There are some words that I can't say.
For example, when the love is deep, all words will feel indifferent.
At this time, silence is better than sound, it is better not to say anything.
Or, it must be said, something else as well.
Talking about the east and the west means not talking about your own affairs.
Changting resents slowness", Jiang Kui shows this perfectly:
Gradually blowing away, the branches are fragrant, it is a people's house, a green and deep portal. Yuanpu lingers, where is the twilight sail scattered? There are many people who read, who has to look like a long pavilion tree? If the tree has affection, it will not get it, and so it will be green.At dusk, looking at the high city, I saw countless chaotic mountains. Wei Lang went, how could he forget to pay Yuhuan? The first is to return early, afraid of red calyxes and no one. It is difficult to cut off a thousand strands of sorrow.
Why willow and why not willow?
As the embodiment of spring's appearance and image, the significance of the willow tree has long gone beyond an ordinary tree.
Gradually blowing away, the branches are fragrant, it is a people's house, a green and deep portal.
On the days when catkins are flying all over the sky, it is not catkins that fly, but clusters of loneliness.
The green deep portal, that's where the catkins can't fly.
The doors are closed, spring has come, and spring seems to have completely forgotten this place.
Once upon a time, the spring here was still a thousand purples and reds, and once upon a time, the spring here was so quiet.
The homes shaded by greenery are a little deep and a little melancholy.
Yuanpu lingers, where is the twilight sail scattered?
For some people, the chaotic return sail is infinitely gentle, as well as thousands of surprises.
But for others, the return of sails, the return of scattered sails, can only be chaotic.
What else could there be?
Sometimes, it doesn't really matter what you want or what you don't want to.
After all, if you can't even care about spring, even spring can fade away, what more can disturb the gaze eyes.
Are you depressed?
Or, just leave it at that?
Maybe it is, maybe it isn't.
Hope is only hope when it is still there, and if that hope gradually cools, it will no longer have hope.
Broken hopes are more heart-wrenching than scattered sails.
There are many people who read, who has to look like a long pavilion tree?
Only the Changting Tree is persistent, persistent and does not say a word, it has long been accustomed to the division and integration of the world.
Why can willow trees turn green year after year, so green?
It must be because it has reached the realm of ruthlessness.
If the tree has affection, it will not get it, and so it will be green.
Twilight Sail is scattered because although there are many Twilight Sails, there is no trace of the return of the person you want.
It's a mess, it's not just a twilight sail.
At dusk, looking at the high city, I saw countless chaotic mountains.
The mountains are also messy, and there are so many messy mountains, crowded together.
The more you look at it, the more upsetting it becomes.
Everyone knows that the real chaos is not the twilight sails, nor the mountains.
The real chaos is the people who watch the twilight sails and the mountains.
It's a person who is already confused while watching.
Look at the world with a chaotic heart, appreciate the scenery with a chaotic heart, how can the world not be chaotic, and how can the scenery move people's hearts.
During the Tang Dynasty, Wei Gao traveled to Jiangxia and met a woman with a jade flute, and the two fell in love with each other and spent many good times together.
When I had to say goodbye, Wei Gao left the jade ring as a token, and we would meet again for less than five years and more than seven years.
Yu Xiao looked forward to seeing it, waiting for Wei Lang's news, but after one or two years, eight years passed, and Wei Lang finally had no news.
Sad and desperate, Yu Xiao finally chose to die of hunger strike.
Wei Lang went, how could he forget to pay Yuhuan?
The ending of Jade Xiao is tragic, her misery makes people pitiful and powerless.
Fortunately, there are still folk legends.
Legend has it that the jade flute wore the jade ring given to her by Wei Lang and was buried, and Wei Gao came to look for her after becoming famous, but unfortunately the Si people have gone, and the yin and yang are separated, how to see it.
Wei Gao's deep affection for Jade Xiao touched a monk who managed to reincarnate Jade Xiao's soul.
A few years later, a woman came to Wei Gao, and there was a faint ring on her middle finger, which was the shape of a jade ring.
The two tied the knot, and a couple of lovers finally became married.
Jiang Kui may have heard of this legend, but he prefers to focus on this world than an ethereal legend.
The first is to return early, afraid of red calyxes and no one.
If you can, why don't you come back early, why let the beauty stay alone in the empty boudoir and look again and again.
Women are like flowers, red calyxes are easy to thank, there are flowers that can be folded straight and must be folded, do not wait for no flowers and empty branches.
Otherwise, even if there is a knife in the air, it will be difficult to cut away the thousands of sorrows.
"Changting Resentment and Slowness" was written in the spring of the second year of Song Guangzong Shaoxi.
The author of the following words, Jiang Kui, self-preface cloud:
Yu quite likes to make a self-made song, the initial rate means long and short sentences, and then the rhythm is combined, so the front and back are different. Huan Da Sima Yun: "In the past, I planted willows, and I relied on Hannan. Look at the shaking and falling today, sad Jiangtan. If the tree is like this, how can a person be worthy? This is a phrase that I love deeply.
The story of the constant temperature recorded in the "New Language of the World" is as follows:
Huan Gong north expedition, through Jincheng, see the front for the Lang evil when planting willows, all have been ten around. He said: "Wood is like this, how can people be worthy!" "Climbing the branches, sobbing.
Huan Wen expresses the emotion that time passes, and in the changes of the willow tree, it reflects the changes of people.
However, unlike people, trees become taller and more luxuriant with the passage of time, but people cannot withstand the wind and waves of the river of time, and they are decaying day by day.
Jiang Kui retold the story of Huan Wen and the story of Wei Gao in the Tang Dynasty, ostensibly sighing for others, but in fact sighing for his own life experience.
The years have passed, and he finally has a chance to get together, how can it not be heartbreaking.
However, the implication of "Changting Resentment and Slowness" lies in the fact that the author does not mention his own grievances, he not only wants to say it, but also does not say that it has stopped, and the words have not yet been spoken, and even without the meaning of the exit, they stopped abruptly.
In the depths of love, there are some things that really don't need to be said.
Those who listen will listen, and those who understand will understand.