The time for the Hua Qiangu drama version to come out was preemptive, and there were no large number of Xianxia dramas at that time, only a few fairy swords, and there were not many competitors.
Hua Qiangu in the original work was born poor.,Because of the vision at birth and was rejected by the villagers.,The character must be withdrawn and timid.,As for the appearance description, there are not many descriptions.,From the words of the original work, you can also imagine a skinny girl.,Not tall.,**Not fair-skinned.,Not so amiable.。 It can be thought that a poor talent can't grow into a cute person like a white ball.
The choice of Zhao Liying in the drama version is actually not in line with the plot background setting, a white and glutinous, with big eyes, long eyelashes, red lips, and red lips, she smiles when she sees people, and she is also lively and cute when she is alone, how can this kind of girl be a flower with no friends since she was a child, this kind of girl is a small pink flower in the jungle of Wanshan, and the surroundings are full of people. It's just that such a girl is an actor who meets the audience, and attracts the audience to watch it.
In the later Xiuzhen world, in addition to the personality, the rest of Zhao Liying figured out very well, and through some lively, shortened distance rules, attracted the people in the play and the audience in reality, making people look at it without a sense of disobedience. In fact, the plot loophole is obvious, a girl who lives in poverty, a girl with a mediocre appearance, inexplicably attracts the attention of several outstanding boys, which is impossible in reality. If you want to say that art comes from life and is higher than life, that is also true.
After blackening, Zhao Liying didn't look very good, like a big-headed doll, all piled up on the headdress, and the dress on her body was not good, but at that time, everyone was full of tears and hoped that the master would be merciful, change her mind, and completely forget the logic, that is, the plot in the early stage and the joint efforts of the characters blocked the loopholes in the later stage.
In addition, the actors of the other roles are well selected and attentive. Ni Mantian is pampered and ruthless, light water is gentle with careful scrutiny, Sugar Bao is lively like an elf, and the purple smoke fairy is a little strong, but the plot understands the unit and can bring people into the play.
Among the actors, the prince is bright and handsome, and the villain is also amorous and calm, the contrast between black and white is not abrupt, and there is no sense of separation.
The most important thing is that the master is well chosen. Huo Jianhua's white tofu brought the little swordsman of Xianxia to life, dressed in white fluttering, stepping on flying swords across the sea, and the innocent feeling of long eyelashes hanging down his eyes suddenly lifted people to the clouds, far away from the world, this is the immortal, this immortal has been deeply rooted in the hearts of the people. The middle-aged white tofu is the most suitable teacher, there is no ruthlessness and ruthlessness, only great love and peace, this is the immortal, the master who is high up.
Zhao Liying's flowers and bones are better in casting, every actor is in the role, giving people an obvious impression, there is no hustle and bustle, there is no role conflict and the so-called glamorous pressure, everything is just right.
Besides, Chen Duling's Hua Qiangu, in fact, Chen Duling's temperament is more suitable for the character of Hua Qiangu in the early stage, dazed with hardness, at a loss because he doesn't know where he is in the future, because of the strength and composure in his character, and invincible with a firm belief in living. It's just that Chen Turin is too tall, the director's costume is not attentive, tall people generally don't make people feel pity, you are pitiful and cold, which makes people have a sense of distance that can only be viewed from a distance and is not approachable.
Because there is no basis to attract the audience in the early stage, the blackening in the later stage is abrupt, and it is impossible to watch it coherently, Chen Turin is too face-painted, and his acting skills are a little uncomfortable, after all, although art is higher than life, it also comes from life, and cannot be separated from people's senses.
The other characters didn't feel it, but Shizun had to say that it was too dark, the eyebrows and eyes were too hard, there was no soft aura of immortals, and it was not high, but it was like a cool official in a prison, and the feeling of being whipped in the next second. Sugar Baby is also too realistic, not elf at all, like a slimy grocery shopping girl. This is not the actor's problem, it seems that the casting may not be attentive, just thinking about this IP is violated, let the nostalgic people come to a wave of moving.
Therefore, successful film and television dramas must be cast with heart and dress, not blindly choosing beautiful and exquisite, but can fit the role, no matter how much looks and clothes must fit the role, of course, in order to attract the audience to continue to watch, all kinds of good-looking are inevitable, but there must be contrast, for example, the early stage is not good-looking, and the later stage is shining, there must be contrast, there is contrast, there is contrast, not like all the dramas of a certain actress, the same beautiful, very boring Actually.