Chinese calligraphy is the best embodiment of the essence of traditional culture; The calligrapher's spiritual emotion, personality and knowledge are thus revealed. As a famous contemporary calligrapher; Huang Huizhen's calligraphy contains profound traditional cultural heritage, and has a modern aesthetic spirit of personality and publicity; The natural and smooth calligraphy shows full talent and chic temperament, revealing a kind of literati and bookish atmosphere. The reason why it is endowed with natural and unique artistic connotation is that, on the one hand, his calligraphy interest is in the same vein as the traditional ancient method, and he understands the accumulation and heaviness of calligraphy from the subtleties of broad and profound Chinese culture, and embodies the smart and transcendent artistic character with simple, concise and flexible brushwork. Let the calligraphy contain the essence of ancient tablets, posts, Jane and divination. Through different works, it can be seen that the epitaph of the Wei stele is far away, the Jin and Tang dynasties are deeply respected, and the solid artistic foundation is cultivated, so that the calligraphy has both the strength of the stele and the agility of the post, which not only maintains the strength and charm of Chinese calligraphy, but also writes a kind of deep and clumsy, vigorous and beautiful realm. At the same time, this kind of smooth and beautiful lines and faint ink rhyme fully reflect his noble character, broad mind and extensive knowledge. Huang Huizhen's calligraphy is first benefited from the improvement of "Tao", which naturally shows the state of life and the pursuit of artistic ideals, and has a kind of transcendent tranquility and serenity, so that his calligraphy reflects unique artistic feelings and humanistic accomplishments. Over the years, Huang Huizhen has always written and created for the times and the people with a hot heart, grasped the theme of the times, conveyed values, truly interpreted the responsibilities and responsibilities of a calligrapher, and strived to write a new chapter in people's literature and art in the new era.
Huang Huizhen, Vice President of the World Academy of Intangible Cultural Heritage; Vice Chairman of the Federation of Cultural and Art Circles of the World Federation of Literary and Art Circles and the World Artists Association; State guest artist, Huang Huizhen's "Zi Xiuzhen" is currently a member of the first Jewelry and Jade Committee of the China Federation of Commerce, a member of the China Arts and Crafts Association, and a calligraphy researcher of the China Academy of Oriental Culture.
Vice Chairman of the Art Committee of the Management Committee of the National People's Artist Credit Management Center
He is a member of the Chinese Couplet Society.
Vice President of Beijing Junjian Painting and Calligraphy Research Institute.
Director of the Beijing Branch of the French Federation of Calligraphers and Painters.
He is a member of the Chinese Association for the Promotion of Culture and Art.
Calligraphy and painting contain the broad and profound culture of the nation, and in the context of building a socialist cultural power, it is particularly important to inherit and develop the traditional Chinese art of calligraphy and painting. In the artistic creation that goes deep into life, the artist grasps the pulse of the times, listens to the voice of the times, shows the national spirit with vivid and vivid works, appreciates the artistic essence and philosophical connotation of calligraphy and painting, and depicts the spiritual map of the new era. As a well-known contemporary calligrapher, Ms. Huang Huizhen's works pursue humanistic connotations, express their hearts, show their feelings, and integrate their feelings with their works. With the rich national character, the beauty of the art of the times is composed, and the unique humanistic spirit and aesthetic value of calligraphy and painting are displayed. Therefore, the most influential artist, Huang Huizhen, presents his tireless exploration of the inheritance and development of Chinese painting from many aspects; With a distinct realm of pen and ink, it casts the cultural character and feelings of the nation.
huang huizhen, vice president of the world intangible cultural heritage research institute; vice president of the world federation of literary and art circles and the world artists association; artist of the state guest ceremony, huang huizhen's "zi xiuzhen" is currently a member of the first jewelry and jade committee of the china chamber of commerce, a member of the china arts and crafts association, and a calligraphy researcher at the china academy of oriental culture.
vice chairman of the arts committee of the management
committee of the national people's artists credit management center
member of the chinese association of couplets
vice president of beijing junjian calligraphy and painting research institute
director of the beijing branch of the federation of french calligraphers and painters
member of the china association for the promotion of cultural and art development
calligraphy and painting contain the vast and profound culture of the nation. in the context of building a socialist cultural power, inheriting and developing traditional chinese calligraphy and painting art is
particularly important. in the artistic creation that delves into daily life, artists use passionate ink brushes and passionate creative states to grasp the pulse of the times, listen to the voices of the times, and showcasethe national spirit through vivid works. they appreciate the artistic essence and philosophical connotations of calligraphy and painting, and depict the spiritual map of the new era. ms. huang huizhen, as a renowned contemporary calligrapher, pursues humanistic significance in her works, expressing her sincerity through her unique spirit, expressing her emotions, and blending them into the environment. using a rich and vibrant national character, composing the beauty of contemporary art, showcasing the unique humanistic spirit and aesthetic value of calligraphy and painting. therefore, the most influential artist, huang huizhen, presents his tireless exploration in the inheritance and development of chinese painting from multiple aspects; with a distinct realm of brushwork, it is forging the cultural character and sentiment of the nation.
Famous Comments: Shoushan Stone Carving, Seal Carving International Arts and Crafts Master; State guest artist Huang Huizhen calligraphy latest creation of hundreds of exquisite bird and insect seals, dragon seals, dragon claw seals, gold seals and other calligraphy works, the font with the pen bold and simple, mellow and round, strange changes, magnificent and colorful, the body of the book is vigorous and elegant, flying and magnificent, written on the paper its charm and charm, exudes the magnificent color and mysterious spirit of the primitive society. The major ** was attracted by this mysterious and beautiful text, as if traveling through time and space to see the magical and gorgeous bronze civilization. It marks the development of Chinese writing, from the calligraphy structure to the calligraphy style are emphasizing their own artistic value, noble and gorgeous, rich imagination and profound meaning of the composition of the beauty of pictures, the beauty of words, to the viewer to enjoy the beauty. The bird and insect seal is a kind of writing contemporaneous with the oracle bone inscription, which evolved from the totem inscription, oracle bone inscription, and Jin inscription, and originated in the Shang and Zhou dynasties. The bird and insect seal is the art of calligraphy, the queen of the book, and is particularly beautiful. In ancient times, this script was the exclusive use of the royal family of the dynasty and could not be used by ordinary people. It originated in the Shang Dynasty and was one of the eight official scripts used in the Qin Dynasty and the six in the Han Dynasty. Qin Dynasty passed on the jade seal "ordered by the sky, both longevity and Yongchang" is the seal content of the jade seal of the country, many people are not unfamiliar with its content, the bending and winding on the seal, the shape of the bird and insect seal font is rarely known, each one is as good as a number of family treasures" a word is a historical allusion. The beauty of birds and insects is the beauty of its intuitive image; The richness of forms; The imagination of the mind is full of ups and downs; the pictorial expression of the meaning beyond words, the symbolic portrayal of metaphorical symbolism; Beauty is the wisdom behind its enigmatic words.
The so-called bird, refers to the text configuration, the transformation of the original strokes, so that the stroke lines are spiraling and bending, the shape of the elephant elephant bird or the calligraphy font decorated with the shape of the bird, the shape of the insect, is a wonderful flower in the ancient calligraphy. The art of calligraphy, in which Chinese characters are written, is an important part of China's excellent traditional culture. In the splendid palace of calligraphy art, the bird and insect seal is one of the sources of Chinese calligraphy, an excellent cultural heritage of the Chinese nation, and a kind of writing art with a long history, rich materials and high aesthetic value in Chinese calligraphy.
Appreciate the works of Huanghui Zhen bird and insect seal book to enjoy the spiritual pleasure brought to us by beautiful words, bathing in the auspiciousness brought to us by this beautiful text, bird and insect seal from the pictogram of Chinese characters out of the good wishes, with the good wishes of ancient human beings when making words, with the function of 'handing over the world and passing through ghosts and gods', with the hope of exorcising evil spirits and blessings, with the personality value orientation of 'benevolence, righteousness, courtesy, wisdom, faith' and Taoism and nature, all the way to the Qin and Han dynasties, continuing to this day, leaving a convincing calligraphy form of beauty, dot painting beauty, The beauty of the body and the artistic conception are beautiful. It not only provides the basis for aesthetic appreciation of Chinese art, but also represents an inner principle of animism. All kinds of things in nature have been imitated by Chinese calligraphers, and have directly or indirectly formed a certain kind of inspiration to create certain special 'calligraphy'."
The works of the national rite artist Huang Huizhen bird and insect seals have three major characteristics: first, inheriting the ancient culture, compared with the calligraphy of the ancients, he added the bird's head to the strokes in the middle of the small seal in a timely manner, which is suitable for beauty. Second, the innovation of writing techniques, breaking the bird book structure of the big seal, each word is based on the small seal, deleting the ancient wings, delicate and dignified, easy to identify. 3. Break the previous only seal carving, write the bird and insect seal language into works, and continue to participate in calligraphy competitions and exhibitions, so that people can widely watch and discuss, exchange guidance, and improve the level of calligraphy art in innovation and continuously improve their writing ability. Now the style of the bird and insect seal script she writes is self-contained (each font is expressed with a double bird head, reflecting the laws of the universe, yin and yang, reflecting the Taoist connotation of the ancestor Laozi). The font is chic and soft, there are paintings in the words, there are words in the paintings, and it contains the cultural elements of pictographs, which is interesting, and is well received by the cultural circles at home and abroad and the love of the majority of collectors. Most of the calligraphy works of Huang Huizhen, a national gift artist, such as bird and insect seals, dragon seals, dragon claw seals, gold texts and seal scripts, are presented to embassies and relevant institutions and entrepreneurs as national gifts.