Presumably, the nearest Yu Hewei is happy and depressed.
Happily, Yu Hewei's acting skills in Zhang Yimou's movie "Solid as a Rock" are "gods", but all the audience who watched the movie were full of praise, he and Zhang Guoli were crazy about the scene, sparks splashed, and the whole movie was propped up.
Li Zhitian played by Yu Hewei, on the one hand, is a ruthless killer who kills decisively, on the other hand, he is a crazy and evil business giant, and on the other hand, he is a loving father who holds his daughter in the palm of his hand.
Yu Hewei's specialty is the acting skills of "loose and tight", he was happy to ask for warmth in the last second, and in the next second, he contributed to the famous scenes of wrenches smashing people and fishing for mobile phones in hot pots.
The most amazing scene is the scene between Zhang Guoli and Yu Hewei in the car.
In the face of Zheng Gang (played by Zhang Guoli) coercion, Li Zhitian (played by Yu Hewei), who has seen strong winds and waves, is as steady as Mount Tai, unhurried, and even a little humorous, but the more restrained, the more sharp, and the more quiet and quiet, they occupy a dominant position.
Pure "evil" is easy to act, but "evil" mixed with good is not easy to play, but here is Hewei, it is easy.
The deadly stick was in front of him, Li Zhitian did not beg for mercy, did not call for help, but did not say a word, just put his hand to his mouth, and quietly said "shhhhh
The eyes of ** on weekdays have become soft at this moment, and the tears rolling in the eyes are the heavy love for her daughter.
After being imprisoned, Li Zhitian lost his sharpness and spirit, and the only thing that could make him have light in his eyes was to look at his daughter again.
Foolish waiting, even to the last second, but can only rely on fantasy to solve the pain of lovesickness.
As soon as the camera turned, it came to naught, and the light shining into his world stopped abruptly, it was disappointment, despair, and heart-rending pain, all of which were hidden in He Wei's eyes.
The wind rises at the end of Qingping, and the waves become between the waves, which is very suitable to describe Yu Hewei's acting skills, there are no emotional ups and downs, but it arouses the audience's thousands of tastes, and they can't come back to their senses for a long time.
No wonder Zhang Yimou, who has always been inconspicuous, can leave a sentence: "If you (Yu Hewei) come out (a little earlier) the role, Zhang Songwen may have to be second." ”
At first, I thought it was commercial hype, but after watching the movie, I realized that it was true.
Yu Hewei can always use explosive acting skills to stage "seventy-two changes".
can be Liu Bei in the new version of "Three Kingdoms", the benevolent background remains the same, and there is more reckless heroic bearing, the scheming of heroes in troubled times, and the historical figures let him act like this, fresh and full, vivid and real.
Liu Bei's image has been deeply rooted in the hearts of the people, but Yu Hewei "crushed" himself and reshaped the classic "Cao Cao".
When treacherous and ruthless, it is terrifying, when it is fierce, it is admirable, and the complexity of the character is difficult to control, but Yu Hewei plays with Yu applauding.
Although some characters are stereotyped and should be like this in the hearts of the audience, after Yu Heweiyi's processing, it is completely different, thanks to the fact that he will inject real emotions into the characters.
is like Chen Duxiu in "The Awakening Age", it seems that he has really "lived" from the Chinese textbook.
It seems that Yu Hewei can easily control any kind of role, but he never expected that the role of a man with a bag "difficult" fell to him, and as soon as the clip in the movie "Second-hand Masterpiece" came out, a stormy "complaint" swept in.
Ma Yinbo, played by Yu Hewei in the movie, is a middle school Chinese teacher, who has achieved nothing in middle age, he is not depressed, and he still has an unrealistic "publishing dream".
On the way to pursue his dream, there are always obstacles, and it is his wife who has lived together for many years who stops him.
Ma Yinbo's mid-life crisis, with words of suffering, is often powerless, and he always avoids his wife's "enthusiasm".
Yu Hewei and Ni Hongjie play husband and wife, revealing the "fig leaf" of the crisis of middle-aged couples: it is either money or sex.
In order to add a little "surprise" to life, Ni Hongjie was dressed in red, with long hair and a shawl, and the housewife became a ** royal sister in seconds, killing her back, unbuttoning her clothes, and a powerful offensive, so that the "love-loving" uncle was shy, and naturally he was like an old husband and wife.
In the trailer, the scene that Ni Hongjie gave Yu Hewei ** costume is too "ruthless"!
After 20 years of marriage, nothing in the family can count on him, and the child can't be protected if something happens, in the face of his wife's complaints, he blurted out: He is not familiar with me this principal.
Such a reason, like a fuse, ignited the backlog of dissatisfaction of his wife over the years, and all of them exploded at this moment.
Ni Hongjie's back was slumped, her face was extremely hideous, and she was hoarse at her husband in front of her, sobbing and rippling, and the green tendons on her neck were bursting up, and she was extremely angry.
Faced with his wife's "gun with cannon" complaint, the husband's tight string was also broken.
He raised the cup violently and tried to break it, but in the end he was unable to put it down, but the wife couldn't break down, took the cup and smashed it hard, like their marriage, falling apart.
Quarrels filled the scarred marriage of the two.
When the wife asked her husband how much the family's monthly living expenses were, the husband said three thousand five without a trace of hesitation, but his wife's rebuttal made him deafened.
The living expenses are not three thousand five, at least five thousand, and the shortage of one thousand and five is all subsidized by the mother's family, hearing this, the husband said confidently: "Because your family has always thought that I am a waste, who gave me real decency?" ”
The husband's blame seems to vent his wife's grievances.
Every time the mother's family gives gifts to her in-laws, it is the most expensive, but the husband is a "hairless" iron rooster, and the wife has to prepare her own gifts for her husband's so-called decency, which is called the husband's gift.
This kind of drama is too close to life, it is easy to use too much force when you act too much, and it is easy to be unreal if you act less, Yu Hewei met Ni Hongjie, but he couldn't catch the play, he was beaten throughout the whole process, and there was a lot of complaints in the comment area.
Ni Hongjie is really quarrelling, and Yu Hewei is quarrelling. ”
Ni Hongjie's acting skills are underestimated! I feel that Yu Hewei is a bit of a drama. ”
I feel that Ni Hongjie is really angry, and Teacher Yu Hewei is superficial. ”
Yu Hewei did not perform the kind of wimp, his gestures were full of the taste of successful people, but he had to deliberately control his voice when he quarreled, his words were subdued, the taste of drama came to his face, and the smell of fireworks was less.
As soon as Ni Hongjie made a move, she became a textbook-style "resentful woman", for the sake of her family and life, she did not wear makeup or dress up, and her straight back was bent by reality.
Her husband's inaction became the last straw that crushed her, and her superb acting skills shook out a middle-aged woman's collapse, despair, resentment, anger, and powerlessness.
There are really a lot of such clips in past film and television dramas, and there have also been many classics, Qin Hao in "Dear Child", Huang Xuan in "Wuhai", all of them are models.
The husband played by Qin Hao in "Dear Child" is the "culprit" who broke down the marriage.
At the beginning, he still admitted his mistakes and relented, but when the wife played by Ren Suxi divorced and divided the money, the husband completely tore his face, obviously the party at fault, but he looked like an innocent victim, and every word he said was a knife to the other party's heart.
Huang Xuan in "Wuhai" is very similar to the husband played by Yu Hewei in "Second-hand Masterpiece".
The husband played by Huang Xuan was misunderstood by his wife and disliked by his father-in-law, and his beautiful marriage was lost to a piece of chicken feathers in real life.
The wife's contempt made the husband completely collapse, and he began to scold the power of the woman's family, smashing things, roaring, and couldn't help but push his wife in anger, so that the scolding war escalated into a melee.
This scene is simply the epitome of the quarrel between husband and wife in life, heavy and depressing, but it is real enough to make people empathize, Huang Xuan's acting skills are really underestimated, and many girl audiences see their fierce and cowardly husband who is nested at home in him.
Quarrel scenes really can't be acted hard, no life experience, no personal experience, no acting skills, really can't be acted.