In 1998, Wang Leehom, who graduated from college and changed to a new owner, tried to cut out a different him from the past - the style change revealed in "Gong**Turn" is undoubtedly a clear watershed in Wang Leehom's creation.
From the beginning of "Public ** Turn", Wang Leehom obviously got rid of the previous feeling of "people who watch him listen to songs to be convincing", take off the packaging of market idols, and enter the posture of a completely ** person. The excellent rhythm and arrangement of several works are related to Leehom Wang's own arrangement, writing and production; He also has a lot of fun playing as a musician and singer, and obviously has an intention to show an all-round ** worker. Sun Weilun's "No Matter What" and "Who Do You Think I Am" gave Wang Leehom some smooth rock changes, which are rare and outstanding works in the past.
In addition, in order to get rid of the ABC stereotype and emphasize the desire to learn Chinese, in addition to finding Lin Xi, Xu Changde and Wu Yukang to write most of the words, so as to achieve a balance between popular orientation and Chinese expression ability, Wang Leehom himself wrote "2000" and "One of These Days". *The above is a double line of pop plus R&B and market love songs, "Loving You Equals Loving Yourself" and "Dream Frozen" are both word-of-mouth and commercial songs. It can be said that "Public Transfer" is a work of Wang Leehom that truly shows his strength and intentions.
Later, this ** also allowed Wang Leehom to win two Golden Melody Awards: the 10th Golden Melody Awards in 1999 "Best ** Producer Award" and "Best Chinese Male Singer Award". Re-examining "Turn"**Turn**, it can be seen that a singer's ambition to seek transformation is actually expressed in the notes.
February** Dynamic Incentive Program