Zhang Ruinian, the word Fengxue, the lord of Woniu Zhai, Shouguang Gaofu Zhangjia. Born on the side of the quiet mountain, on the shore of the water. Bachelor's degree in Archival Science, Bachelor's degree in History, Postgraduate in Philosophy. He is a member of the Shandong Calligraphers Association, a member of the China Hard Pen Calligraphy Association, a member of the Chinese Traditional Culture Promotion Association, a member of the China Social Art Association, a member of the Chinese Couplet Society, a member of the Chinese Poetry Society, the vice president of Shandong Shengbang Academy of Fine Arts, the president of Jingshan Academy, the president of Jingshan Academy of Calligraphy and Painting, the chairman of the Jingshan Academy Calligraphers and Painters Association, the director of the editorial board of "Literary Vertical", the honorary president of the Shenghai Culture and Art Research Institute of Qingdao West Coast New Area, and a national first-class calligrapher. 
I have read Mr. Zhang Ruinian's calligraphy works for a long time and countless times, and the momentum is flying, and the vigorous and beautiful line makes the author unforgettable and has endless aftertaste. His calligraphy, in addition to the powerful power of the back of the paper, also has the ever-changing momentum of the qi. His pen power can be volleyed to kill paper, but also intended to be the pen first, unstoppable, unstoppable, both passionate, and rational, lines, with the pen, sometimes tight and sometimes dense, sometimes fast and sometimes slow. There are quite a few building boats crossing the snow melon island at night, and the iron horse is scattered in the autumn wind. 
The pen and ink are in harmony with each other, Mr. Zhang Ruinian waved his pen, the dry ink flew white, the force and the intention were combined, and the desert was lonely and the sun was set on the long river. With a turn of the reaming pen, the fine pen moistens the ink, and the clouds in the sky are arrayed, and the rising sun rises in the east and the new moon rises out of the world. It can be the thrilling of the autumn eagle chasing the rabbit, or it can be the fluttering of the light willow embankment. Mr. comprehensively absorbs the pen and ink imagery of the literati calligraphy of the past dynasties, expresses the humanistic atmosphere of calligraphy from a cultural perspective, and makes the courage of chivalry and the elegance of Confucianism complement each other
His pen is like a cloud, like flowing water, the spirit is flying, the pen is swimming, the escapement is galloping, up and down, left and right, between the dots, there is no ambiguity, slackness, and the law is all between his fingers and wrists. Its writing style is soft and rigid, varied, with profound traditional skills, dignified knots, elegant and delicate, breath through, hearty pen and ink, relaxed and natural. 
Looking at Mr. Zhang Ruinian's works, chic and elegant, the atmosphere is high-spirited, people suddenly feel full of pride, can't help it, still in cursive, beautiful lines, flowing springs and waterfalls, the width is full of vigorous vitality, and the width is full of Haoran righteousness. 
In Mr. Zhang Ruinian's study, the calligraphy is dazzling, Mr. can know each kind of book in his heart, abandon its form and take its potential, the shape is new, the potential is different, these have laid a solid foundation for the formation of their own writing style, and have achieved the integration with the calligrapher's bearing, knowledge, and ideological realm. 