There are a total of 12 emperors of the Qing Dynasty, the first two are the Qing Taizu Nurhachi and the Qing Taizong Emperor Taiji, after entering the customs from the Qing Shizu Fulin (Shunzhi) to Puyi (Xuantong) a total of ten, the first two because of the horseback of the world, and Sinology and Han culture do not have much intersection, naturally there is no way to talk about calligraphy, but it does not mean that they do not admire the developed Han culture in the Central Plains. After entering the customs and sitting firmly in charge of the world, the Qing emperors of all dynasties paid great attention to the combination of Manchu and Han, not only reused many Han people in the previous dynasties to demote officials, but also selected and appointed many Han people as officials in the people, and formulated a certain proportion of Manchu and Han **.
The emperors of the Qing Dynasty knew the shortcomings of the horseback nation, knew the importance of Han culture to govern the world, and paid great attention to absorbing the useful parts of Han culture. Even the archaeological experts of the Forbidden City are proud of their calligraphy skills.
1.Fulin (Shunzhi), with straightforwardness, decency, discipline, calm and heavy, shows the style of writing, but also in line with the social environment at the time.
2.Xuan Ye (Kangxi), whose book is elegant and agile with a pen, handsome and elegant, luxurious and atmospheric, takes the law from Dong Qichang, which is more mellow and full than it.
3.Yinzhen (Yongzheng), like the "two kings" and the penmanship of the Jin and Tang Dynasties, the five bodies are all through, good at using the center to move the pen, the line of the pen is old and spicy, the pen is steady and chic, the font is slender and long, the body is handsome, many people in the market think that its calligraphy attainments are the most outstanding among the ten emperors.
4.Hongli (Qianlong), his people have a lot of hobbies, the nature of the romantic and suave, the word is like its person, it is also chic and elegant, although it is greatly influenced by the pavilion body, it also has the charm of Zhao Mengfu.
5.颙Yan (Jiaqing), the font is stable and flat and wide, the ink is thick and thick, more elegant, and the literary atmosphere is heavier.
6.Min Ning (Daoguang), the font is round, the knot is beautiful, the ink is thick and calm, and the level can only be regarded as average among ten people.
7.Yi Su (Xianfeng), with a frank pen, elegant and vigorous, not much change.
8.Zaichun (Tongzhi), the strokes are round and thick, the line of the pen is hidden, the center of the pen is moving, the font is strong and powerful, more dignified and atmospheric, stronger than Daoguang and Xianfeng.
9.Zai Xiang (Guangxu), the history of Guangxu hard work, the administration is very diligent, manifested in the calligraphy on the ink color is thick and shiny, the spirit is extraordinary, magnificent, should be the word as its person, through the calligraphy to express what you think.
10.Puyi (Xuantong), the font is smooth and warm, graceful and upright, follow the rules, the strokes are weak and soft as a whole, and its best skills should not be calligraphy, but literature and history, archaeology, archives, calligraphy level should belong to the lower among all Qing Dynasty emperors.