living in a third-tier city in the north, is simply and happily the "child king". I haven't been reading the Red Mansion for a long time, but I have gone deep into the pit, and I really feel "how many dreams I have when I enter the Red Mansion", I only hate myself for opening the pages of the Red Mansion too late, and I am willing to meet more friends of the Red Mansion and go to that beautiful time in the Red Mansion!
Tian Chongxue, male, born in 1967, is from Juye County, Shandong Province. He is a professor at the School of Literature and Arts, Jiangsu Normal University, and a tutor for master's students in literature and art. Young and middle-aged academic leaders of the "Blue Project" in colleges and universities in Jiangsu Province. He is the third prize winner of the 3rd China Federation of Literary and Art Circles Literary and Art Criticism Award, the second prize winner of the 8th China TV Golden Eagle Festival TV Art Criticism Golden Eagle Award, and a visiting scholar at the University of Cambridge. From November 15th to December 2nd, 2023, at the invitation of CCTV's "Hundred Lectures" column group, he was a guest at the Hundred Forums and taught "Reading the Little People of Red Mansions" to the national audience. The series focuses on the storytelling and philosophical analysis of the 18 little characters in "Dream of Red Mansions", trying to see the world reflected in "Dream of Red Mansions" through the perspective of small people.
Writings. The Spirit of Tragedy and Chinese Poetics (monograph) (Oriental Publishing Center, 2012).
The Jiangnan of the Relics: The Communities of the Relics in the History of Chinese Culture (monograph) (Xuelin Press, 2008).
Literature and Sentimentality (monograph) (China Social Sciences Press, 2006).
Jiangnan Cultural Spirit (co-author) (Shanghai University Press, 2009).
Zhenyi Qianren: Jiangnan Cultural Celebrities (co-author) (Shanghai People's Publishing House, 2010).
Selected Chinese Reading Essays for College Students (Executive Editor-in-Chief) (Pre-University Textbook of the Department of Education of Ethnic Minorities of the Ministry of Education, Shangxia, Hongqi Publishing House, National Academy of Administration Press, 2006-2007).
University Language" (Editor-in-Chief) (Northeast Normal University Press, 2011).
In addition, he co-edited a number of Hong Kong and Taiwan ** collections.
Since his student days, he has published more than 100 literary reviews and literary works in newspapers and periodicals such as "Journal of Xuzhou Normal University", "Xinhua Digest", "Chinese Literature" (overseas edition), "United Literature" (Taiwan), "Genesis" (Taiwan), "Taiwan Poetics", "Korean-Chinese Language and Culture Studies" (South Korea), "Journal of Chinese People's University", "Contemporary Writers Review", "Review", "Selected Journals", "Guangming **" Literature and Art Newspaper" and other newspapers and periodicals, and created many TV dramas and TV essays in his spare time.
Jingyuan, real name: Shen Weidong, associate professor of Jiangsu Normal University, member of Jiangsu Dream of Red Mansions Society, has been in love with ** since he was a teenager. In the past ten years, he likes to read Dream of Red Mansions in university teaching, and has composed more than 1,100 songs and other lyrics and songs of Dream of Red Mansions, and has been created by the most famous people at home and abroad in the six-part drama catalog, lyrics, and songs of more than 500 songs, which incorporate Chinese elements such as Kunqu Opera and Henan Opera. and adapted into a six-part radio drama of Dream of Red Mansions.