Three minutes to talk about culture Poetry has an appointment, and No. 1 Poetry Lane welcomes everyone's arrival.
In the face of the winter-like scenery, I wonder every day: which poem can I share with you?
Time slipped away quietly, and we read a lot of poems about winter.
For example, Bai Juyi's, Lu You's, and Yang Wanli's ......The poems of these poets have all "looked at us affectionately".
Singing and walking, living up to the poetic heart; In this issue, we might as well read another oneSu Shiof poetry.
This poem is also a very touching and touching poem about the beauty of winter, which makes people feel very enjoyable to read.
After the snow, go to Qianming Temple to stay overnight
Song Su Shi
The mountains outside the door are also shocked, and I go first.
The wind flower strayed into the Changchun Garden, and the cloud and moon came to the city that never sleeps.
The cattle and sheep are not allowed to be clean, and the crows and magpies are allowed to make the new sunshine.
It is also necessary to bring the monk's couch and listen to the sound of the eaves and bamboo.
Su Shi, the word Zizhan, the number of Tieguandao, Dongpo layman, China's Northern Song Dynasty writer, calligrapher, painter, poet.
Su Shi's status in the poetry of the Song Dynasty is comparable to Li Bai's status in the poetry of the Tang Dynasty, and people's worship of Su Shi has always come from the bottom of their hearts.
We know that Su Shi is a rare all-rounder, he is not only proficient in music and rhythm, but also has a lot of research in calligraphy, painting, food, etc.
Although Su Shi, like most poets, has encountered many ups and downs in his career, Su Shi's optimistic, positive, and calm temperament has not changed because of this.
On the contrary, it is the ups and downs that have given Su Shi a deeper understanding of life and life, allowing him to transcend his spirit, thus leaving us a series of works with a bold style.
This poem "After the Snow Goes to Qianming Temple to Stay" was written by Su Shi in the winter of 1081 when he was touched by snow (the author was in the period of depreciation at that time), and the words are full of relaxed and joyful tone.
The first couplet begins with a title, and a cold and elegant picture is copied:The mountains outside the door are also shocked, and I go first. The mountains outside the door were covered with white snow, and even the horses were a little surprised by the sight of the silver on the other side. I walked in front of the stairs, and there were strings of sandals left on them.
The author first started with the image of "horse", and used the word "surprise" to depict its demeanor and psychology, so as to indirectly reflect the beauty of the snow scene and the whiteness of the snow.
This is a typical technique of "borrowing other objects to speak about the main objects" in the writing of metrical poetry.
"I go first" fully depicts the author's own actions and images. From this gesture of the author, we can not only see the chic nature of the picture, but also feel the author's joy and love for snow.
The jaw coupling at the back is a specific description of the snow scene:The wind flower strayed into the Changchun Garden, and the cloud and moon came to the city that never sleeps. ；The snowflakes strayed into this Qianming Temple, and the moon rose from the clouds, reflecting each other with the snow, making the Qianming Temple like a brightly lit city that never sleeps.
"Changchun Garden" originally referred to the imperial palace, which was used as a metaphor for Qianming Temple; "The city that never sleeps" is also a metaphor for Qianming Temple in the sentence.
The jaw coupling is very distinctive, the author uses "Changchun Garden" and "Sleepless City" respectively in the sentence to metaphorize the Qianming Temple with the meaning of "prosperous", the snow scene of the Qianming Temple is shown more realistically and three-dimensionally, and the magnificence and beauty of the snow scene are more fully illustrated.
And the author's love and praise for the snow scene in his heart are also clearly revealed from these two sentences.
The jaw coupling is magnificent, and the neck coupling becomes leisurely and agile againThe cattle and sheep are not allowed to be clean, and the crows and magpies are allowed to make the new sunshine. ；Don't let the cows and sheep spoil the beautiful snowy scene, and look at the crows and magpies on the branches, which are crying happily in the early sunny weather.
The first two couplets are all visual pictures, so the arrival of the neck couplet can be said to have added new highlights and a lot of vitality to the poem.
The cattle and sheep are not allowed to be hurt to the clean", this sentence presents a particularly neat and complete picture. Because the snow scene we see, it seems to be carefully protected by the author, and there is no trace of being trampled by cattle and sheep during it.
The word "unallowed" is very tense, and while strengthening the tone, it once again expresses the author's pity and love for snow.
In the silence, the sentence "Let's watch the crows and magpies make the new sunshine" will not see the spirit. The author deliberately chooses the two objects of "crow magpie" to bring the still picture to life and turn the silent picture into a sound world.
After such cutting, the neck couplet is more attractive in the eyes of the reader, and our imagination is not only stimulated by the visual, but also by the auditory, which is the charm of the neck couplet.
It is also necessary to bring the monk's couch and listen to the sound of the eaves and bamboo. ；"I" also had to take the futon and stay on the monk's couch so that when the snow melted, I could listen to the sound of bamboo and eaves.
Listening to the snow in winter is undoubtedly one of the most beautiful enjoyments. The author is not satisfied with the snow scene, he still wants to stay at the old monk's place, and wait until the snow melts to listen to the natural sound of nature.
Bai Juyi once had clouds: I knew that the snow was heavy at night, and I heard the sound of breaking bamboo. The second sentence describes the sound of heavy snow pressing bamboo branches in the middle of the night, and aside from the background, this artistic conception is really beautiful and comfortable enough.
Compared with Bai's poems, Su Shi's sudden voice here is the sound of the snow melting, which is more frequent than the white poems, which not only makes us feel the wonder of nature, but also makes us feel the leisure and tranquility from beyond the red dust.
In the face of adversity in life, the author can still discover and appreciate the beauty of nature, and can still maintain an optimistic attitude to pursue spiritual enjoyment.
It can be seen that while the tail couplet presents a beautiful picture, it also provides us with richer spiritual food.
Idle to be lying by the window, stay for a long time to listen to the sound of eaves; A poem, infinite flavor, if you also like it, welcome to express it in your own way.