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Fourth, the tendon method.
Zang: Squatting and grabbing. [Solution: The reverse front of the pen is also a grab, and the vertical touch of the pen is also a grab. Squatting is lighter. 】
Degree: Intermediate air fit. [Solution: The transition between two strokes must be lifted from the paper and fly through the air. 】
The tendon of the word, the pen is also. Hide it in a broken place, and even measure it in a place. Collectors, head and tail squatting and robbing are also; The degree, the momentum in the air, the fit of the pen also. [Solution: The tip of the pen refers to the tip of the pen.] Hit: Some kind of action. 】
Dull Yinyun: The words "unraveling" and "degree" are not dead, and they are alive in the tendons. Youyun: A painting should also be hidden and measured, not only to be affiliated with the broken place. [Solution: The degree of a stroke refers to the stroke in the middle of the stroke to lift the pen slightly and move the pen quickly. 】
Jian Yuanyun: A line also has a collection and degree, and a painting also has a collection and degree. If you don't understand these two words, the so-called good calligraphers of the Tang people are just good readers. Right-lettering. [Solution: Good book finger writer. 】
The middle finger runs down and up, the left runs through the right, and the pen is soft. [Solution: Push the middle finger up or to the right, and draw slowly and softly. 】
The name finger runs up and down, the right runs through the left, and the pen is tough. Right fingering. [Solution: The name is pointed downward, left or outward, and the pen is fast and tenacious. 】
Fifth, the meat method.
Full (捺full). Feiti (Tifei).
The flesh of the word, the pen is also. The sparse places are full, and the dense places are lifted; The flat place is full, and the dangerous place is lifted. When it is full, it is fat, and when it is lifted, it is thin. The fat ones have enough points, and the thin ones have a lot of points. If the water is too stained, the meat will be scattered, and if it is too dry, the meat will be dry. Dry grinding ink, wet dot pen; Wet grinding ink, dry dot pen. If the ink is too thick, the meat will be sluggish, and if it is too light, the meat will be thin; Coarse is more tired, and the accumulation is uneven. [Solution: The pen refers to the vice milli. Sparse refers to the sparse strokes of the word or the large space in the word. A dangerous point is a place where the strokes are angular or narrow. Stains refer to too much water in the ink. The coarse ink particles affect the pen movement. The strokes of the ink thick writing that have been left for a long time are uneven. 】
Jian Yuanyun: Today's people mistakenly think that the weight of ink is light and the fat and thin of meat. Youyun: This is dedicated to the flesh of the word, not what pen is full, what pen is Feiti. Right-lettering. [Solution: Calligraphy refers to the density of words, etc., that is, the law of structure. 】
Pen: One inch of words, squatting seven centimeters, lifting five centimeters, nine centimeters, drawing one point. I thought it was the rate, and the strength decreased by three percent. Beginners learn to live, squatting lightly is meaty. Old Cheng tightened, squatting heavy then meat (walking). [Solution: The word is one inch larger, the stroke accounts for one point, the squatting front makes the stroke account for seven centimeters, and so on, the change of the head and end of the stroke and the angle, so that the stroke accounts for one point. Tight is restrained and delicate. (walking) that is, the ink spreads into the paper. Rate: Approximate standard. 】
Right Junyun: The ink with the pen is not more than three points, and it is not allowed to be deeply immersed, and deep immersion is not weak at all. [Solution: One-third of the brush tip is inked, and the pen head will be fully inked, so that the pen will spread out, and the pen tip will be weak. Author: That is. 】
Dull moaning clouds: such as long live withered vines (,) go to the slash) also. Xu Jihai's pen is in the painting, and the force is out of the word, and this is also used. [Solution: The vines bend and crawl, which can be compared to the tendon strength of the strokes; Long live the withered vine refers to the surface mottled by wind and sun, i.e. (walking). The latter interpretation is more appropriate. Xu Hao, the word Jihai, was a calligrapher in the Tang Dynasty. 】
Paper: There are scores for strength and weakness, and the pen power is used temporarily. [Solution: Fraction: i.e. different.] 】
Right Junyun: The paper just uses a soft pen, and the paper is soft with a hard pen. Pure and rigid as a cone painting stone, pure and soft as printing clay. It is not round, and the godhead is dead. The book stone is like a paper rigid example, and the cover is also good. [Solution: Printing clay, the relevant chapters have detailed explanations.] Follow my Baijia number to read. 】
Ink: The method of grinding ink, pressing and pushing lightly, traveling far and near.
Where the ink is polished, it is not allowed to use inkstone pond water, so that the ink is stagnant. It must be considered temporarily by drawing new water from droplets. [Solution: The inkstone stores water to nourish it. 冱: Freezing, condensation. A water drop is a tool for adding water to ink. 】
All books are not allowed to grind their own ink, which makes the hands tremble and the muscles and bones are strong, which is a big taboo. [Solution: Grinding ink by yourself will make your hands tired. 】
Inkstone: The pool is wide and thin, and if it is washed every night, the ink will be mixed evenly, and the flesh and blood will be placed.
Calligraphy Guide" cloud: "The husband talks about the good of ink, and it is said to be light and dark, and it is silent in the inkstone." He also said: "It is as strong as jade, and its writing is like a rhino." He also said: "Paint and work hard." On the good of inkstone, he said: "Xiurun jade." On the pen: "Long but not strong, it is better not to be long; It's better to be strong than not to be strong. "On the good of paper, he said: "If you can't clear your heart and Xue Taojiang, you will also be thin and white, pure and soft luster." If the thick and loose ash is not only damaged by the pen, but also can be bad. "All this is true, and those who are good at writing know it. [Solution: The pattern is like a rhinoceros horn. Chengxintang and Xue Taojiang are paper brands. 】
The end stone is only to take the fine moist stop water, and the stone is only to take the astringent ink, and it is also a treasure. Beginners must use good paper, so that they are not timid; You must use an evil pen, and do not choose a pen after the order. The right pen scores, and pen, paper, ink, inkstone. [Solution: Stopping water means that the water is evenly distributed. 】
Sixth, the flat law is flat, and the horizontal painting is also.
Yan: The first shot is down, and the tail is up. Squatting forward is self-stationed, the force is to be lifted, the force is full of slight strokes, and the strength is exhausted to return to the front. [Solution: Yan, a horizontal painting with a concave or left oblique in the middle. The pen is down or right down, up or left up to squat the pen, the pen is stationed, the pen is folded to the right; Close the pen to the right down the pen, back to the front to grab. You can refer to the writing method of "Yongzi Eight Laws". 】
Yang: The first to grab up, the last to grab down. Squatting forward is self-stationed, the force is slightly squeezed, the force is full of strength, and the force is exhausted. [Solution: Horizontal drawing with a vertical upward convex right oblique in the middle.] Start the pen up or up to the left, press the pen down; Closing the pen, lifting the pen, returning to the front, and closing the pen downward. 】
Ping: The first shot is flat, and the tail is flat. Squatting forward is self-stationed, the force is rushed, and the force is exhausted to return to the front. [Solution: The speed of horizontal drawing is faster. 】
Le: Upper level, middle up, lower Yan, far from the air, in order to kill its strength, such as the reins of the horse. Where the tail is raised, look at how the pen is dry and wet. Dryness is stationed in squatting and grabbing to make up for it, followed by stationing (squatting) but not squatting, followed by stationing without squatting, and then mentioning but not stationing, that is, actually grabbing it. If it is wet, it will be lifted, that is, it can be snatched in the air. [Solution: Grab is to reverse the front, but also convenient to control the speed of the pen and the power of the pen. The real grab is that the pen does not leave the paper and returns to the front. Empty grab is the pen off the paper**.
Jian Yuanyun: There are three methods, all of which are potential, not another one.
Hanmo Good Rules": Where flat painting is taboo like an operator, the final exhibition plays, no horizontal painting, the beginning is calligraphy. Dull Yinyun: Eight characters are the best. [Solution: The wonderful one is the final exhibition and play, and there is no horizontal painting.] The operator is the chip. 】
To be continued).