After the end of "Flowers", there has been a CCTV comprehensive channel's "Dajiang Dahe 3" to take over, and now the audience's hearts eager for excitement finally have a stable landing point. Therefore, in the situation where there is a way out, slowly savoring and enjoying the plot of the last two episodes of "Flowers" seems so leisurely and enjoyable. At this time, we can take a good look at the acting skills and aura released by the actors. Don't belittle those ordinary audiences, for *** dramas and dramas with a good conscience, everyone's eyes are bright.
If you don't believe it, just take a look at the barrage in the fourteenth episode of "Flowers" on the platform, good photography and composition, netizens can see it. In short, good things and good skills, everyone's eyes will not choose to ignore them. The editor has always liked photography, so I first liked Wong Kar-wai's photographic composition and use of light. It is estimated that without a certain oil painting foundation, it is impossible to play that kind of concise but not simple light. Audiences familiar with Rembrandt's paintings will love Wong Kar-wai's photographic lighting. From Mr. Bao to Li Li, and then to his uncle, Wong Kar-wai was particularly stingy with his own light, and he didn't even make up the light.
This method of using light is most obviously used in Hu Ge, Xin Zhilei, You Benchang and others. praised "Flowers" for being so old, and then complained about the acting skills of individual actors. The old editor admits that there are many characters in "Flowers", which is almost close to a large group of scenes, so everyone's scenes are relatively small, and at this time it will test the explosiveness of the actors. Here, the editor will first talk about the "four bad" acting skills that did not pass the test. These four bad ones are: Tang Yan's Miss Wang, Wang Ju's Mei Ping, Papi Sauce's Linghong, and Huang Jue's Qiang Mujie.
Let's talk about Miss Wang first. Just because everyone doesn't have many scenes, many of the protagonists are almost reduced to supporting roles. Therefore, Tang Yan did not deduce the richness and growth of the character's personality in a short period of time, and in the process of interpretation, she also seemed to work very hard. Compared with Ma Yili and Xin Zhilei, Tang Yan is completely stupid to interpret Miss Wang. In terms of lines and movements, it seems to be too hard. is still the same sentence, everyone's role is relatively small, but why can people deduce the growth and multi-faceted character in fewer scenes?
Obviously, under Tang Yan's interpretation, Miss Wang's character is static. Then there's another one that goes too hard. That is the Linghong of Papi sauce, Linghong is also a single personality and the character output is particularly hard, just as hard as Tang Yan. Of course, papi sauce's acting skills are not good, and it is understandable, after all, he is not from a professional class. Wang Ju's performance is not good, which is understandable, after all, she is not a professional, and she has fewer roles. Her interpretation of Mei Ping's character is also single and static, and Wang Ju is still repeating herself in her acting skills, at least we can see the shadow of Tian Rong in "All the Way to the Sun" from Mei Ping.
The last one should not be bad, that is, the old drama bone Huang Jue. And his shortcomings in his lines should be innate. It seems that Master Zu didn't give him this bowl of rice at all. He is more than acting, not enough lines, to be exact, his lines are terrible. The problem is mainly in his voice, the lack of resonance, the lack of variety, and the dry timbre. Okay, let's take a look at the acting skills. is also a small number of scenes, why do Hu Ge, Xin Zhilei, and You Benchang perform so well?By the way, there is also Fan Xiangyan, her growth this time is obvious to all.
Before, in "This is the Actor", the audience saw Fan Xiangyan's amazing acting skills. To evaluate an actor's acting skills, I have never been subjective and isolated, and to evaluate her, I have to combine her performance in previous works, such as Fan Xiangyan's performance in "Minglong Boy", compared with Lu Meilin, Yu Yang's mother is a completely different role. This time, when interpreting Lu Meilin, Fan Xiangyan completely achieved the combination of rigidity and softness, vulgarity and elegance. In addition, she is similar to Xin Zhilei, paying special attention to the shape in front of the lens and the position of the focal length of the lens.
After showing a wide range of pungent and tough, showing a little bit of grief and gentleness is extremely valuable. After being rejected by Li Li, Lu Meilin's expression when she left in the car had such a dramatic explosiveness. Then there are the fiercest Hu Ge and Xin Zhilei. The most commendable thing about Hu Ge this time is that he deduced the growth of Mr. Bao's character. Xin Zhilei created a role that she had never set foot in before, and Li Li was almost unprecedented in the role created by Xin Zhilei. Similarly, Uncle's character also shows obvious story development, and his attitude towards Mr. Bao is fluctuating.