"Article 20" is definitely the best-looking movie in this Spring Festival!
After watching "Article 20", I continued to look up, still living the picture in my mind, and found that there are really many details in the film that are easy for the audience to ignoreSome of the details are interesting and fun, some are full of deep meaning, and some are even extremely scary.
No wonder even Mr. Luo Xiang personally went to the popular science "Article 20", this ** is really the more delicious it is!
Here are 10 details of the video I found and see if you noticed it too.
Li Maojuan (played by Ma Li) said in the movie that her predecessor's name was Li Kui, and Han Ming (played by Lei Jiayin) laughed, and I laughed too.
Han Ming laughed because this is a character in "Water Margin", and I laughed because I just watched the Spring Festival Gala of the Year of the Dragon, and Li Kui is Shen Teng's name in the Spring Festival Gala sketch.
Coincidentally, the person who played this sketch with Shen Teng was Ma Li, and the two of them played the story of Shen Teng's unrequited love for Ma Li in the sketch.
So in the movie, Ma Li said that her first love was called Li Kui, but it was actually linked with the Spring Festival GalaA linkage that is very appropriate to the occasion makes the audience who watch the Spring Festival Gala and the movie can't help but smile when they watch it, and the Spring Festival stalls are full of flavor
There is a very ingenious but very hidden setting in the film, that is, the trouble of Han Ming's family and the quiet of Hao Xiuping (Zhao Liying) and her daughter.
Han Ming's family of three plus an eldest brother, Li Maojuan is the absolute main force, her mouth has not stopped throughout the film, nagging her son, nagging her husband, nagging her brother, and quarreling with Director Zhang; On the contrary, Hao Xiuping and her daughter are both deaf and mute, and they did not speak during the whole process.
However, noise and tranquility are actually different paths to the same end, and both reflect the powerlessness of the people at the bottom in the face of emergencies or disasters.
If all goes well, who wants to be a woman who is nagged? Who wants to be unable to speak and be in a hurry to give people gestures everywhere?
But at the same time, it also shows the great maternal love of the two mothers, and reflects the tenacity of women.
Such a contrast makes the film more conflicted and powerful.
When Ma Li went to the guest house to deliver clothes to Zhao Liying's mother and daughter, she specially emphasized that they were the clothes she wore when she was young. And before that, when she quarreled with Lei Jiayin, she also mentioned that she was quite thin when she was young.
Therefore, it can be said that it is reasonable for her to give her young clothes to the thin Zhao Liying.
In addition to bringing clothes to Zhao Liying, Ma Li also brought clothes to her daughter Juanjuan, saying that it was her son's clothes when he was a child. I paid special attention to the movie and found that what she took out was really a plaid shirt worn by a little boy. And the fabric is relatively soft, and the color is a little faded, it is really an old clothes.
These two details alone let me know that Article 20 has really done the details to the extreme, and the degree of care is undoubted and full of sincerity.
After Han Yuchen (played by Liu Yaowen) was beaten for righteousness and courage at school, when Li Maojuan went home to wipe his wounds, Han Ming said next to him: "Four people beat him so lightly." ”
Here Ma Li scolded: "Are you a brute? The audience laughed.
But there is a legal knowledge behind this, that is, Liu Yaowen broke the bridge of the person's nose, and the degree of serious injury has reached the conditions for criminal prosecution, but the other four people only beat him to a slight injury, even if Han Ming wants to go back to the police station, he will not file a case.
This also shows that the group of thugs may be repeat offenders, who know how to grasp the severity of their actions and avoid going to the game by themselves.
Therefore, I am afraid that the bad guys are cultured, which is really scary to think about.
It is not only the young gangsters who understand the law, but also the village tyrant played by Fan Wei.
His son died, but he persisted in getting Hao Xiuping to sign a voluntary relationship in exchange for asking the judge to give her husband a suspended death sentence.
As long as this instruction manual is signed, Fan Wei's son will be innocent and die a dignified death. But Hao Xiuping's husband only changed from the death penalty to a suspended death, but the ending did not change much.
Fan Wei can be said to have a good abacus, and he is afraid of Hao Xiuping when he thinks about it.
When I saw the section where Wang Yongqiang (played by Pan Binlong) was tied to the stump, the chain around Wang Yongqiang's neck immediately attracted my attention, but I thought it was Liu Wenjing who came prepared and brought the lock and chain himself.
But it wasn't until the end of the film that Han Ming said that Wang Yongqiang's dog was killed by Liu Wenjing, and I didn't react that the chain was originally used by Wang Yongqiang to tie the dog.
Although they are both chains, there is a world of difference between the two. The chain of the dog is not only more insulting, but also means that Wang Yongqiang has to hand over the lock key to the other party, which is really a loss of dignity.
This design also adds weight to Wang Yongqiang's final emotional outburst, so that the audience can understand why he made several stabs.
The moment he got up to resist, it was in response to the sentence shared by Mr. Luo Xiang in the interpretation of "Article 20": "It is more important to maintain one's moral existence and personality when asserting power."
The person who bullied other classmates at school was the son of Director Zhang (played by Zhang Yi), and at first, I thought he was the kind of bully who relied on his father to be the director of the Academic Affairs Office.
But Director Zhang's look in the police station made the image of this thin bully three-dimensional.
In the police station, after Director Zhang sat down, Zhang Ke did not dare to sit, but obediently stood behind his father, and he did not dare to move until Director Zhang motioned for him to come and sit with a look.
Director Zhang's eyes are really wonderful, and they can make the audience have a lot of associations:Why do kids bully at school? Could it be that Director Zhang's oppressive education has had a bad impact on children's psychology? Could it be that the child has done the same and used his father's strength to get along with his classmates?
is really a look that supports a scene, Zhang Yi deserves to be the actor.
Article 20 in the three cases, all of which have the same line? More precisely, lines with the same meaning-Think about the kids!
The meaning of this line varies.
The village tyrant's father said to Hao Xiuping, "Think about the child", which is a naked threat!
The sentence "think about the child" that the head teacher (played by Li Naiwen) said to Han Ming and his wife certainly has the meaning of calming things and favoring the director of the school, but it is not out of reason that he hopes that the student Liu Yaowen can continue to study in school.
The most scary thing to think about is that Han Ming first found a way to arrange work in order for the bus driver to stop petitioning, hoping that this matter could be turned over, saying "You have to think about the child".
Han Ming didn't expect that it was the driver who went to petition for the sake of the child, and paid such a big price for the child, such a father's love is selfless and great.
Regarding children, there is also a line in the movie: "What kind of world do we put in their hands?" ”
This is a quote worth pondering for all of us.
The audience is watching this movie, and their emotions will be in a state of ups and downs all the time.
The director controls the rhythm of the development of the plot, and attaches great importance to the interweaving of happiness and sorrow, and the back-and-forth conversion of this emotion makes the audience more impressed by the plot.
For example, one second you are still laughing because of the sentence "Impulse is the devil, you will regret it", and the next second you will feel sad because of the tearful questioning of the bus daughter.
It can be said that this is a script and a dramatic conflict, but isn't this how emergencies and social cases occur in reality? Accidents are often like this.
Han Ming and Lu Lingling (played by Gao Ye) have a conflict scene that suddenly breaks out in the office.
When Han Ming shouted out the precedents of justifiable defense over the years one by one and threw them on the table.
Lu Lingling said: ".Everything that is right has a price, but you can't stop doing it just because it has a price
These words seem to have a thousand powers, and a legal worker feels like an enlightenment.
Practice is not the shackles of a judicial worker, he woke up like an initiation!
Only then will there be a more deafening cry for the later hearings!
Where does the authority of the law come from? From the most simple emotional expectations of the common people
For the sake of the people's expectations, let's break this convention! No matter what the cost!
A good movie is like this, the more you taste, the more exciting it is, and I believe that the ten details I have talked about are just the tip of the iceberg. Even if I want to dig into more details, I have to watch this movie again, and it will definitely bring me more different surprises.
What's wrong? Let's go together