The scene of "Wonderful Night of the Star China Museum" Xinmin Evening News reporter Wang Kai took the same below.
On the first day of the opening of the East Pavilion of the Shanghai Museum, the enthusiasm of citizens and tourists for dialogue with history did not diminish until nightfall. At 7 o'clock tonight, a "Shining China Museum Wonderful Night" intertwined with art performances and cultural relics tours was held, and the event was broadcast live through the "Shanghai Museum" station B account, WeChat ** account and multiple official accounts of Bilibili, attracting a large number of netizens to pour in, and get a glimpse of the first art museum at home and abroad to display ancient Chinese bronzes, continuing the carnival belonging to cultural lovers.
The spring and autumn are easy to do, and the years are late, and only then did I begin to understand the meaning ......of Dongpo's "five thousand volumes of text without supporting the intestines and stomach, but I hope that one Ou is often and when the day is high".The Youth Chinese Wind Orchestra kicked off the "Wonderful Night" with a folk music ensemble "Sleeping" that fits the theme of the night and has historical precipitation.
Subsequently, following the vivid explanations of a group of archaeological experts and scholars, the on-site guests and online audiences walked into the "Star China: Sanxingdui Jinsha Ancient Shu Civilization Exhibition", one of the "Open Trilogy" of the East Hall. Zhu Yarong, deputy director of the Sanxingdui Museum in Guanghan, Sichuan, explained the characteristic "longitudinal" shape of the bronze mask of the Kui Long Crown, as well as the methods adopted by the ancients to make the masks. Zhang Peichen, an expert in bronze restoration at the Shanghai Museum, and Hu Jialin, a research librarian from the Bronze Research Department, respectively described the process of excavation, restoration and protection of the bronze heads with gold masks and bronze heads with vertical hair. Zhang Peichen said: "The golden mask and bronze head were unearthed in Sanxingdui No. 8 pit when the burial environment was complex, the neck was seriously damaged, we were wrapped in gypsum to extract, and then we should pay attention not to destroy the painting during the cleaning process, and be careful not to cause fracture when shaping the deformed part, the whole process is as precise as a surgical operation, and there is no room for error." "Lei Yu, the head of the Sanxingdui Site Workstation of the Sichuan Provincial Institute of Cultural Relics and Archaeology, brought the story of the bronze beast. Zhu Zhangyi, director of the Chengdu Jinsha Site Museum, took everyone to explain why the ten sections of Yucong, which symbolize the Liangzhu culture, were found at the Jinsha site, which was more than 1,000 years later than the Liangzhu culture. Zhu Zhangyi introduced: "Yucong is a sacred symbol in Liangzhu culture, and the theocratic ideology of Liangzhu culture has also influenced the ancient Shu people, so this jade cong has been continuously used." In fact, in the hands of the ancestors of Jinsha, this jade cong is already an 'antique' more than 1,000 years ago, and they regard it as a 'national weapon' and 'a sacred object that communicates heaven and earth', and is used in the major sacrificial activities of the ancient Shu Kingdom. Therefore, it was buried in the sacrificial area of Jinsha ruins, and was re-excavated by us three thousand years later. ”
Interspersed with expert guided tours are performances by artists. Together with the Sanxingdui cultural relics in Sichuan, the Sichuan Opera Face Changing Performance of the Chengdu Sichuan Opera Research Institute shows the mysterious and unique cultural charm of the land of Bashu together with the vivid intangible cultural heritage and solidified bronzes. Zhejiang Song and Dance Theater's group dance "Liangzhu Reverie" uses body language to bring people closer to the ancient Liangzhu culture, as if the sky, earth, people and things 5,000 years ago are no longer far away. There are also young singer Fang Shujian's "Treasure Boy" cooperated with the Shanghai Museum and the Pop ** Dance School of Shanghai Institute of Visual Arts, "Story" and "Rainbow" brought by the Shanghai Rainbow Chamber Choir, and "Someday" excerpt from the drama "Golden Sands", all of which have dyed the quiet museum with a vivid artistic atmosphere. Finally, soprano Huang Ying's solo "Song of the Yangtze River" and "I Love You China" drew a splendid end to this wonderful night.
Netizen "Butterfly Flying in the Belly" commented: "I have experienced a lot of guided tours in the museum, but it is the first time I have seen a performance, and I feel that the art performance can set off the atmosphere, more vividly show the culture behind the cultural relics, and help me understand the cultural relics more immersively." "Lanki", who lives in Pudong, turned on her mobile phone on her way from work to follow the live broadcast: "I used to be a frequent visitor to the Shanghai Museum, but now that the East Museum is open, it is really good to be able to watch the exhibition and participate in activities closer to home." I hope that in the future, Shanghai Expo will bring more brand activities and quality activities to the East Hall. ”
The event was jointly organized by Shanghai Museum and Bright Dairy Co., Ltd. Bilibili Company. (Xinmin Evening News reporter Wu Xuying).