Here you can read the two hundred and ninety-ninth issue
Tan Tianpeng. Date: Tang Dynasty.
Author: Wei Yingwu.
Cabin. Although the noble and the low are different, there are camps when they go out.
There is no external object, so this secluded feeling.
The light rainy night came, and I didn't know that the spring grass was born.
The green mountains have suddenly dawned, and the birds are singing around the house.
When with the Tao puppet, or with the woodcutter.
Since he is inferior, who is Bo Shirong.
Seclusion: seclusion, not out.
Different: Different grades. "Han Feizi: Eight Classics": "Etiquette and other differences, Hou Ji is not suspicious." ”
Battalion: Seek. External objects: Objects outside the body. It mostly refers to the desire for profit and fame.
So: satisfied, wished.
Akenosa: At dawn.
Even: Relative. Self-should: Naturally. 蹇 (jiǎn) inferior: clumsy and foolish. Sluggish: lame, sluggish. Inferior, a "clumsy".
Bo Shirong: The pursuit of wealth and glory of the people of the world. Shirong, the glory and wealth of the world.
Comment: Wei Yingwu's landscape poems are "elegant and idle, self-contained" (Bai Juyi's "Nine Books with Yuan"), and the form is mostly used in five ancient times. "Secluded Dwelling" is one of the more famous songs. The whole text describes a leisurely and tranquil realm, reflecting the poet's mood of solitude and contentment. Although there is not much positive significance in terms of ideological content, there are good sentences that are praised by the world, so they have always been valued by people.
Although the noble and the low are different, there is a camp when they go out", the first two sentences are written about the poet's views on the world's people, which means that no matter how high or low the world is, they always have to go out for life and run for business, although their identities are different and their purposes are different, and running for a living is the same. These two sentences, although written plainly, somewhat reveal a little emotion, revealing his boredom of the bumpy road of life and everyone running around for survival, but the poet does not want to express this emotion, nor does he want to describe the difficulty of the road of life, but uses the world's "all have camps" as the background to contrast his leisure at this time, that is, the world is working hard and I am alone.
There is no external object, so this secluded feeling. It is the contrast of the above two sentences, which expresses the poet's leisurely mood. Due to his dissatisfaction with the reality of officialdom, he once said: "Thinking about retreating day and night, go out to look at the old mountain." If this is the case, the gentleman's heart will return hand in hand" ("Gaoling Book Sends Sanyuan Lu Shaofu"), expressing the desire to return to seclusion. Now, he is able to resign and return and realize his wish to be light and light, and he is naturally full of joy. Wu Qiao said in "Poetry Around the Fireplace": "The scenery is not self-generated, but the emotion is transformed." Sadness is sorrow, and joy is joy. Wei Yingwu's mood at this time was happy and relaxed, so the scenes he depicted were naturally light-hearted, bright and fresh colors.
The following six sentences are a specific description of secluded life in a pleasant tone.
The light rainy night came, and I didn't know that the spring grass was born. The green mountains have suddenly dawned, and the birds are singing around the house. These four sentences are all drawn in white. The two sentences of "light rain" are good sentences that people appreciate. The word "light rain" here is an accurate depiction of early spring drizzle. "The night has come", with the word "pass", the poet's feelings are written. Obviously, he didn't see the spring rain that came this night, but only from the feeling, so it was related to the "I don't know" in the next sentence, and it was written about feelings and associations. These two sentences seem to describe the scenery but are actually love, writing about the poet's love for the subtle spring rain at night and the satisfaction of the spring grass growing under the moisture of the light rain. There is a vibrant spring atmosphere here, and there is also the pleasant joy of the poet's love for nature. Compared with Xie Lingyun's "Spring Grass in the Pond, Willows in the Garden Becomes Songbirds" ("Ascending the Pond and Going Upstairs"), it is more subtle, subtle, richer and fresher, and full of vitality. The green mountains have suddenly dawned, and the birds are singing around the house. It is an extension and accentuation of the above scene. Not only is the scenery fresh here, but also the tranquility of the poet's seclusion and the joy of the mood. It's really vibrant, fresh and hearty. These four lines are a fragment of the poet's description of his secluded life, he only intercepts the mountain scenery and his own feelings in the early spring morning, and then lightly dyes them, so as to present a vivid picture, and at the same time, the poet's joy of seclusion, contentment and peace are also revealed in this picture.
Next, "When the puppet of the Tao, or the walker who follows the woodcutter." "Time with" and "or with", indicating that sometimes he meets with Taoist priests, and sometimes he meets with woodcutters, these things are not frequent, that is to say, the poet lives in seclusion in the mountains and forests, and rarely travels with people. In this way, his quiet indifference, calm and leisurely can be imagined.
Wei Yingwu realized his desire to break away from officialdom, live in seclusion in the mountains and forests, and enjoy the lovely clear streams, lush trees, and clouds. The allusion of "The Biography of Wei Zhi and Wang Cang" is used here. "The Biography of Wang Cang" mentions Xu Gan, quoting Pei Songzhi's note: Xu Gan "ignores officials and ignores the glory". What Wei Yingwu said is different from Xu Gan, Wei Yingwu's two sentences mean that I am a clumsy and stupid person, and I live this kind of secluded life with peace of mind, how can I say that I am the kind of elegant person who despises the glory and wealth in the world! These two sentences are not simply the poet's ridicule, because the poet did not completely see through the red dust and went into hiding, he was just tired of the darkness of officialdom and wanted to seek relief, so he resigned and lived in seclusion. Once there is an opportunity, he still has to enter the official career. Therefore the psalmist speaks only of his own foolishness, not of his own innocence, and distinguishes himself from the true hermit. This not only shows his satisfaction with being alone and being alone, but also shows that he does not disdain the pursuit of others.
Wei Yingwu's poems were greatly influenced by previous poets such as Tao Yuanming, Xie Lingyun, Wang Wei, and Meng Haoran. The predecessors said: "The ancient style of the five words of the object comes from the pottery, and is transformed into the three thanks, so it is true but not simple, flashy but not beautiful" ("Summary of the Four Libraries of the Whole Book"). He also said: "A skit is fresh in simplicity, and since the Yuan Ming Dynasty, it is only one person" (Song Lian, "Song Wenxian Collection", volume 37). These evaluations are not very appropriate, but they can help us understand the artistic value and artistic style of Weishi.
That's it, the 299th issue [readable here] is written here, and we'll see you next time.
External propaganda: Gong Dangdang.