In 2024.
Issue 1. 
Cover character: Lu Yisheng.
Everybody master
Lv Yisheng
Lu Yisheng is speaking.
Lu Yisheng (right) and Wang Peiying (left) perform the pas de deux "Shepherd Flute".
He was the youngest performer to join the art troupe at the age of 12, and tempered his indestructible revolutionary spirit in the bitterly cold northeast forest area; He was one of the first batch of students recruited when the school was established, and after 3 years of study, he amazed at home and abroad with a pas de deux dance of "Shepherd Flute"; He is the loyal guardian of the Yichun Forestry Art Troupe, and in more than 20 years of youth, he has forged it into a miracle of a local song and dance troupe that has attracted the attention of the national literary and artistic circles; He is the leader of the Beijing Dance Academy, and has made a series of far-reaching major reforms in his conscientious career; He is an admirable cultural scholar who has worked tirelessly in his retirement life, laying a solid foundation for the formation and development of dance theory and practice in Chinese quality education......He is Mr. Lu Yisheng, a famous dance artist, dance educator, and dance aesthete in my country, and a role model for my generation who is still childlike, eager to learn, and always on the road!
Biography of Lu Yisheng.
Born for the sake of art, Ambition Honghu - Lu Yisheng's artistic life written with dance.
Focusing on the "big dance" and the "big society" - Lu Yisheng's artistic life.
The ship carries thousands of pounds and is at the helm - Lu Yisheng, a master in the dance industry.
Lv Yisheng: Dance as a companion, born for art.
Looking at Lu Yisheng's aesthetic education ideas from "quality education dance".
The Golden Years
Dance aesthetic education
Stills from Liyuan Opera "Chen Sanwu Niang".
Tongliang Dragon Dance performance photo.
As early as the pre-Qin period, China's aesthetic education thought has been laid, and Confucius's aesthetic education thought is an important part of it, and later generations will "flourish in poetry, stand in ceremony, and become happy" as the core of Confucius's aesthetic education thought. Therefore, in the more than 2,500 years of historical changes in the land of China, the concept of aesthetic education with unique Chinese characteristics has been deeply rooted in the blood of the Chinese people, and has further derived brilliant and diverse art types, such as ceremonial dance, intangible cultural heritage traditional dance, ancient Quanzhou opera, etc. In the contemporary aesthetic education classroom, dance aesthetic education has become a "good prescription" to soothe children's souls, when they dance happily in the classroom, the long-lost simplicity and purity, deeply shake the world ...... adults
Note: This series of articles is one of the results of the Lingnan Traditional Song and Dance Education Demonstration Base of the Continuing Education Quality Project of the Guangdong Provincial Department of Education (Project No.: JXJYGC2022GX041).
Yali Joyful Dance, Rhyme and Beauty Together": The Teaching Practice of Etiquette Dance Aesthetic Education.
Dance educates the soul - an aesthetic education class for children with special needs.
Spring breeze and rain, music and dance education - * Li Jinhui's road to aesthetic education enlightenment.
Moisturizing things silently: the significance of the construction of dance ideological and political courses.
Make an appointment with beauty and educate people with beauty - the charm of Quanzhou opera.
Green for thousands of years, dancing to educate the people's hearts.
Millennial culture, passed down from generation to generation.
The maturity of artistic work
Leessen
Leessen
Li Sen, Four Centuries, Illuminated gold on paper, 138cm, 207cm, 2019.
After graduating from the ** Academy of Fine Arts, Li Sen continued the critical thinking style he had formed in school, and then gradually shifted from relying on the way of enlightenment to advocating analytical thinking, trying to find an intellectual possibility between sensibility and rationality to make tradition stand in the contemporary. For him, Chinese painting is not only a profession or a technique for creation, but also a cultural object for his deconstruction. To this day, there is still or should exist a creative path that uses the pigment techniques of Chinese painting to analyze this type of painting. In his cognitive field, Chinese painting is also an aspect of the broad and grand concept of "Chinese tradition", and its own continuous history has a good comparative value for the cultural and social history of the whole of China.
Tradition as a problem.
matrix—matrix.
The Nature's Treasures
Gold and silver wrong
Guo Weijun. 
Guo Weijun "Guanyin" white jade wrong gold inlay gemstone technology.
Emperor Qianlong was obsessed with jade all his life, and he had a soft spot for jade in Zhindustan. He once ordered the establishment of a special workshop for imitating the jade of Zndustan in the palace and the Ministry of Internal Affairs, and the imitation jade was called "Western Fan Zuo", thus creating many jade objects with the style of "Zndustan". But with the decline of the Qing Dynasty, this craft gradually lost ......In the 40s of the 20th century, Pan Bingheng, an old jade carving artist, began to study the art of gold and silver inlay gemstones, and after years of painstaking research, he finally successfully developed it in 1945 and became the first inheritor of contemporary gold and silver wrong skills. In 2014, the gold and silver art was included in the fourth batch of national intangible cultural heritage representative items. Time flies, and today in the 21st century, with the efforts of a new generation of inheritors of intangible cultural heritage skills, what kind of style will "gold and silver mistakes" have? In this issue, let's walk into the world of jade carving by Guo Weijun, a master of arts and crafts in Beijing and a young jade carving artist in China.
Looking back on the jade culture that spans thousands of years, let's talk about my jade carving creation.
Breaking the boundaries of life, Guo Weijun talks about the intangible cultural heritage skills "gold and silver mistakes".
ENDS).