There is a well-known American spy joke that describes the fact that the United States has spent 5 years training a spy in order to infiltrate Russia.
He drank the Tegarai more boldly than the Russians, and spoke Russian even more perfectly, and even the spy himself began to suspect that he might be born a ** person.
The spy "entered Russia and found that no matter what he did, there were people who praised him, but the last words of these people said "you are definitely not a **person"!
He was devastated, crying and begging for the reason, until the other party finally told him.
We have no blacks in Russia, this is a fact.
At this moment, I really want to grab the collar of some directors who are filming anti-Japanese war dramas, and then say to them in a loud voice:
At the beginning, there were no blacks in the bloody Eighth Route Army in China! The years of resistance against Japanese aggression are by no means like child's play as described in these dramas!
What kind of attempt is it to distort the history of the War of Resistance Against Japan, downplay the hardships of the War of Resistance against Japan, and even allow foreigners to intervene in it?
This anti-Japanese drama can be said to be very dazzling, and the director seems to have completed the filming with his eyes closed.
He deliberately found a black man to play the "Flying Tigers".
The actions of this member of the "Flying Tigers" are not ordinary, and he shows an extraordinary temperament as soon as he appears. He did not choose to visit Lao Chiang for special treatment as a pilot, on the contrary, he took the initiative to contact the Eighth Route Army, expressing his willingness to join them to resist the Japanese invaders.
However, before he even had time to be accepted into the ranks of the Eighth Route Army, he had already developed a crush on a good-looking female warrior and embraced her in his arms without any scruples.
In this scene, doesn't the director feel that there is a strong atmosphere of "heroes and beauties"?
The actress's performance was quite good, and the reluctance on her face seemed to have overflowed off the screen, perhaps because of her fear of "foreign friends", so she did not struggle with all her might.
However, this name"Black Panther"But his face was full of enjoyment, and he kept shouting "beautiful girl" in his mouth.
His complexion was too dark, otherwise I would have thought he had something to do with the Japanese.
Perhaps because the female warrior didn't want to play a couple with the Black Panther, she quickly withdrew from the plot under the attack of the Japanese. This made our "black brother" feel very sad and ended up focusing on fighting the "devils".
In order to repeatedly suppress the audience's IQ, the director asked "Black Panther" to put on a Japanese military uniform, blend into the devil army, and become an undercover agent.
There were countless devils passing by him, and it was surprising that none of them noticed anything unusual.
Maybe it's because I don't think it's challenging enough to simply disguise yourself as an ordinary soldier"Black Panther"decided to put on a Japanese officer's costume, and his expression became extraordinary**, as if exuding"Osa", successfully intimidating a group of enemies.
However, instead of using this opportunity to extract any useful information, he directly seized the opportunity to shoot, single-handedly eliminating all the members of the entire enemy squad???
This unexpected turn of events allowed me to expand my thinking, but I still couldn't understand why.
What exactly are your plans to go to great lengths to blend in with the enemy's ranks? Is it to get the grenades in their hands?
In addition, in the following episodes, other "Flying Tiger Team members" will appear.
This time, a white man appears, and his appearance makes a great impression.
He looked like a student with a beard and bangs on his head, dressed in a dark red cheongsam.
It's unbelievable that he actually came to resist the invaders wearing **, and he didn't even shave his beard, will this be noticed? Maybe this is the so-called "one white covers a hundred ugliness".
The slander of the Eighth Route Army, the smear of the Flying Tigers, and the forcible addition of footage to blacks, is this cultural export self-absorbed or deliberate?
At present, not only is the Anti-Japanese War drama black and white, but long before that, "Keju Boy", which is under the banner of national style animation, has created a "black traveler", who showed his majesty in the historical background of China's Spring and Autumn Period.
The anime claims to "inherit and cultivate Chinese culture and sports self-confidence", but in fact it gives a highlight image to Odin, a black time-traveler who resembles the famous football star "Xiao Luo".
The only similarity between Chinese Keju and modern football is that they both use their feet to kick the ball.
A Chinese director directly assumed the "orthodox role" of black people in the film in order to attract attention, which is another example after rewriting the history of the "Spring and Autumn Period" with "Keju Boy".
In the 2017 movie "Ghost of Gui Street 2", a black boy wearing a dragon robe unabashedly plays the role of the "emperor of the Ming Dynasty", sitting on a dragon chair.
Although this movie is also a costume travel comedy, it is really intolerable to be so spoofed of the traditional Chinese emperor.
In order to attract more box office and attention, some film and television dramas deliberately create a sensational effect, so it is not surprising that there are more and more cases of incorrect views.
Although these TV series are obviously shoddy, they may still have an impact on a new generation of viewers due to the rapid spread of similar works on the Internet.
What went wrong in the link that led to the frequent appearance of divine dramas?
Just like "Black Panther", the anti-Japanese drama in which one person kills an entire Japanese team actually has some similarities with the frequent dramas in Indian film and television dramas, and one of the most popular works in the Indian film and television industry is "Anti-China Divine Drama".
Yes, their main goal is precisely against China.
After the withdrawal of the large army, an Indian soldier held his position alone and resisted the Chinese People's Liberation Army for three consecutive days, and finally died a heroic death, killing more than 300 "invaders".
I barely realized that the background of this film is "self-defense and counterattack against India", if it weren't for the time set in the plot.
Our PLA may not have been able to reach their positions in the first two days and 23 hours, is it because their main forces retreated too early and too fast?
No wonder he was able to stand alone against us for 3 whole days, is that why?
At present, in India, this kind of "anti-China drama" is flooding, which is even worse than the anti-Japanese drama, which has made many Indians feel unbearable.
Some analysts say that if this kind of plot is played out in India for a long time, it may lead to three outcomes:
First, deliberately distorting historical facts can lead to a serious impact on the public's true impression and judgment of China, making them mistakenly believe that the war can be easily won, as shown in the TV series.
This kind of bizarre plot will not only bring shame on the Indian film and television industry, but will also attract disgust and ridicule from audiences in other countries if it is broadcast abroad. After all, not every country is willing to face history.
Thirdly, in the pursuit of ratings, deliberately blurring positions and even distorting history to inflame hatred, such actions are not conducive to the stability of the country.
These words apply not only to the analysis of India, but also to the analysis of China.
If the plot of the anti-Japanese drama becomes more and more absurd, if it is not reasonably guided and controlled, its ultimate impact may be immeasurable.
The audience likes the ** Anti-Japanese War drama, firstly, to remember the martyrs, and on the other hand, to remember history and cherish the current hard-won peaceful life.
Distorting the history of the Anti-Japanese War, distorting facts in film and television works, and excessively pursuing entertainment effects are all inappropriate.
What kind of solution should be taken to the phenomenon of "frequent dramas"?