Ji Jianqing, a famous landscape painter, a member of the China Artists Association, a researcher of the China Academy of Art, a national first-class artist, the executive vice president of the Huang Binhong Art Research Association, a distinguished professor of the Chinese People's Painting Academy, and the president of the Tongxiang Chinese Painting Academy. He now lives in Beijing and serves as a tutor for the Advanced Seminar on Landscape Painting and Creation at the Academy of Fine Arts of Chinese University and the Advanced Seminar on Landscape Painting at the Academy of Fine Arts of Tsinghua University.
Ji Jianqing's painting brush is pure and pure, infiltrating the picture with ink, supplemented by a light color, the shade of brush and ink is appropriate, there is a retrospective style, and the image of rich Huazi. He uses the strange changes of lines to create all kinds of images in the Taihang Mountains: the mountains and rocks are sometimes wide and sometimes narrow, the plants and trees are vigorous and old, the houses are light and clean with the pen, and the water lines are real or virtual. The pen is free and bold, the lines are dense and do not lose the rhyme, the pen is rigid and soft, the long ** blends, the thickness of the impact, the point, the line and the surface are applied together, and strive for artistic conception, especially the ink.
Ji Jianqing's paintings, the form of pen and ink has changed, in the familiar five strokes and seven ink skills, it embodies a kind of "look ahead, ignore in the back" of the fish and dragon change, there is elusive, in addition to the change of self-expression in his use, there is a "change" word, that is, the pen is ever-changing, but mainly in the center; The lines are strong and straight, the strength is restrained, and the composure and strength penetrate the back of the paper.
Ji Jianqing's pen is simple, whether it is a scene, a house, a boat, a bridge, a tree, etc., the antique flavor can be seen everywhere. Writing about the mountains in the heart, the trees in the heart, such as the characters, Liao Liao has several brushes, and the dynamics and clumsy taste of the characters have been vividly expressed; Such as trees and stones, casual essays, but all full and smart, where the pen goes, neither complicated, nor less. His use of ink is even more superb, and he pursues broadness and vigor, and does not hesitate to add layers to layers when creating. Therefore, "rich Huazi" has become synonymous with his landscape painting.