The Japanese style prevailed, and the costume dramas turned into sorrow
In recent years, China's film and television industry has prospered and developed, and many excellent works have gone abroad and become an important platform to display national culture. However, there are also some film and television works that present Chinese elements at the same time, there is a phenomenon of discoloration, which has aroused public concerns about the inheritance of Chinese culture.
We should deeply understand that China's film and television works are an important carrier for disseminating Chinese culture and establishing national self-confidence, and we should pay more attention to maintaining the characteristics and uniqueness of Chinese culture and carrying forward the excellent traditional culture of the Chinese nation.
The TV series "My Name is Liu Jinfeng" broadcast last year was deeply influenced by Japan in the lifestyle and dress style of the characters in the play, and there was even a plot of eating sushi and wearing a Japanese crown, which made people shine.
In one scene, the main character, Yoko Rame, wears clothes that are very similar to a kimono, with only slight differences in color and pattern.
At the graduation ceremony of a Japanese university student, the kimono is very similar to the design, creating a striking contrast.
Between the heroine's gestures, attentive people will find that there is a special design under her sleeves and armpits. This is not a hole in the clothes, but a unique style of kimono.
This scene completely imitates the Japanese style! The heroine is dressed in a kimono and holds sushi in her hand, as if she has traveled back in time to ancient Japan. In the history of our country, such a diet has never been seen before.
On the sleeves of the male protagonist, there is a pattern that makes people think deeply. The pattern is a chrysanthemum, and it is completely consistent with the family crest of the Japanese imperial family, which is surprising.
In the play, a ** wears a headdress that is almost exactly the same as a Japanese crown, and people can't help but wonder what period of style did the director set this headdress in my country when he created the play?
Interestingly, such headdresses are still common in Japan for major ceremonies.
Although there are similar headdresses in China, there is a significant difference between the crown in China and it, that is, the Chinese crown is straight and has no curved part, so it is very easy to distinguish.
The kimono worn by this ** also has an opening design on the sleeves and shoulders, which is similar to the women's clothing above. This can be said to be a typical feature of kimonos.
In contrast, Chinese hanfu has not had this design in various historical periods, so it is easy to distinguish between the two by this.
The problems that arise in this show may be related to the director, who has frequent similar problems in other works. Compared to "The Legend of Ban Shu", these questions are simply a piece of cake.
The headdress in the play still maintains the classic Japanese curved design, and the scene of the upper dynasty makes people mistakenly think that they are in a Japanese drama, and all the characters are dressed in traditional Japanese costumes.
In Japanese clothing, we often see a unique way of fastening - two strings are tied in a knot around the chest of the garment. This is not only a typical feature of male kimonos, but is also reflected in many dramas.
However, when the viewer sees this design, it may feel a little messy and even mistakenly think that it is filming a Japanese scene. Keep in mind, however, that this is actually a traditional design of Japanese clothing.
In the eyes of the director of this TV series, Japanese costumes are undoubtedly a unique artistic expression. In another of his masterpieces, Heartless Mage 3, we find that there is an actor whose costume style is strikingly similar to that of Japanese dolls.
This not only shows the director's unique understanding and love for Japanese culture, but also makes us feel the unique beauty of it.
The story of this TV series takes place in the Tang Dynasty, and if anyone thinks that the hanfu and kimono at that time were very similar, then the setting of this TV series should not cause any controversy.
In "Young Yang Jiajiang", the uniqueness of the costume design is breathtaking! Even a viewer who is not familiar with Japanese costumes can see the obvious Japanese style at a glance, as if he has seen the shadow of a Japanese samurai. ”
"Cloud Feather" is suspected to borrow the style of Japanese family crests, and Japanese elements can be seen in many details in the play. The tiles on one of the buildings, when viewed from the side, happen to have a chrysanthemum motif on it, which bears a striking resemblance to the Japanese imperial family coat of arms.
This pattern is widespread in many classical buildings in Japan. And the show seems to be very keen on incorporating this logo in various scenes.
In the play, there is a woman who gets married with a cloth on her head with a sign that resembles a family symbol. Surprisingly, China does not have the same tradition of setting up family coats of arms as Japan.
Then there is a stronger Japanese atmosphere. In this episode, there is a scene where the character sits topless on the ground, as if he can draw a knife and perform a seppuku at any moment, and viewers who see this scene may mistake this for a Japanese drama.
The figure of a woman in front of the window, wearing a hairstyle that also highlights the charm of ancient Japan, is also presented many times in the play, making the whole work more full of history.
There is a significant difference between traditional Chinese architecture and Japanese architectural style, which is not only reflected in the appearance of the building, but also in the design concept of the classical garden.
Compared with the intricate layers of Chinese gardens, Japanese gardens are more respectful of the blank space between mountains and rivers. The garden design in this drama also continues this simple and far-reaching aesthetic concept.
Although Menghualu has a good evaluation, digging deeper into its details, many problems are dissatisfied, and even"Komsomol"are intolerable.
The costumes of the female characters in the play are cleverly designed with symmetrical "logos" on the chest, which is inspired by the traditional method of embroidering family crests in kimonos.
Originally, the white and delicious sweets that the characters ate were revealed to have originated from Japanese "Wagashi". A real Song Dynasty pastry with golden yellow as the main color.
The garden design in this drama continues the style of the previous TV series, with only a few trees dotted in the courtyard, and a large area of space that retains the classic blank aesthetics of Japanese gardens.
Originally, the phenomenon of misuse of Japanese-style jewelry often occurred in Chinese film and television dramas, and even jewelry that was difficult to distinguish could be misused. However, what is even more unacceptable is that in some film and television dramas, they even blatantly wear typical kimonos and even eat sushi, which is really surprising.
In fact, the Bureau of Radio, Film and Television has long made it clear that foreign dress styles are not allowed to be imitated at will.
Some people may think that many elements such as Japanese costumes and architecture originated from China, so there is nothing wrong with Japanese style in Chinese costume dramas.
Although the kimono has evolved on the basis of Hanfu, it has developed a unique style that is distinctly different from Hanfu, which is its distinctive hallmark.
In fact, many netizens are dissatisfied with the modeling problems in costume dramas, not for the production team of the TV series. With the prevalence of the national tide, everyone's expectations for the national style design are getting higher and higher, and it is expected that the crew can pay attention to this demand and produce works that are more popular with the market.
"The way of service will disappear, and the future costume drama will be more standardized".