Unexpectedly, the score of "Sword and Fairy IV", which was released on a certain art platform for a month, collapsed, with a score of 42。
Of course, "Sword and Fairy Six" on a news platform next door is not so good that it is **, with a score of 51. And there is a big downward trend. Maybe it was because he was afraid of being scolded, or maybe he made himself more poetic, and he gave a new name "Praying for the Present Dynasty".
The IP of the two fairy sword series has been remade like this, compared to the old-timers of the fairy sword game series, I don't know if the coffin board of the fairy sword series can be suppressed.
First of all, I have never played "Sword and Fairy Six", so "Sword and Fairy Six" or "Pray for the Present Dynasty", what the remake has become, and how much it is still loyal to the original work, I have no right to speak.
But I've played "The Legend of Sword and Fairy IV" more than once.
After watching most of the TV series version of "Sword and Fairy IV", I couldn't help but click on this again.
After revisiting the plot of the game, I still want to talk about the TV series version of "Sword and Fairy IV".
The progress of the times and sufficient funds do not necessarily bring more exquisite service, but the real service requires heart and love.
checked the investment in "Sword and Fairy IV", and I was a little shocked, a proper 31.2 billion, considering that "Sword and Fairy IV" has a total of 36 episodes, the average comprehensive cost of one episode is 8666666600000 yuan, you proper big six.
Episode 866The comprehensive cost of 666.66 million yuan, the props produced are like this?
Liu Mengli's initial ** "carved Konghou" looks like this? It looks like this?? It looks like this??
The evolutionary history of the people's ** is like this.
Although the fairy spirit of all kinds of babies is difficult to show, but at least there must be a little texture, and then take a step back, even if there is no texture, don't make it too plastic. . .
The game vision of "The Legend of Sword and Fairy IV" is actually very large, there are many characters, involving humans, demons, and immortals, and there are not only the love lines of the protagonist in the story, but also the mental journey of Murong Ziying's "desire to seek immortal cultivators", and the storyline is completely one of the best in the Sword and Fairy game series, and there are many plots that can be explored. So for me, the expectations for the drama version of "Sword and Fairy IV" are very high.
Of course, as a game fan, I fully understand the forced addition and adaptation, after all, Xianxia dramas require high scene restrictions, and it is not easy to reproduce most of the scenes in the game, and even if the game plot is rich, it is almost impossible to support the plot of thirty or forty episodes. Therefore, it is completely understandable that appropriate modifications and adaptations are made.
But the adaptation has a general direction, and it cannot be separated from the main theme of the original story.
After all, most of the directors and screenwriters are not at Wong Kar-wai's level, if they can really be changed to the same level as "Flowers" and "East Evil and West Poison", then I didn't say it.
After watching most of "Sword and Fairy IV", I can actually realize that the screenwriter has a very original intention and wants to adapt it better. The drama version has introduced many forces from the beginning, in addition to Yun Tianhe, there are also the Shu Yao faction, the demon world, and the Qionghua elder faction, and it is carried out from multiple angles, directly substituting the power struggle into the beginning of the plot, and the ambition of the adaptation is obvious.
I have to admit that this change has indeed made the entire story line more extended, and the roles of other characters have also become more substantial. However, the focus is on "but", in this way, the stories of Yun Tianhe have become one story after another, especially Murong Ziying's early appearance, which directly disrupted Murong Ziying's growth process, and directly failed to reflect the mental journey of this future head of Qionghua.
For another example, the drama version has deleted almost all the important female Luoyan plots in the early stage, especially the Huai demon of female Luoyan in the game is an important embodiment of Murong Ziying's early thinking of "all demons are evil, all demons are beheaded", and it is also one of the manifestations of the conflict between Yun Tianhe and Murong Ziying's concepts. This is also very debatable.
In addition, the emotional line of the protagonists should not be so chaotic, okay?
Yun Tianhe and Han Lingsha have been flirting in various ways since the first episode, and they also let the monsters directly come to a face-to-face ** and look at each other passionately.
Screenwriter brother, are you middle-aged? Why is there so much oil on your face?
Then I will block a sword for you today, and I will block a palm for you tomorrow. Do you have to use your back to block the sword? If you vomit blood, you have to let the heroine see it? As long as there is a fight, it will be **, isn't there a lot of blood in Yuntianhe? Or in front of Han Lingsha, you have to ** to show how much Yun Tianhe loves Han Lingsha?
This kind of ** scene, the embarrassing kind of "With me, absolutely no one can hurt you" lines, plus a rotating mirror and sensational various BGMs, it is very touching to watch once, and it is very disgusting to watch too much.
I don't think this kind of plot is so necessaryThe essence of Xianxia drama lies in the world of Xianxia and the feelings between people, rather than a modern idol drama dressed in Xianxia.
The love line is very important, but it also has to have a degree, love at first sight can be there, but it is not very suitable for "Sword and Fairy IV".
For example, Yun Tianhe and Han Lingsha, the relationship between the two of them is long-lasting, constantly generated in the process of continuous adventures, sharpened in the face of various difficulties, and realized unconsciously, not as if they were in heat as soon as they met.
Let's take a look at the protagonists.
Let's talk about Yuntianhe first. Yun Tianhe's personality is a bit like Guo Jing, but the difference is that Guo Jing is simple and has it in his nature, while Yun Tianhe is simple, simple after living alone, not stupid. Yun Tianhe has lived alone in Qingluan Peak since the death of his parents, he has not been in contact with other people, he is not familiar with the world, his ordinary days are actually no different from savages, he is equivalent to a child in terms of personality, if he wants to act well, he should not have so many twists and turns, speak simply, say whatever he has directly, and perform well is half the success. As soon as the male protagonist of the drama version of "Sword and Fairy IV" came out, he could feel that he was playing "stupid" bluntly, and it was not ordinary blunt, it was simply a feeling between stupid A and stupid C.
said that Yun Tianhe and Yun Tianqing look different, nonsense, Yun Tianqing is Chen Chuhe, I think he was also a handsome guy in the circle back then, but it might be better to call his father to play his son.
Let's talk about Han Lingsha. If Ju Jingyi and Han Lingsha are the closest to each other, it is the color of the clothes, and it is said that it was changed under the strong recommendation of game fans (of course, this matter has nothing to do with the actors, it is completely a matter of service to Huadao). I don't have any prejudice against Ju Jingyi, here is completely discussing the performance in the play. Who is Han Lingsha? She is a chivalrous woman who walks alone in the rivers and lakes after the death of her parents, a master who is proficient in Qimen gossip and tomb relief, and a brave and resolute son and daughter of the rivers and lakes. And Han Lingsha in the play, it is a bit too much to say that she is rude and willful, but she is scared at every turn, otherwise she is CP with Yun Tianhe, which is also quite greasy. In fact, Ju Jingyi has a reputation of 4,000 years (although it is said that I don't like this title), and it can be seen that she also wants to perform well, but there is still a lot of heat.
As for Murong Ziying, to be honest, the people who play the game don't have much interest in him, and I skip most of the plots about Murong Ziying, so it's not good to comment. It's just that I have to say that the actor is quite handsome, but the sword box on Murong Ziying's back is really ugly...
Well, it's finally time for the saddest and most disappointing Liu Mengli. In fact, I really want to expand and talk about it, so let's follow fate in the future.
Liu Mengli, this is the white moonlight in the hearts of many fans of the game "Sword and Fairy IV".
Although Liu Mengli is a demon, she has been raised in the official family since she was a child, and she is a very typical housekeeper lady, everyone is beautiful, Lan Qianhui heart, soft on the outside and rigid on the inside, very assertive, cold on the surface, but she trusts and likes people and shows her emotions without reservation, and she is the face of the entire fairy sword four in terms of appearanceAnd the figure is very good, it is very goodEven her clothes are the most beautiful in my opinion, the high-waisted and floor-sweeping long skirt, elegant big sleeves, flowing veil, and the jade hairpin with coiled hair is also simple but not simple, revealing a sense of sainthood everywhere (a saint, not a virgin).
She's like this in the game.
The official ** of the game is like this.
* Enlarged, yes.
However, this is the case in the drama version.
Put the most beautiful one first.
When I saw this picture, I was still looking forward to it, but if I watched the drama, most of what I saw was actually the following.
Actually, putting aside the acting skills, it really can't be blamed on the actor Mao Xiaohui who plays Liu Mengli in terms of costumes and makeup.
I deliberately searched for Mao Xiaohui's **, the modern outfit is really beautiful, very like the girl next door.
Xiao Qianxi in "Zeng Boy" in 2023 is also very good, and her acting skills are also very good.
I searched for the news again, Mao Xiaohui was afraid that she would not be physically suitable in "Sword and Fairy IV", and she deliberately went to ** when she was not fat, and after the performance, she fell into self-denial because of the kind of abuse on the Internet, and she was indeed emotionally wronged.
Grievances are grievances, but there is indeed a problem with the performance in "Sword and Fairy IV".
Take the eyes that are the easiest to play, it is worth praising that Mao Xiaohui's performance in the play is very hard, and she works hard to present the setting of the character, but the eyes make people feel godless more often, whether it is showing gentleness, delicacy or excitement and sadness, the actor has a pair of clear and bright big eyes but makes people feel no emotional fluctuations, on the contrary, many times it also gives people a sense of déjà vu similar to that of a blind man, like a telephone pole pestle there, mechanically reciting lines, I really don't know how the actor who graduated from the drama learned it when he was in class, or if he didn't like the role of Liu Mengli... After this time, I wonder if Mao Xiaohui is considering returning more to life dramas, laughing boldly, crying boldly, and being more grounded, instead of taking on these colder roles when her acting skills are not mature, after all, once she doesn't play well, she will become paralyzed...
Alas... Maybe it's because the big IP of the Sword and Fairy series is no longer popular, maybe it's because the platform has nothing to shoot, maybe it's 31.2 billion funds need to be spent, maybe for some other reason... I hope that if someone adapts the game again, can you take care of the game fans, after all, the lives of game fans are also fate!
I really hope that there are more conscientious directors and screenwriters, can you take another time, sincerely remake "Sword and Fairy IV", sincerely remake it again, really can't I fill a member first...
The Legend of Sword and Fairy 4