Regarding the question of which two types of performances do Yue Opera actresses belong to when performing characters during the "Seventeen Years" period, we can look at the two aspects of life-like performance and symbolic performance respectively.
Yue opera in the "Seventeen Years" periodMoviesIn China, the Yue Opera actresses adopt a life-like performance method, that is, they pay attention to authenticity and close-to-life performance when shaping the characters. This style of performance emphasizes the emotional authenticity and naturalness of the characters, and shows the characters' personalities and emotions through the actors' facial expressions, movements, and language.
In life-like performances, Yue Opera actresses shape the character of their characters through delicate facial expressions and movements. For example, in theJasper hairpin",Zhou BaokuiThe Lu family played by Lu is an old lady from an official family, her character is peaceful and funny, smiling, gentle and cute. In the scene with her daughter-in-law, she often stands side by side with her daughter-in-law, showing their closeness and consistency of position. This kind of performance makes the characters closer to the reality of life and reasonable, so that the audience feels that these characters are just like people in life.
In addition, Yue Opera actresses also enrich their characters through the use of movements. For example, in theLiang Shanbo and Zhu Yingtai",Yuan XuefenZhu Yingtai, who plays the role, often shows the intimacy and coquettishness of a woman in her life with Liang Shanbo. For example, Yingtai's posture when she put on Liang Shanbo's clothes and met Liang Shanbo on the grass bridge all showed her feminine characteristics and did not completely move closer to the male image. This kind of life-like performance makes the characters more real and touchable, and the audience can more easily resonate and emotionally resonate with them.
In addition to the life-oriented performance methods, Yue Opera actresses in the "Seventeen Years" period of Yue OperaMoviesSymbolic performances are also used. This style of performance focuses on expressing the emotions and inner world of the characters through body language and stage movements, pursuing formal beauty andArtEffect.
In symbolic performances, Yue Opera actresses often use stage movements and body language to express the emotions of their characters. For example, in theDream of Red Mansions",Fan RuijuanThe mother Jia often shows heavy and sad emotions when facing the affairs of the Rongfu family. She will use slow movements and solemn facial expressions to show Jia's mother's inner worry and depression. This style of performance conveys the emotions of the characters through the use of stage movements, and pursues formal beauty and harmonyArtEffect.
In addition, Yue Opera actresses also pay attention to the symbolic meaning of the characters in their symbolic performances. For example, in theLegend of the White Snake", played by Wang WeiWhite LadyAfter incarnating as a white dragon, it will display a majestic and sacred image. She will pass elegantlyDanceand actions to show the majesty and power of the white dragon, making the figure more symbolicArtAppeal.
In general, Yue Opera actresses in the "Seventeen Years" period of Yue OperaMoviesThere are two ways to use life-like performance and symbolic performance. The life-oriented performance focuses on authenticity and close-to-life performance, showing the character and emotions of the characters through delicate facial expressions and movements; Symbolic performances emphasize formal beauty andArteffects, through body language and stage movements to express the emotions and inner world of the characters. These two ways of performing are in Yue OperaMovieshas its own characteristics and functions, which together enrich the shaping of the character image and the expression of the storyline.